While shooting sci-fi short "New Air" (over only 4 days, with 3 props, 2 actors all on 1 LED stage), we kept saying our filmmaking process looked as much like science fiction as our actual film.
In this video, we take in-depth look at how we made the film from script to screen in interviews with our key cast and crew, featuring the film's Director, Producer, DOP, Head of R&D, Lead Actress, Virtual Production Designer, and our Sound/Score Supervisor.
What was it like producing the entire film with Virtual Production?
What was different about our production pipeline? And why?
Key moments:
1:20 - 1:42 Our cinematographer's perspective on working with Virtual Production
2:11 - 2:46 What kind of R&D was needed?
3:38 - 3:50 What was it like as an actor inside the LED volume?
4:07 - 4:26 How does Virtual Production change post-production?
4:30 - 5:08 What changes for the Sound Department?
5:10 - 6:00 Utilizing Previz as a data iteration process
6:01 - 6:32 Our software and hardware
If you haven't seen the full 9min sci-fi short yet, here's the link: • NEW AIR | Watch the 1s...
Check out our other behind-the-scenes video here to learn about all the new methods we used filming with virtual production: • Virtual Production | 3...
Huge thanks to everyone to helped make this film possible, including our amazing cast, crew, the Versatile R&D team, and also the technologies that have enabled us to create the Versatile Virtual Production system, especially our friends at ‪@NVIDIA‬ and ‪@UnrealEngine‬
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