The cinematography of Arrival || Bradford Young || Spotlight

Рет қаралды 38,954

5 жыл бұрын

This week Bradford Young takes us through how he related to the story in Arrival. He also talks about how it was shot to fit in with the look of the film.
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Thank you to the British Society of Cinematographers (BSC). www.bscine.com/
Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
Produced by ImageNova. www.imagenova.co.uk.
Email cathy@cookeoptics.com for enquires or leave a comment!

Пікірлер: 47

@mcdrobert 5 жыл бұрын

I love it when a DP is completely absorbed onto a project. How they live and feel the vision. This man is an inspiration, thank you Cooke for the spotlight.

@jorgejaramillomx 4 жыл бұрын

Most underrated cinematography in the last years. Every shot is a masterpiece.

@robbiefatt 5 жыл бұрын

Bradford breaks down the importance of focal length in this video. This is essential information every DP should know 👌

@jockoadams3377 5 жыл бұрын

Bradford Young and Geoff Boyle are my two favorite people on this channel. They are both great at explaining not only the "how" but the "why"... and both have a great inspirational tone.

@ibraonyoutube 4 жыл бұрын

I've been bingeing these videos for days and I'm glad to also see some diversity in the people you work with. Great contributions from Bradford Young. Looking forward to see even more diversity on this platform; would really love to have more insight from women

@HarrisonDillingham 5 жыл бұрын

To clarify, Bradford Young did not shoot Arrival with the Canon K35s. He used the Camtec Ultra Primes (Arri/Zeiss Ultra Primes with recoated glass--for softer contrast and more flare--they open up to T1.9) and Zeiss Super Speeds (Mark II or III--not sure which one Bradford used--these open up to a T1.3).

@sriharsha5036 4 жыл бұрын

The thought process is intriguing.

@tonysextonofficial 5 жыл бұрын

Excellent work on the choice of lens based on "Is this telling our story" way of vision.

@kylesimukka 5 жыл бұрын

This was a beautiful episode. I really do enjoy these episodes.

@TranslucentStudios 5 жыл бұрын

MORE! MORE! MORE! Hooray for CookeOptics!

@sam112293 5 жыл бұрын

more of this please! loved it

@luismonterrubio3678 4 жыл бұрын

Gracias, Bradford Young! Me ayudaste a encontrarme, me ayudaste a encontrar lo que busco. Ahora sé en que concentrarme. Felicidades, tu trabajo es excelente!!

@geovannyalcibia2102 5 жыл бұрын

These are wonderful. THANKS!

@mattiacono4121 5 жыл бұрын

Love it! Keep them coming

@danielbeeler5270 5 жыл бұрын

I love these, keep them coming please

@WritingTheActs 4 жыл бұрын

Bradford is excellent at what he does; good guy too.

@GrandpaSStudio 5 жыл бұрын

this was awesome! Thank you!

@Universalwindowsdirect 5 жыл бұрын

Great breakdown! Vision is key!

@candyartstv 5 жыл бұрын

This episode was fire!

@BenjaminKent 5 жыл бұрын

Cooke please do a special episode on lighting black actors

@imiy 5 жыл бұрын

Benjamin Kent why? Are they special?

@BenjaminKent 5 жыл бұрын

Imiy F. The dark skin is more tricky to light especially under low lighting conditions.

@imiy 5 жыл бұрын

I thought if they are dark in real life, then they should appear the same on screen. So you just expose the same way for any skin color, kinda neutral way. Especially if you have several different skin tones in the frame. Or the dynamic range issue plays role here?.. That's interesting.

@BenjaminKent 5 жыл бұрын

Well usually for me I feel they end up being too dark. So I'd rather not put them in the shadows..... Daylight is usually fine.

@rpholmes_ 5 жыл бұрын

The difficulty is about a stop difference between lighter skin tones and black skin tones. You might need a larger softer source or more light on a black actor vs a white actor in the same frame. Dark skin tones are some of the best to light. The light loves it.

@TommyPlesky 5 жыл бұрын

more of this!!

@Comedyschule 3 жыл бұрын

Thank you cooke optics

@andreyzorkin9715 5 жыл бұрын

Thank you, very useful video.

@coolness8891 5 жыл бұрын

This was very helpful

@VilkanVisions 5 жыл бұрын

Those focal lenghts that he is talking about are on what sensor size?

@marshallmoseswigglesworth8406 5 жыл бұрын

Marvelous :)

@graysongreen9853 3 жыл бұрын

this footage is unreal

@P13586 9 ай бұрын

The death of a child - the greatest wound life could ever inflict.

@endlesscode9933 5 жыл бұрын

2:32

@MightyThor10 5 ай бұрын

So ALL of the flashforwards scenes were shot a 35mm?

@alecmuellervisuals61 5 жыл бұрын

This was a really good episode! I just wish Bradford would pick up his voice a bit, he always sounds like he's trying to talk lower than he's capable haha

@khairyjenkins 5 жыл бұрын

Alec M Visuals sounds like he has a naturally horse voice. Talking much louder probably puts strain on his voice. That happens for my sister

@alex0589 5 жыл бұрын

Waya Lyric horse?