Great review!!

Thank you very much Sam. This was awesome. I needed this. I actually have been frustrated with the V global command where once the instrument was closed it wouldn't open again with the V command. This works wonderfully. Keep up the great work!!!!

SOLVED! SUBBED!

Martin Mark Lopez Thomas Williams Thomas

Can you share the settings of regions to total other project

Love the no-frills video title. Thanks for the explanation!

Great explanation, I always thought it's bug, not a feature.

Well put together analysis of a complex product concept! Thank you VERY much. 👍😎👍

Maybe I'm missing something. The same can be achieved by clicking on the solo button on multiple tracks and then it solos the tracks I want to hear. So if I have 40 tracks going and I press solo on 5 of the tracks, I hear just those five tracks.

Bruh, I know this video is a few years old right, BUT, through the whole 38 minutes of this video, moral of the story is....... USE YOUR EARZ!! Or, am I reading into this too much.?? Being these are plugins, who's to say the emulations you are comparing Logic's to, unless you know the REAL sound, even if you knew the real sound, you have to use your ears.. This was outstanding man.. This video tells me, Sonics, you gotta know that poop.. Logic wouldn't have different flavor emulations in ONE, compressor.. OUTSTANDING VIDEO young man..Wow, you just said what I said.. Edited.. my Bad bro..

Hey Sam, problem fixed ! My particular problem was changing cables. My interface (SSL 12) works with a USB 3.0 Type C cable without the need for a power cable or drivers (Class Compliant)... very nice thing, really! I accidentally plugged in a USB 2.0 Type C cable and the computer was probably not sending enough power to the SSL 12 to process the data properly. I changed the cable and life is good ! Have a nice Sunday.

Thank youuuuuuu!

Is there anything similar in Cakewalk or a plugin that does this?

Great video Sam…my go to is the Austrian Audio OC818…does everything exceptionally well…one mic to rule them all…🤘

Thanks Sam. I will definitely look into getting this mic. Vox sound great!

Why yiu acting jesty

Hi Sam, I'm Raphael. Sometimes drop by your channel as I'm very interested in your comments and explanations. Today I have a question for you: I work with Logic Pro 11 and I have recently bought a new interface (SSL-12) and from time to time this window appears: ‘Recognised sample rate 40.073. Check the conflict between Logic and your external device’. The sample rate chosen is 44.1 and the SSL-12 interface is connected via ADAT to a Focusrite 8-channel device, being the SSL-12 the master. Do you know why? It sounds like a sync problem to me, don't you think? Do you have any idea about it? Thank you very much and best regards from Hamburg, Germany.

Logic is Mac only, and I have a Mac with no ALT key on it, I DO have an OPTION key though.

Help me😢😢 How to distinguish just one person vocal from two people's conversations? Its a phone call between two people.

This is an excellent and very helpful video. It's also a reminder that compression and equalization are the foundation of all recording. It's impossible to record anything well without getting those things right.

You are brilliant

THIS IS SO AMAZING!!! I JUST QUANTIZED A PERCUSSION LOOP TO MY DRUMS IN ONE CLICK!!!!!!!!!!!!! Lol forreal, thanks bro.

so amazingly helpful. fantastic. thankyou

This is like what we got in web dev work for testing mobile apps, except this is resting audio on mobile. Really cool! Will give the trial a test

Really useful tip about the mix all the way up on the plugin, for a long time I struggled with the concept of balancing the 2 signals and it always used to sound muddy so having the bus plugins purely wet is a great shout!

I edit video, so the analogy with serial and parallel nodes was brilliant.

ur a g thank you so much

I tried this and it didn't work. I already had done some Flex Pitch stuff in a vocal track and then changed the tempo, tried your method and hit ok, then put flex back on and it popped back to the old flex info in the old tempo. I honestly thought you'd solved a years long issue I am having. Any thoughts on why its not working?

Omg you're a legend!

thank you for your service!!! xoxoxo

Hey man this is great, could you also provide examples of how they sound?

for any up and coming producer - bear in mind what type of music he does, it may not fit your genre...

Ableton's Glue compressor Sonible pure:EQ Pulsar Audio 8200 EQ and MU comp bx_control 2 All IK Multimedia plug-ins

wicked plus

Thank you so much.. I forgot that I recorded the original session in Protools .Plus you just exposed this major flaw. The usual method in Logic Pro flex mode does not function as it does with a session created in Logic. I shall remember this for future endeavors. Big thanks. JM🏅🏅🏅

BSA Clipper, Waves SSL Comp, E-Channel strip, CLA-2A, CLA-76

In two minutes I learned more from this gentleman than some donkey who prattled on with confusing similes for 11 meandering and unhelpful minutes. thank you sir, you made busses make so much sense.

I think I’ve found the right video thanks for your help. The issue I’m facing is for example, I record a 2 bar drum loop into logic from my external drum machine as audio. I then copy that 2 bar loop and paste it to the next bar, but the kick comes in earlier than how it’s recorded!! This is terrible when I spend time getting the swing how I like it outside of logic. On the flip side if I just say f**k it, I’ll try record the whole 3 minutes of drums and melody and record my bass line to it after. Then towards the end of the recording is not at the same point on the grid as the start - meaning if I paste a looped bass part it will be later in the pocket than the drums and melody at the end. Sorry for long explanation but I’ve only heard people talking of latency and not the opposite, coming in early. Please help if you can, nightmare fuel this stuff

Fast and to the point!

Naming just five is too hard. Waves: R-Bass L1 Kramer Tape Scheps Omni Channel MV2 UAD: API 2500 Fairchild 1176 Soundtoys: Echoboy Crystallizer Decapitator Fab Filter: Pro-Q3 Pro-L2 Plugin Alliance Lindell Audio 50 Channel Sir Audio Tools Standard Clip Kush Audio Omega 458A or TWK Valhalla Space Modulator This isn't even getting into amp emulations. Some of these have very specific jobs. For example, I use the Space Modulator in parallel to add a little movement and width on the bass guitar using a setting I call "Andy Wallace trick."

Great video!! Thank you!! What sample packs did you use?

This is the short way?? I can see its application but if Im in the mode and I want to move quickly It is far faster to just copy the parameter in the eq to the next and move to the next thing... If I end up at the same place ill take the faster way every time but I see a lot of commenters saying that this is what the way they wanted to do it. Or this was "exactly what they were looking for" To each his own i guess. Good luck to all. ✌🏽

For me, it's the workhorses: FabFilter Pro Q 3 and Universal's CLA series of compressors; 76, 2A, and 3A. My master mix bus is almost written in stone with BX's Townhouse compressor, Kiive Tape Face, and BX Limiter True Peak. Whatever I add or subtract, these are in my basic template.

Chow Tape, to get the harshness out on guitars, cymbals etc. A free plugin.

hey man. Huge fan of yours. not just audio engineering, also your vocal and ins playing as well. i'm struggling with mixing violin, and as far as i look i can't find anyone who teach or done what i'm trying accomplish . i'm trying to cover some audioslave,queen and other rock icons and playin all of guitar solos with violin. i wanna achieve a frontal tight violin sound. kinda like when you bring a vocal upfront. what i'm struggle is compression and EQ. i can bring my vocals (rock) up front using serial comp but when i try that with violin, bow articulations are so magnify and unpleasant. i'm not sure if this is your expertise, but since i really like and trust in what ever skill you have, i really appreciate if you give any tip, some reference or anything at all. my gears: Ins: violin Interface : Clarett 4 pre Preamp : Blue robbie Mic: Rode nt2 and sm57 (w se dm2 pre gainer)

best aggregate tutorial video honestly also buy your dad an Audient dude lol

Only a handful of KZfaqrs in this space are as crystal clear. Sam you definitely in that group. Thanks Sam ☺️👍🏾

Your series and parallel explanation is the first time buses have made sense to me. Thank you so much!

Gratitude 🙏

Wow, I can't believe I'd been racking my brains over such a simple reason! When I input stuff on the keyboard, I basically record it in real time and then edit it, but I was concerned about latency, so I had it set to low latency mode all the time. Thank you, Sam!