そうなのです。工房近くに踏切があり、その音が撮影の邪魔をすることが度々あります。しかし、プロセスXのスタッフは、編集せずにそのまま入れたのだと思います。

ありがとうございます。 最近は若い人は入っても直ぐに辞めていくので後継者を育てるのが我々の課題となっております。

こちらこそお褒め頂きありがとうございます。

ありがとうございます。更に精進して行きたいと思います。

ありがとうございます！

フランスの家具職人の方から見て頂きとても嬉しいです。ありがとうございます。

replying to a Japanese video in spanish is literally offensive OMG

​@@Wooarghofensivo por que, cara-pálida?

@@Wooargh I think you're confusing french & spanish

コメントありがとうございます。加茂市出身の方から見て頂きとても嬉しいです。帰省の際は是非弊社茂野タンス店へお立ち寄り下さい。

継続するためにぜひ買ってください

コメントありがとうございます。現在、後継者不足でして、その問題を抱えております。どうぞ今後とも宜しくお願い致します。

By no means a dying art. There are a ton of us doing this. Maybe more so now than any other time, because information exchange is so easy via Instagram & here. EDIT: What's dying is people's desire to pay for quality workmanship. When I quote $10k for a table and somebody freaks out, I remind them it's a month's work and a good portion of that goes to top quality materials & overhead. Doing the math, I'm netting a tiny income for that "expensive" table despite what some initially think.

@@branchandfoundry560 I know exactly where you're coming from, it's a shame but that's the real world, quality takes time, wish you well.

@@maccjw Thank you

@@branchandfoundry560 Exactly. No consumer should go in blind thinking they will pay IKEA prices for handmade furniture. You are paying for the expertise of the crafstman, their ability to pick out the finest wood and assemble it flawlessly.

40年ほど前に日本に留学されていたのですね。桐のカンナ屑の匂いが残っているなんて素晴らしいです。是非日本へ来られる際にはお立ち寄り下さい。

ありがとうございます！

cuck

Per the homepage it is 935,000 yen.

@@goodwinjapan A serious bargain at $6,350 USD. Not that I can afford it, but custom hand-made fine furniture that is of heirloom quality can easily run into the five figure range for something like this.

so, how much this cost in japan ?

Yes because you guys are thieves. Overpriced low quality products are common in the US. Shops here sell crap made in China and are still expensive so I don't know what you are talking about.

Agreed. I'd love to import a planer like that. To my knowledge nothing like that machine exists in the U.S.

昔はよくCMで見てたｗ

Uu7uu

Móvel de qualidade top

Отличная работа

そして、２段目押すと他の段が… 子どもの頃、そんな品質のことなんて考えずに遊んでたなぁ。

ありがとうございます。自然素材で手作りは日本においては当たり前ですが、弊社のような小さな会社でも今年で97年を迎えます。

ありがとうございます！

I don't believe it's a question of matching or not matching English woodworking. The traditions are very different, and if you look at what has been produced within the very broad range of designs that evolved in Great Britain from the 18th century forward, compared to the quite narrow scope of furniture design in Japan, the Japanese are an infancy compared to the English. The complexity of design that calls for very advanced technique is far and above in Great Britain, and with chair making the English leave Japan in the dust. That doesn't go without saying that when it comes to fine Japanese craftsmen, what they do they do very well with a high standard producing very tight work. There are still a few around today.

こちらこそ、ありがとうございます！

そうなのです。桐たんすは日本独自の伝統工芸家具なのです。ありがとうございます。

私の田舎では娘が産まれると桐を植え、嫁ぐ時にその桐で箪笥を誂えて嫁入道具にしたと聞きましたが？　乾燥などはどの様にしていたのか？動画を観て不思議に思いました。確かに成長の早い木だから納得していたのですが…

ありがとうございます！

ありがとうございます！

桐は国産木材で一番軽くて柔らかい素材です。十分に天然乾燥すると収縮率がとても少なくなり、桐たんすに使うに適した材となります。コメント本当にありがとうございます。

We have grown these trees. We currently have over 1400 Paulownia Tomentosa up to 26" in diameter, in different stages of maturity. We sell complete logs, well seasoned for over 2 years, or will saw dimensional Paulownia up to 2" thick and 20' in length. All our wood is free of knots and insect damage.

That is a good sized log (called Kiri tree) here in Japan. Sometimes you find larger trees like that, but they have become quite scarce. A lot of the Kiri currently used inJapan is imported from China, and many say it is inferior to the Kiri in Japan. An interesting thing about that wood is that it is dried by keeping it outside exposed to rain, or sometimes after being sawn up, it is kept in a pond of sorts. Without the exposure to water, an undesirable color, kind of a blotchy purplish comes out to the surface of the material, making it unusable. Even being outside exposed to sunlight it seldom cracks. The water drives out the unwanted color, or something like that. It dries relatively quick, being a not heavy less dense wood. A light wood, but not the easiest wood to hand plane with the best results. It makes good drawer making material, said to help keep out moisture in a humid climate. It's traditionally used that way.

@@f9qo I was interested to see how thinly many of the boards were sawn, for drying. I suppose Paulownia must be quite dimensionally stable to allow this, without warping or twisting beyond usability?

Traditionally in Japan the wood was used for a type of cabinet work, or commonly used for the internal parts of drawers where the cabinet's main material was a different wood. Much thickness wasn't needed, so the boards are sawn relatively thin and generally dry without much cracking or distortion. My own experience with the wood for a large cabinet, I had the boards sawn about an inch thick, probably thicker than was necessary, and likely so given the final dimensions. I wanted to be cautious with a tree that belonged to the customer, planted when a child was born. The drying all went super well regarding stability and moisture content, about a year exposed to rain out behind my shop, then I kept the wood inside for a couple months, thinking it would help even things out if needed. I would venture to say that if you are starting out with a good straight log that is from an older tree with tight grain that grew in a desirable location, the desired results when drying might well be better attainable than wood from a younger tree that was of a lower standard. I've seen Kiri sitting outside a guy's shop that was thinly sawn a half to three~quarter inch thick, to be used for drawer sides and whatnot.

ありがとうございます。コメント頂きとても嬉しいです。

こちらこそ、ありがとうございます！

これらは芸術作品ではなく、普段使いの伝統的家具なのです。お褒めのお言葉ありがとうございます。

​@@katsujishigeno3094diante do que é a indústria moveleira descartável atual, essas técnicas tradicionais são arte para quem dá valor ao trabalho de qualidade. Desejo que essas técnicas tenham continuidade.

@@WiltonSilveira さん、コメントありがとうございます。この技術を後の世代まで残したいと思います。

@@katsujishigeno3094 eu sou um brasileiro de 63 anos, da cidade do Rio de Janeiro. Eu desejo ser um marceneiro e carpinteiro nas horas de lazer, por hobby. Não tenho espaço e nem dinheiro para realizar esse sonho, por enquanto. Minhas ferramentas para isso ainda são bem poucas. Vejo os vídeos e acesso textos sobre carpintaria e marcenaria, inclusive a japonesa, e fico com grande vontade de comprar essas ferramentas. Um exemplo são os serrotes japoneses, que a poucos anos eu nem sabia que existiam, mas que me deixaram fascinado. O pouco que vi e li sobre as técnicas japonesas de junções me deixaram com o desejo de praticar elas. É um prazer estético ver estes vídeos. E fazer essas coisas tem algo de "terapia ocupacional", capaz de me desestressar da rotina diária. Até para eu poder realizar esses desejos, é fundamental a preservação dessas tecnologias tradicionais japonesas. Aqui no Brasil eu sei que tem uma escola inspirada nas técnicas japonesas, acho que em São Paulo, mas no momento é inviável para mim fazer cursos nela. Enfim, nunca é tarde para realizar um sonho desses.

ありがとうございます。オランダの方！

ありがとうございます。ご評価頂きとても嬉しいです。

ありがとうございます。とても嬉しいです。

ありがとうございます。

You probably meant to say “more money cost”))))

ありがとうございます。とても嬉しく思います。

ありがとうございます！

アーティストでは無いですが、お褒めのお言葉頂戴しとても嬉しいです。ありがとうございます。

トルコの方、コメントありがとうございます！お褒め頂きとても嬉しいです。

Yeah! It snow too .