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“Tone is not important,” is an interesting phrase to hear while filming a Rig Rundown. But Underoath’s Tim McTague has good reason to shake his head at tone purists.
“Gear infatuation can be super cool because it’s a passion or a hobby, but it’s not necessary for me to do my job. I don’t want to degrade anyone who is into it, but it’s not my thing,” admits McTague.
So, what is his thing? We found that what he had to say during this Rundown echoed what he told PG in 2018 after recording Erase Me.
“One of the special things about Underoath is we’ve always been energy- and vibe-focused. We play as much or just enough to where it gets the point across.”
And during our Rundown, he continued along those sentiments: “To me, what’s important is energy and things that move the needle with a room full of people. My tech Diego Casillas is a tone geek, so when I can get someone to use technology that’s efficient for my onstage focus and sounds awesome, it’s really the perfect marriage.”
While he’s not precious about his gear, the resulting conversation with PG’s Perry Bean at Nashville’s Marathon Music Works before a sold-out show on April 2 was both provocative and pragmatic. He explained why he “doesn’t need to tour with nice guitars” but also acknowledged the benefit of digital gear and programming. He noted that he tries to keep it “punk rock as possible.” Then the next thing he said, sarcastically, was “wanna check out my computer?” All in all, what this Rundown lacks in guitar gluttony, it makes up for in rational substance.
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[Brought to you by D’Addario XPND Pedalboard: www.daddario.com/XPNDRR]
00:00 - D’Addario XPND Pedalboard
00:15 - Underoath Live
00:31 - Timothy McTague Intro
00:58 - Gibson SG Special HP
03:44 - Simplifying Setups for Better Performances
05:46 - Squier Vintage Modified Baritone Jazzmaster
11:40 - Writing New Material & Alternative Tunings
16:43 - Fractal Axe-Fx II XL+ Scenes & Setup
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