The director of Burning talks about his career at the 2018 London Film Festival.
Having established himself as a successful novelist and screenwriter before turning to direction, Lee quickly earned a reputation at home and abroad as one of South Korea’s most talented filmmakers. A master of intensely emotional human dramas, he attracted immediate acclaim with 1997’s feature debut Green Fish, an incisive critique of Korean society told from the perspective of a young man who is tragically ensnared by the criminal underworld. He followed it with the ingenious reverse chronology of Peppermint Candy (1999), offering a powerful socio-political allegory for key events in the nation’s history. After 2002’s refreshingly frank love story Oasis, Lee took a five-year break from filmmaking to become his country’s Minister of Culture. He made a stirring comeback with Secret Sunshine, an unpredictable work examining grief and deliverance, which was followed by 2010’s internationally successful Poetry, a profound meditation on the nature of life, death and memories.
Subscribe: bit.ly/subscribetotheBFI
Watch more on BFI Player: player.bfi.org.uk/
Like us on Facebook: / britishfilminstitute
Follow us on Instagram: / britishfilminstitute
Follow us on Twitter: / bfi