Thanks for the message, it's great to hear you're enjoying it so far. They really are impressive little recorders!

+Ben Mannell Hey Ben, I'm glad the video was helpful! I always look for a good video review before most purchases now too 👍🏼 Let me know what you end up buying and what your experience with it is, I'd love to know what you think.

Gordon Land Thanks Gordon, I appreciate the message!

Thanks for watching Trone!

Thanks for the message, one of these or a zoom h6 or f6 are all great choices.

@@DcSoundOp Big Tascam fan, never owned any Zoom products.

Thanks for watching!

Thanks Gabriel, I appreciate the message! Have a great weekend.

Hey Joshua, thanks for the comment! It's definitely on my list to do some tests with the cheaper recorders like the DR-70, Zoom H-series etc, comparing their internal pre's to putting a Sound Devices pre in front. Hopefully a video I can get to soon!

Look forward to that video.

Thanks so much for the positive feedback, it's great to hear that you enjoyed it!

Thanks for the great questions. I tend not to record with limiters, but rather try to anticipate any screams that may happen and have the actor test prior to recording to know I'm safe. If you are having ongoing issues with dynamics and capturing a performance, you might consider going with a 32-bit floating point recorder like those from Sound Devices or like the Zoom F6 - You can read up about how those help with this issue here: www.sounddevices.com/32-bit-float-files-explained/ For setting the date and month, you just need to push in on the DATA button after you set the year and you will be able to select those. You're looking for page 15 in the manual for the full instructions, but you were right next to it already. www.sounddevices.com/32-bit-float-files-explained/ Thanks again for the questions & for watching!

That's awesome, thanks for watching! I think you'll be really happy with your purchase, the 70d is a great first recorder. I'd love to hear what your first impressions are after you've used it a bit! Good luck!

Will do, thanks!

Thanks Mychal, really appreciate the feedback. Good luck & stay in touch ✌🏼

Hi John, thanks for the message. The DR-70d does not have any timecode abilities, you would want to look at the very similar DR-701d for that. The Slate function is just like you thought, it fires off a tone, but there isn't a speaker built in. You can use the DR-70's camera output to connect to your camera, or I've used headphones in the past to allow the camera's on-board mics to hear the slate. Not ideal, but manageable for small shoots these days.

Like I said in the video 03:19 - it's just the line output plugged into my laptop's 3.5mm jack.

Hi Sebastian, I'm sorry I didn't see your comment sooner. I'm not sure what you are dealing with, have you identified where the noise is coming from? I'm interested to know what the noise is, what filter you tried. There isn't much in a simple recorder and DPA mic setup that will get rid of noise, they can only record what they hear in the environment.

It sounds like you are trying to record two channels, but you have all four set to 'record' - I do briefly cover it in the video, and you just need to go into the settings for the two channels you don't need and set them to 'off' - let me know if this answers your question or if I've misunderstood what you're getting at. Thanks for watching, it's great to hear you found the video helpful!

Yep, all the channels were set to 'on'. So, I should just keep channels 1 & 2 on and set to mix? Thanks again!

+Lance J. Reha That should do it 👍🏼

Awesome, thank you!

Yes, absolutely 👍🏼

Hi Simone - the DR-70 can record four separate tracks, but it does not have the feature for a safety track to be recorded automatically as you described. I'm not familiar with the current firmware though or any updates they have done recently, so it would be worth checking to see if they've changed anything since I did this video. Thanks!

Check out my next video for those tests... with 4 channels of phantom power, it went just over 11 hours of real world use. Here's the video - kzfaq.info/get/bejne/jbGqdLlivs6YqI0.html

DcSoundOp Awesome thanks! Wow it looks like the stereo onboard mics use a lot of power, 3.5 hours vs 11 hours with 4 external mics on phantom.

Thanks for the great question. I don't know if I'd go from an H4 to the DR-70 if the size and style of the H4 works for you. The zoom H5, H6 or F6 recorders would be great options if you like the Zoom but want an update.

Thanks Gabriel, I appreciate the message.

Yes absolutely, there is a 3.5mm specifically for connecting between the DR-70 and the camera. Thanks for the great question!

Hey, no I’ve not had any of those issues personally or heard from anyone asking about that specifically yet. Can you link some of these reviews so I can check them out too? In my experience, Tascam recorders are rock solid. I’ve used almost everything they make in some sort of critical environment & they have always been reliable. Thx for the message.

@@DcSoundOp kzfaq.info/get/bejne/d554ZsyeqZ3Tp6c.html Also kzfaq.info/get/bejne/d554ZsyeqZ3Tp6c.html The comments on the second video seems to have some other users having had the same issues as the video author. Im not sure if firmware updates would have fixed that or if there were lemons..

A couple of things make me suspicious about those videos. First, the channel has turned comments off for those videos now, so I can't see the users you were talking about. Second, it is really hard to evaluate the issue this guy is claiming, when he isn't able to show the issue on camera. The one sequence he showed starting it up and the menu button not responding , was simply him not waiting for it to boot fully. This is a couple hundred dollar recorder, not a sound devices that boots instantly to previous settings. He could be having a real issue, but he hasn't done anything to convince me it's more than user error.

@@DcSoundOp Thanks very much. I appreciate you taking the time to share your thoughts.

Thanks Robert, I appreciate it!

Yes, absolutely! Thanks for the question!

Aleksandar Ljubojevic The camera output will follow any panning and adjustments you make 👍🏼

Many thanks! Much appreciated

No not at all, thanks for watching!

Peter, thanks for the comment! I did consider the H6 for sure, and really only chose the Tascam for the form factor. The way it mounts and the way you connect to it, just work for my workflow and setup right now. I could honestly see myself buying a H6 in the future, as the options for swapping out the microphone elements and recording 6 tracks is VERY attractive for some projects. I don't think you'll go wrong with the H6 if that's what you've been looking at so far... the pack with the X/Y module, the dead cat & the shock mount for $389 looks like a great deal - amzn.to/2iFrug5 [use this affiliate link to help support the channel at no extra cost]

It will work, but if you're spending $1k+ on a mic, you're probably more in the ballpark of a Sound Devices MixPre 3 or 6 at least for a recorder that will make you happy. The DR-70d would get the job done though.

@@DcSoundOp Yeah even that even I think that this kind of a film standard needs something like Mix pre. Zoom F8 would do wonders right?

No internal memory on these units. If you really want an internal recording option, you might consider going with a portable interface for your smartphone for convenience. There are tons of compatible options out there & some good software options too depending on the device you are using.

@@DcSoundOp Thanks. So it is just a mobile interface. I see. Good thing you have a bunch of connectivity options.

@@nerdzone No, this unit is not a mobile interface. I was saying (if) you are looking for an option with a built in hard drive, it may be a good idea to look at an interface for your smart phone.

Hey Hector, I doubt you'll hear much of a difference in the mic preamps between the two. That being said, I have not tried them side by side myself, so you milage may vary depending on how you're using them, the mics you're using etc. - Lensrentals.com will rent you an F6 for ~ $60 a week if you want to test it out for yourself first.

@@DcSoundOp excellent! Got it, thanks a lot!

Hey Jeff, I think Sam Mallery pointed you in the right direction with his answer.Great question though, I'll quote Sam here for anyone else with the same question: "Hi Jeff. What you’re trying to do isn’t going to work. It states on Page 25 of the user manual that the Dual Recording feature only works when you’re recording a single stereo pair of channels. So, if you’re using Ext input 1/2 - that’s a stereo pair. If you try to add another channel, it won’t work." - www.sam-mallery.com/2015/09/tascam-dr-70d-review-how-its-useful-in-video-production/ Thanks for the great comment! As for a video of all of the menu options... that would be quite a job! I'll keep that idea on the list though for a rainy day.

+Zac Grimaldo Zac, you'd want to make sure you have it set to mono recording. If you make a mistake and they come out as one stereo track, you can always separate them in editing. Feel free to shoot me an email if you need more details.

Thanks for the comment! Glad you liked it, feel free to share anywhere you think it might be useful!

+The EssPea Project Thanks for the question, the slate will put a burst of tone out to all outputs and recorded tracks. Like you suggested, this allows a program like premiere to easily sync everything up.

Yes, absolutely!

Yes, the DR-70d is a great recorder for beginners, as long as they take their time and read through the manual once with the unit in front of them to get comfortable with the menus. If they do that, the learning curve is very gentle. Thanks for the great question Michael.

Sounds like you are in mid/side mode.

Yes 👍🏼

Okay awesome would this be a good recording system for a beginner? Because I would like to own a recording system for film.

I'll be stopping by the Tascam booth at NAMM in January & I'll be sure to ask!

anne tzincoca Thanks for the question! I would imagine you do need phantom on the LAV, but you'll want to check your specific lav first to see if it needs it. I would start with the gain in the (mid) setting, which should be a good starting point for most professional mics in typical situations. Always aim to avoid clipping, you can always bring up the level later.

Wow, that’s a really unusual problem. I’ve never heard of anyone having this issue before, but out of curiosity, what version firmware are you running? It might also help to know what format you are recording in, what editors you’ve had this problem with, and if the files play in your computers file browser at all? If you have an example file, send it over to me @ dcsoundop@gmail.com and I’ll take a closer look.

There is a an initial on/off point at the very bottom of the gain pot range, where it goes from silent to on abruptly. After that though, it is smooth through the range with no noticeable artifacts or noise associated with gain being changed on my unit. I hope that helps!

The biggest difference is the 60D has two XLR inputs and the 70D has four. There are some other subtle differences, but that's the big one.

Thanks for the question, I didn't realize that Jackery had stopped selling that model. I've been using a bunch of the Anker USB hub stuff recently, but I'll have to order one of their batteries to try out and see how it does. Honestly, I have two of the Jackery models and they're still going strong and get used daily. It looks like they're focused on the larger solar generator type setups these days. But something from the Anker PowerCore line looks the most promising to me for a reasonable price - amzn.to/33Sxnfs

I found that it depends on what I set in INPUT / LIMITER. I'm totally newbie so I have no idea what does it mean. Can you share with me your all settings? I just received my Tascam today with shotgun mic Audio Technica AT875R.

Hey, thanks for the questions! Off the top of my head, I'm not sure I've seen the WIDE option in place of PAN, but I'd be interested in knowing what you're looking at. Any chance you can snap a photo? My settings change from situation to situation, as yours likely will too. With the 875R, you'll probably want to turn on phantom power, set channel 1 to record, start with low gain and see where your signal lands. I'd typically set the high pass at 80 to start, and use the limiter if you're not sure you are completely safe with your levels staying consistent. If you have any specific questions, I'd be happy to help get your set-up.

Thanks for the question; the DR70 does not work as an interface, unfortunately. A zoom H6 might be more along the lines of what you're looking for.

Thank you for the information. I bought one anyway for a steal. I used it with an inexpensive condenser mic. then line out to my camera and it sounds great! I also have an H6 already and this sounds as good, if not better. TY@@DcSoundOp

Unfortunately, unless there has been a firmware update this unit can be powered via the USB connection or it can be used to transfer files to a computer, but not as in interface. I know some of the less expensive Zoom recorders do allow this though & might be worth a look, if you can spring for the F6, I would be all over that in this form factor.

Ah that’s a shame, no worries

As far as I know, you can only monitor the mix, although if your're only recording two inputs for an interview or similar, you can pan the inputs to L/R to get some isolation in your monitoring.

thanks. that seems quite a limitation for a 4 channel mixer.

Absolutely, that’s a mirror less G7 I’m using in the thumbnail 👍🏼

Thanks for the question. The R44 is very similar in specs & I doubt you would be able to tell the difference in sound quality in a blind a/b test. It has a bit more going for it on the back end with processing and featurs like the built-in de-esser, and some folks say the roland build quality is better than the Tascam units, but I think it's really going to come down to what fits your use best. Sorry I can't be more helpful.

If you record to the Tascam, yes you will need to sync that with your video later. Thanks for checking out the video.

Gregors85 It sounds like you've got a few gain stage issues there. I use the DR-70 constantly & never have issues with level to the headphones or hiss on the line output. Without knowing what microphone you are using, and your settings from input to output... it's hard to say more, but you should be able to go step by step through the signal path and get better results with the proper settings for your purpose. Let me know what you find.

Ya it was the Output Gain was +26, i made it -22 much better

The Audio is still hissy but i heard a Cord can fix it.

+Jimmy a Geek If you plug a video micro into an external recorder like the Dr-70, you will not be using the G7's mic pres and should not get hiss, assuming you have the gain setup correctly for what you're recording.

so i just need to record and no post editing right, i just record and upload to youtube

That's going to depend so much on what you are recording... if it's something like spoken word, in a controlled environment, with minimal background noise, and you get the levels just absolutely spot on when you record, then yes it is possible. If you're working in less than ideal conditions then that, you'll often need to record a bit lower to leave headroom for any unexpected peaks to not clip and ruin your track. Then in post, you can safely bring the level up and do any other adjustments you may need. Going straight from recording to distribution would be a HUGE advantage, so I understand why you want to go that direction... but it's just not always possible.

dear can you watch my any video and that is the stuff I record and hiss is killing it

If you're getting hiss it's because your gain is set much too high when recording. Recording at lower gain settings and raising the volume in post will greatly reduce this. I'm a video creator and a professional recording engineer. Feel free to hit me up about audio questions anytime.

Orlando Woods I have it mounted on a Manfrotto 5001b - they’re a super light weight & inexpensive travel stand that I use a TON these days! Thanks for watching!

Thanks

Lady from Jacksonville Corona virus

Hi, thanks for the question. I have only personally owned the Zoom H2 in the past, not the current H2N model, so I'd hesitate to make any comparisons on sound. I will say from a practical point of view, the H2 was a fantastic little recorder that I kept in my bag with me daily. The DR-70d has far more functionality, but is also larger and less convenient to always have with you. As always I think it's more a matter of which one fits your needs better. The difference in sound quality is likely negligible at this price, so I would look to which one fits your workflow at the moment. Thanks for the comment! If you use the affiliate links in the description above when you're ready to buy one, it helps support the channel and no extra cost!

thanks for the reply!

Damn... you wait till I make 100+ more videos after this one to tell me my shots suck. That's messed up.

DcSoundOp at least they told you. They didn’t even have the courtesy of telling me on my videos :/

Thanks for the great question, unfortunately on this model the USB is only for power & file transfer. The zoom f6 might be worth a look if you need something small, versatile and battery powered to act as an interface as well on the go - amzn.to/3rZPIRn - that takes you close to SD MixPre3 territory too, which is worth a look amzn.to/3d3OX5F

@@DcSoundOp thanx for hitting me back

This one is the 70D & has no video features. You might be thinking of the 701D, which has HDMI in & out, but those are only being used to sync & transport the audio between the camera & recorder... they do not record video. I hope that helps, but I'm not sure what you are asking specifically.

My bad. I mean dr-701d. I bought dr-701d and use this with Atomos Ninja Assassin for video and audio recording now. Thanks DcSoundOp!