Do you cut into the canvas with the scraper/card? Or do you load it with paint? I’ve tried many times with a palette knife but it’s tricky! A lot of times it’s wobbly and gives me irregular lines.

@@DannySabraArt I load the edge of the card or larger silicone brush (the big flipper). Really helps with a fine line and control. With the mahl stick, even better control keeping a straight line that is even in width. You can touch it to the canvas and connect it as you go or actually practice drawing the line until it runs out of paint.

Btw those silicone brushes come in all sizes. I have used the flipper to push paint around. Have you played with cold wax yet?

@ArtFlowersBeeze8815 I’ll have to try this!

@@idkhowdallon241 thanks!

Yeah. It’s super hard for me. I do the same thing when I have free time. I think it’s easy to feel like “if I have time it won’t be as hard to get it done” so we let off the gas. When in reality it’s the opposite!

Do it! It makes a huge difference!

I agree! They tend to be pricier than other retailers but they also tend to have more stuff and higher quality supplies. And you’re right often the staff is great

Thank you so much! The landscape there was just perfect!

Lol I wish. Next art goal! Haha

I think Ultramarine, Burnt Sienna, and Yellow ochre is what I revert to when I want to keep things simple.

That’s a fantastic palette. I’ve been using it most of the year. You get weak greens and purples but especially in the winter and early spring it’s great for landscapes. Have you ever tried Indian red? It’s an earth red but it has some nice saturation

@@raindog2262 thank you! Glad you found it helpful! I’ll try to do some more of these soon!

Thank you Trish! I’ve been experimenting with Canson’s “Mi Tientes” board. It’s archival colored paper on archival board. I think it’s intended use is for matting, but since it’s archival surface I’ve been experimenting with it. It holds the gouache nicely, has a subtle texture and best of all I can cut to custom sizes and easily frame. A 12x18” board is a little under $5 at my local art shop and it’s been lasting me a while so far! I think it’s superior to mixed media paper if you don’t mind cutting it to size (can be done with a utility knife) They have a ton of colors and it’s been a time saver in not having to tone it myself. I want to play around with some other colors as well. Highly recommend. I might make a video on it one of these days

@DannySabraArt ​​⁠ That’s so cool!! Might be a good thing for me to try before my en plein air trip to Lake O’Hara. It could be safer for my paintings when backpacking.

@trishnewbery161 Definitely worth a try for sure! I’ve really been favoring boards for their ease of framing options if you might sell one. It frustrates me how most watercolor blocks are cut to European sizes and are difficult to frame without custom mattes and frame sizes. I’ve been painting in standard photo sizes and can get frames easily. It’s also pleasant to paint on something more firm and substantial and in a way it feels more “legit” to have something solid than a wavy piece of paper at the end. But I still use WC paper for sure. I’ve just been preferring it lately for those reasons.

@@JaanColorsArt thank you Jaan! 🙏

That’s a really interesting insight Brandon. I think I’ve noticed that too with some of my more transparent colors for sure. I recently intentionally was playing around with glazing and I was surprised at the Intensity of color that it gave me. Almost too much for the passage I was working on! Sometimes I water down gouache for transparent passages but it’s almost always on a white background. And with regards to settling on a palette I haven’t either. I think it’s too much fun to fiddle with variety and experiment. But sometimes I know that possibly holds me back as when I started I used the same palette for a couple years and was able to really dial that in. So there’s benefits to consistency too. Follow the muse!

Thanks Michael! This is a Mi Tientes Board from Canson cut to 4x6 dimension. It’s their toned archival paper that they glue to archival matte board. I find it’s a really nice surface to paint on and I enjoy that I can custom cut it to size and the boards are easily frameable. This color is called “tobacco” but they have a lot of different colors and I’d like to try some other ones. Highly recommend!

It’s pretty economical as well. A 12”x18” board is about $5 so you can make a lot of smaller boards with it easily. It’ll be a while before I run out. I’m going to try painting with acrylic in the next couple of days so that’ll be interesting to see how it goes.

@@DannySabraArt amazing! Thank you so much. I really appreciate you taking the time to respond.

@MichaelWurmJr absolutely! No problem

Thanks CD! I thought about it! I kinda want to try some negative painting possibly with just white on this toned surface. And I think you’re right about blue! I’d like to experiment with more blues and really dial in various color palettes

@@steamyb2 that’s a great palette! I’ve been playing around with rotating out a primary over the past couple years. There’s a pthalo blue by Utrecht in their gouche line that is a PERFECT sky blue. But it’s tonal value is much higher than ultramarine so it’s always interesting to experiment with that one. I’ve also been using black on occasion to give me more of that tonal value depth that I lose sometimes. I’ll probably talk about that in one of my next videos.

If you apply an isolation coat first you can. But the gouache layer must be sealed first before applying any varnish otherwise the painting will be ruined. The only exception to this is if you want to use wax medium as a varnish but this is not removable. One of the main purposes of varnishing is to be able to remove and reapply the varnish in the future to clean and restore the paintings color after time. So only in that one instance if in fact you don’t want to be able to remove the varnish, than wax medium is the only varnish I know of that can be applied without an isolation coat or sealant. Some spray varnishes may also work but likewise be unremovable. If on the other hand you do seal the surface and apply and isolation coat you may use any type of varnish you wish and the painting will remain intact and you may remove and reapply varnish in the future for cleaning and restoration. Hope that helps!

@@DannySabraArt thank you so much, very clear explanation ❤️

@@hisanamikazi8492 you’re welcome!

Thank you so much.

Thank you! I really needed that encouragement today!

Absolutely. I know I need to make a video on this soon that might explain it better than I can here. Are you thinking gouache or oil or watercolor or all of the above?

@@DannySabraArt just gouache at the moment :)

@allisonperry1734 right now as seen in this video, I’m actually using a traditional painters palette and taping my boards to it. That way it’s all handheld and I’m fully portable to stand or sit or move or walk without the use of a tripod. The next step you could do and what I might design in my own palette someday would be the use of a tripod Mount on the bottom if you can’t stand holding a palette. The next step up from that would be a vertical palette. I use the Daytripper from Prolific Painter but there are many other models out there. It’s a larger set up and requires a tripod. Lately I don’t like using it because of all the gear but it’s great for large paintings or long sessions. The pallets by NuWave look really promising but I haven’t tried them yet due to the price! You can also make your own like James gurney. Check out his “gurney sketch easel” Facebook group or KZfaq videos. I might make one like that someday as well. Another thing I’ve been doing for gouache lately is a cut out board of chip board with velcro attached and I apply pieces to my sketchbook and it sits on there plus a small water cup and rag. I use this in my zoo sketching video. I use the Portable Painter Micro Palette, also with Velcro. Very easy but not a lot of mixing space. They have a larger palette but I don’t think it would fit on a hand held board so that’s why I’ve gone with simply a hand held painters palette and adhere my painting surface to it. The only drawback is losing the ability to paint with the surface vertically but you do get the benefit of some watercolor techniques and I don’t miss vertical painting that much. But you have to decide for yourself. As for paints I often paint with only three tubes plus white. I try to stick to 2-3 brushes. I really like Princeton velvet touch brushes. But other brushes by them are really good. If you get a large flat, a small/medium flat and a tiny round for details you can really do a lot with that. I have been painting on illustration board or toned matte board as seen in this video. I can cut it to whatever size I want and it frames easily. I also really like painting on cotton paper used for watercolor. It just depends on what size you want. If you get watercolor paper you can get a block and then cut out the paper when you’re done. I adhere the blocks or boards to my easel with painters tape on the backside. Never had one fall off. I draw with a normal pencil and sometimes a fountain pen. A collapsible cup for water is nice and my secret weapon is a “travelers vest” similar to a fishing vest but it has lots and lots of pockets. I can keep all my sketch stuff in there. Others like using backpacks or Fanny packs. Whatever is your style! Hope that helps!

​@DannySabraArt It does help, it's useful to know what you're doing. I learn from watching other people a lot but I'm the only person that I know who paints. Thank goodness for videos such as yours. It's very generous of you to list all of that out for me. I really appreciate it. Looking forward to more videos!

@allisonperry1734 I am mostly in the same boat myself so I totally get it! Thanks for your awesome question and support!

Thank you Peggy! 🙏

Thank you! I’ve been enjoying just using these three for most of my gouache sketches and I like them. The two flats are by Princeton and I need to check what the small round is. Either it’s Princeton or Winsor and Newton brand.

@@DannySabraArt thanks for sharing...i too am fan of Princeton...especially velvetouch and catalyst also aspen series..your long flats are superb. I stopped gouache few months..was trying acrylics.. but now im back with more interest in gouache

@sujanithtottempudi2991 awesome! I’ve been also playing around with acrylics a bit and mixing them as in this video. I want to do that more I think.

@@DannySabraArt Experiments in Art is so much fun...never a waste as it teaches us something anyway...who knows maybe that road leads to your own style

@sujanithtottempudi2991 exactly. Every painting has a lesson

Thank you so much!

I think it can crack if you paint with big impasto, especially if on a flexible surface.

Thank you. I’m not sure what S Bann is but I hope you find a good solution for that. 👍

It's a city train in Europe. Like subway sort of. We'll the same for any public transportation I think might be challenging... thank you fir the tips of course.

@tatjanaelevate thank you! Someday I’d love to paint in Europe. It’s a dream of mine.

Thank you! I appreciate it! It’s good to be back

Thank you! I’m always experimenting with underpainting and drawing tones. Alizarin is nice because of its transparency too. I haven’t used it in a while, so I might need to bust it out again! Lately I’ve been doing my drawing with pencil instead of the brush.

Thank you! 🙏

Thank you! I should be getting another process video out this weekend!

Yes there are other ways to do it. If for Instance you want to transfer a photo, print out or even from an original drawing you could do the same procedure on the back of the photo or drawing. You can also coat the back with charcoal instead of paint. This is how the old masters used to transfer their drawings. The drawback to this method is that it can ruin the original drawing or at least damage it, but if all you care about is the transfer and the finished painting than you can skip the tracing step. Hope this helps

Haha. Thanks

I’ve heard that too. I also know that the impressionists were some of the first to paint on white surfaces because they liked how it made the colors pop more. I think it’s all about trying different techniques and finding what works best for you and for each individual painting

@@DannySabraArt indeed! I was wondering how artists choose color for the underpainting and your videos were very helpful in understanding how it works!

@tali_vanderkat thank you! Glad it was helpful!

Give it a shot! It’s fun! I’ve been experimenting with different underpainting colors and it always effects the painting in unique ways.

Por algum motivo, o KZfaq não me permite adicionar legendas automáticas a este vídeo. Vou continuar trabalhando nisso. Eu sinto muito mesmo!

@@DannySabraArt agradeço pelo retorno amigo!

obrigado! 🙏

Thanks Susan! Yep I do have some of their water mixable mediums as well! I know using water during the painting process is hotly debated as is using any solvents for traditional oil painting. I know there are many perspectives on the issue. I’ve been trying out all kinds of methods over the past year and still trying to figure out what works best for me. I like the simplicity of WMO though!

Unfortunately you cannot do so in a way that is archival or will last. The reason is that since oil paint is oil based it will repel the gouache which is water based. You can in theory paint oil on top of water based paints. This is most commonly done with oil on top of acrylic (most store bought gesso is also acrylic based) there are of course people who argue or speculate that that is not as archival or time tested as oil on top of oil based primers which is a more historical way to prime a painting surface. Of course I think it’s safe to say most painters do paint oil over an acrylic ground. If you tried to paint oil over gouache most likely the gouache would reactivate. Another pint you might consider if you want a matte underpainting would be the use of casein, which is a milk based paint. It’s similar to gouache in its look and feel but has a stronger emulsion and once dry won’t reactivate. Some painters do use it for an underpainting before going over it with oil paint. But the easy way to remember is oil can go over water based paints but not the other way around. Like how oil will float on top of water.

Thank you

Thank you so much! I used to only do short videos but I like sprinkling in the longer ones because I realized it’s what I found most useful when I started out myself and hopefully for those who are interested they can maybe find a tidbit here or there that’s helpful to them.

What do you recommend?

You are so kind! Thank you so much! Welcome to the journey! 🙏❤️

I’ve heard spike of lavender oil which I’m not sure if it’s the same as essential oil or not, but I’ve wanted to try it sometime! I use just regular walnut oil to clean my brushes and it’s really nice

Thank you! The struggle is real but there’s absolutely ways to do it and make it work for you!

Haha. Yes I don’t recommend that part!

Thank you so much Julie. Comments like these make it all worth it to me. Keep going and don’t give up! ❤️🙏

I’m so glad to hear this. I think that’s a wise conclusion as well. I need to remind myself that it won’t always be smooth sailing and I should plan accordingly!

It was scary for me too! Thank you 🙏 I had cut out part of the video just for length but I had talked about learning that I need to make a plan and let someone know where I was. That was the scary part was in the moment I realized nobody knew where I was and if I couldn’t get out I’d be stuck.