Kevin Cervantes Ibarra so the audio doesn’t go off sync

Same. You are a man who clearly knows what’s up

@@JamesVancePresents just us Plural Eyes or other software to sync audio to video and correct audio drift. No need to choose artistic methods based on some tech limitation that can be easily removed.

Same here. 60 allows for slow motion b-roll but at 24fps I can have a 180 degree shutter at 1/48 instead of 1/120 which helps a lot with low light, which is important since most wedding locations are DARK

Great strategy man!

Except motion blur added in post not only takes a long time to process but also looks strange and artifacty.

@@cmdr.shepard depends of the slowmotion you are using, rsmb is just ass

@@3n19ma what’s wrong with rsmb?

@@extasyAU RSMB, Resolve Motion Blur ?

@@laurenthenry doesn’t answer the question

does this work? Who else has done this?

Ela! DO you do this motion blur in the after edits or whilst filming? And why you set Shutter to 180? Not 120 as this is double the FPS?

@@anoukanansimeditations 180 in this case is the shutter angle, as in 180 degrees, not the shutter speed. Film cameras use this measurement, which is equivalent to twice the frame rate, in your case 120 fps for digital cameras.

@@WorldTravelHacks No need to do all that complicated ‘adding motion-blur later’. I shoot often in 60fps and then EDIT in a 60fps Timeline including dialogue so it’s realtime, no need to put it in a 24fps timeline. People it’s 2022 so do we really need to be shooting and editing at only 24fps because that’s what they had available in the 1930´s and 40 ‘s with their old metallic mechanical shutters? Many KZfaqrs insist on this traditional way of doing things. We now have the technology to do much better. 24fps has too much choppiness and motion-blur as there are too few frames for the processor to write to. Especially when panning or scenes with lots of motion you know what I’m talking about! I have done many side by side tests with this and that is why I often shoot at 60fps and EDIT at 60fps that way your audio is still in sync (everything is real-time not slo-mo) but you have more frames to capture crisp, clear, sharp detail and movement in the scene and especially when you pan!! You still get some nice motion blur. A little motion-blur is natural but fuzzy pixels and stuttering jittery motion when panning fast at 24p drives me crazy. It’s terrible at accurately depicting motion! Yes your files at 60p are larger, doesn’t bother me…I usually try to stick with the 180 degree rule for shutter so 1-125. You can try using it at 1-60 sec shutter as Gerald Undone suggests to minimized the ‘soap opera effect’ and add more natural motion-blur with the slower shutter.. SHOOTING AT 60P is so immersive and life-like and dialogue and ambient sound are perfectly good. (Edit in 60p timeline though unless you want slo-mo and if you want slo-mo by all means run it at 60% or 30% or whatever speed you need - you have a lot more frames to play with so no worries)

@@Pfagnan It's all about personal preference. I think the look of a film exported from a 24fps timeline looks way better than one exported from a 60fps timeline.

Happy you found this! Thanks brotha!

Hi you can easily sync. 60fps with your audio. This man is spreading misinformation. 60frames over one second and one second worth of sound will always sync up given you start them at the right time on your timeline. What a Dufus.

@@DannyGevirtz what do you suggest for drum covers where there is a lot of hand movement but in editing not gonna be slowed down?

Totally agree. Pretty much every tip / fact in this video is wrong. For example, if you’re shooting with a shutter speed 2x your frame rate, it’s so you AVOID motion blur.

for day s of looking and 4 minutes to get all my research answered.... wow

haha happy I could help! Thanks for watching!

But it doesnt really give the same feel as with shooting with a lower frame rate

Of course! Thank you!

Dude of course! Thank you for watching!

Thanks so much Gio! Gotta get back on the grind lol

Totally agree man. Thanks for commenting brotha!

Thank you so much brotha!!

Hm

Thanks so much Jonny! Glad it was helpful for you!

Glad this was helpful for you man!!

Thats so awesome to hear thank you so much man!

So happy to hear that! Thanks so much!

Thanks so much for watching Abigail! Glad it was helpful for ya!

Of course! Thanks so much!

Glad you thought so! Thanks so much for wacthing!!

Thanks so much Joshua!

thank you man!

Thank you man! Glad you enjoyed this!

Of course! So happy to hear that man!

Haha yeah its not horrible but its there! Thanks for watching Sarah!!

@@DannyGevirtz I am confused about the audio vs video. So if you shoot something with a camera at anything other than 24 FPS the audio and video will be out of sync? How does this work?

I wish I could quickly shoot back and forth! Thanks for commenting again man!!

Thanks so much dude! Appreciate you!

Thanks for this tip!

I do that all the time. Best solution because the motion blur we're used to is at real speed and nobody has the expectation of what slow motion should look like. I shoot high end car commercials like this and nobody has ever complained. The idea that it ruins the footage is ridiculous.

My guy! Thank you brotha. Appreciate you taking the time to check it out

Thanks so much Liam! Makes me happy to hear this. Thanks for watching!

Haha it is very valuable

Thanks for stating this. Exactly the info I was looking for.

Thanks bro! Hahaha i use to shoot everything at 60 too dont worry

Glad it was helpful dude! Thanks for watching!

Glad I could help you!!!

Thanks Byron! It all just takes time brotha. Keep workin

@@DannyGevirtz definitely, started working on my consistency, need to post at least once a week. Got the content but need to get that nailed first

Thanks so much for watching! So glad to hear it was hepful for ya!

Thanks so much!!!

Yeah for sure! Glad it helped ya out. Thanks for watching!

Haha maybe one day man! Thank you so much!

@@DannyGevirtz ya you should totally have more from what I've seen so far

same. i thought like 250-400k subs. surprised to see 50k.

@@DannyGevirtz keep it up bro. We love ur work. Sure u get 1M soon

Lol. He is at 300k now 😂 well done 🎉

Yeah of course! Thank you!

Yeah of course! Thanks for watching!!!

Glad you enjoyed the video man! Thanks for checking it out!

Hahaha I love to hear that man! The more you know!

So happy to hear this! Thank you!!!

Awesome Chuck! Glad to hear it man! Thanks for watching

Only been to Philly once but it's a beautiful place. Loved the rocky steps area

Wow you got a lot of subs since then

@@JimTheKid who me?

I would recommend canon M50 because of the light weight and compact. And just by a adapter and u can use all lenses of canon hope it helps :)

@@SURYAKUMAR-uz3ij ok

@@TasteNSmile quick tip if you go for the M50. If you're gonna shoot mostly in-doors with poorly lit conditions, instead of getting the Canon adaptor for EF lenses, go for the "Viltrox SpeedBooster" which will effectively give you more natural brightness since you're using all the Fullframe area rather than simply cropping it down because of the APS-C sensor. There's literally a dozen or even more videos about this awesome adaptor. My only downside is that I can't use EF-S lenses... only EF (fullframe).

Thanks so much! Appreciate you a ton!! Just a soft key and a harder edge behind me with a dark grey background

thanks dude!!!

Glad you thought so! Thanks Johnny!

Thanks for commenting Rashad! Depends for sure! Camera movement plays a big part in this as well!

Thanks so much man! Glad this all helpful! Making as many as I can haha!

Hey, can you please share your 1dx mark ii profile? I have the same camera and i want the same colors as you. I tried figuring out but not getting that look.

@@ShivajiGalewad Hey so i get asked this quite often and it has very little to do with profile. i pretty much just have everything pulled down all the way. saturation, contract, and sharpness all as low as possible. But its really just about getting proper exposure and reading light.

Heyy, thank you so much mann! I’ll try this, i used shoot in neutral profile.

ME too!! He is great!

Damn man that was awesome of you to say. Thank you. I appreciate you man!

@@DannyGevirtz

Thanks dude! Nothing crazy. I just have a soft source as a key doing some rembrandt style. The I have a harsher edge light directly up and behind me thats coming out tungsten.

@@DannyGevirtz Oh awesome. Thanks! I always see this look and wonder if someone is firing a light from the floor towards the wall behind you to get almost a halo effect around the body, But i guess it's just the hard light's spill hitting the back wall from above?

@@Ben-id1tc I think some people do that for sure. I was just trying to keep it simple! But yeah that's spill from the overhead edge light.

Thanks for watching man!

Thank you for sharing 😊

Glad to hear it! Thanks man!

For sure! Thanks Alex!

Glad you liked it!! Appreciate you a ton!!

Guilty☝🏻

Fucking newbs

Boo hoo

im gonna use 10 fps 😎 😎 😎 😎 😎 😎 😎 😎 😎 😎 😎 😎 😎 😎

Ohh bro I was looking for this answer all day long, that’s means if I want to use 60fps which is the best bitrate for that?

@@carlosmarco01 when it comes to capture, as high as the camera will allow. When it comes to encoding for publishing, as high as you can get away with. There's no singular number to answer that as there are multiple factors such as screen resolution, output platform (HDR vs SDR), and mostly content (fast moving vs slow, grainy vs smooth) etc. Just go for the high option when using high framerates.

Thanks so much dude! Appreciate that

Well if you already knew that Instagram or KZfaq would auto-scale it to 30 fps, you should shot everything at 30 fps then. Based on Potato Jet's channel, he said that the missing or extra frames when published would be either duplicated or taken out from the frames, which would make the videos a bit choppier.

This is the kind of questions that shouldn't be ever left unanswered. 24 FPS my a55

Hey Martin! Put the sequence in a 24 sequence! The clips will be framed down automatically but youll still be able to slow clips down. The only thing this video is suuggesting is that your 60 in yhe 24 timeline isnt a "true" 24 look, but it still works!

@@DannyGevirtz thanks that's the answer I'm looking for

Is it true?

@@SantertainmentIndonesia Yes cause 120 is divisible by all these fps. Though, the image will not have a cinematic look, because motion blur will be lower.

Unless you're also recording audio

If you want a true 24 which is what this video is about you cannot shoot in 120

For sure man! Thanks for watching!