Would be great music for the sims 3

Congrats ✨ Sadly i missed the Competition 😢 Joël, do you plan to do another one ? Thanks

that's so nice of you sir

Oof, what an absolute TREASURE trove of information in this one! Amazing stuff, Joël! Would love more videos like this.

Thank you joel i learned alot ❤

Very helpfull video !! Thanks Joël ! 🙏

Merci ! J'avais bien envie aussi de voir les dessous !

Your mix really elevated this track to a whole new level, thanks mate!

Always great stuff!! You may want to double check your export volume to KZfaq, I had to boost the volume really high to make anything out clearly?

Such a good song! I've listened to it over a hundred times.. and it still never gets old, it still gives off a very magical feeling...

Joel, i've looked everywhere on your channel for this information but i can't find it. It may sound stupid but how much headroom should you leave for mastering in your mix ? I've been told -6 to -3 db, and -18 to -12 db. I need to hear the final word from the master himself.

Hey joel I have watched your podcast with people before and u said you changed your daw cuz fl studio is limiting people etc Can u tell me more what sort of limits fl studio has other than the mixer is limited ?

Crying.

It helps ! thanks !

Waw intéressant ! merci

mec je viens de dec ta chaine , je vais TOUT regarder !!!! merci infiniment monsieur

Congrats for the winmers and ty joel but damn i did download the project once i saw the announcement then my collage and exams took me, i guess good luck for me next time I'll still mix it tho to test myself ❤

If anyone's interested, my mixing course is 20% off until may 31st :) www.masterthescore.com/course/mixing-cinematic-music

Hire this guy fellas. My mixing life changed after a bunch of lessons with Joel.

Congratulations to the winners !

This was great, I'm ready for the next one!

I'm your 10 000th suscriber!

you grew beard. i didn't recognized you at first

HI...great videos. Was wondering what monitors are you using for mixing?

Thanks Jöel!

Who won the competition?

Honestly, your videos have saved my (well, not life, but sanity for sure). Thank you so much. My mix just elevated a million times thanks to following just a few of your pieces of advice. Thanks so much!

Quite interesting points to note here. Thanks

I've started using Gulfoss for orchestral music as well and thought it was really only used on the master. I hadn't thought of using multiple instances on busses. Having said that how many instances of Gulfoss might you typically use ina project? My busses are somewhat granular and would be afraid of using too many. Basically I have a bus for each section of like instruments (flutes, oboes, clarinets, bassoons, horns, trumpets, low brass, one per string section, pitched perc and non-pitched perc. )

Cool ! Plutôt le mode hard de soothe du coup pour les résonances basses ?

1:06:03 - transformer* saturation , yeah, sounds great!

Why don’t you put the reverb as an insert instead of a send and mix the dry/wet knob? On peut parler en français si tu veux :)

Merci à toi, belle opportunité de mettre tout ça en pratique. :)

Salut Joël, dis moi, tu ajoute combien de Ggain pr chaque pistes brass stp? 3?

Today I found some harshness specifically around 8k, that was BBCSO violins 2. Wonder if it's a common problem area?

What a great event. I’ve begun my version, and what a fantastic learning opportunity…and plain old fun! Thanks Joel!

Eye opening! Thank you for this. Adding proper depth has been one of my biggest challenges when mixing.

Cool opportunity! Hoping I have time to join :)

What a great idea, sounds like it's going to be a lot of fun! Would you do your own version too? Would be curious to learn how you approached it

Hi Joel, one question, what format should we export our mixes in? Wav or mp3s?

👏👏👏

Awesome!

cool!

I checked out the multitrack, and honestly, there's nothing to mix. Just set the levels, throw in some reverb, and you're done. The winner is not the most skilful and creative, but the one who "spoiled" the mix with the least amount of processing. All orchestral samples are already with room, and in the right proportion, guitars are already with distortion, you don't need to equalize much, compress too - dynamic range is defined by velocity. I just normalized all tracks under -18 luffs, and it already sounds normal. It seems to me that in a mixing contest there should be something to mix - for example, different microphone positions, DI guitars, some obvious conflicts. There is no such thing here, and all works will sound about the same. And the ones who did the least processing will sound the best - that's how orchestral music mixing works

i hope i win

Oooo! Very exciting :)

Très chouette proposition ! Ravi qu'un concours de mixage pour musique orchestrale existe ! Magnifique initiative Joël

🙏

Génial, merci pour cette opportunité Joël, et bonne chance à tout le monde !

Thanks for sharing!