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'I look for sense but I get next to nothing / Hey, boy, welcome to reality'
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#thefallguy #fallguy #videoessay
Timestamps:
0:00 When is a movie not real?
5:22 How do we still enjoy them?
8:18 Materialising the simulacra
10:45 Viewer-oriented reality
13:43 End
Bibliography:
Jean Baudrillard, Simulations, Semiotext, 1983, trans. Phil Beitchman, Paul Foss and Paul Patton.
Robert Pfaller, Interpassivity: The Aesthetics of Delegated Enjoyment, Edinburgh University Press, 2017. P. 6-7, 44-5.
Pages shown:
jacobin.com/2023/06/jean-baud...
www.guinnessworldrecords.com/...
www.rottentomatoes.com/m/the_...
(Description topline is from the song 'Reality' by David Bowie)
In The Fall Guy, after leaving the business one year earlier, battle-scarred stuntman Colt Seavers springs back into action when the star of a big studio movie suddenly disappears. As the mystery surrounding the missing actor deepens, Colt soon finds himself ensnared in a sinister plot that pushes him to the edge of a fall more dangerous than any stunt.