You're welcome. I hope it helps.

That works too. Anything that gives you a fallback in case something gets messed up or disappears is a good habit.

@@jhughsPresonusStudioOneTips I often record in comping, and copy the track complete and work on the copy. Studio One is king.

Thanks. It could also be possible that I still don't understand how it was intended to be used. But yeah, I would add the word "snapshot" to the non-incremental version option. The incremental version may have been meant to be used as increments by saving before you make the changes, but I agree with you, it's a tricky concept.

@@jhughsPresonusStudioOneTips yeah took a while for me to get it, u have to read the fine print carefully i was actually working on a project this morning and while on my break decided to look it up to see if i was missing something then i stumbled on ur video

Not that I know of. I've loaded a few different IRs and they all worked.

Thanks Jason. I haven't made a new video in awhile but you're kind words have motivated me to look at a couple more (How Versions work and ioStation pitfalls)... all based on mistakes I've made. Cheers.

Hi Volkan - This video is about side-chaining into the ProEQ to overlay spectrum curves from two channels, so they only audio changes will be from the EQ itself. Can you please write a little more detail on what you're doing and I'll try to help.

@@jhughsPresonusStudioOneTips ​​⁠​⁠​⁠So basically, if I use Pro-EQ on channel x then i save my project and close the Daw.The next day when I open the Daw again and listen to my mix, the sound very bad on channel x because of Pro-EQ. I don’t know why.Can be may be because of updates?

@@vlkn.music.official That's odd. Are the EQ settings changing or do they still look the same as what you saved? You may want to join this PreSonus Studio One Facebook group and ask your question there along with some screenshot. facebook.com/groups/presonusstudioone

@@jhughsPresonusStudioOneTips hmm,i’ll check if the settings chancing or not. I am not sure about that honestly. Well thanks a lot for your answers. I’ll write that problem also on FB. Cheers mate.

You're welcome. I'm so glad it helped.

Great question. By "groups" I suspect you mean folders; grouping tracks is a different feature than folders, it allows changes on one track to be replicated on the others in the group. If I can ever get to a point where I get all my tracks mixed into buses and then can mix at the bus level without revisiting the tracks, then your suggestion would work fine. What happens to me, and I suspect others, is that while mixing at the bus level there's a need to revisit a track, even if it's it just to check settings. That results in scrolling back and forth between the tracks on the left and the buses on the right. For me, it's a lot easier to have the bus folders. Then, when mixing at the bus level I can have the folders closed, but if I need to quickly check a track I can open it right there from the bus channel, check or change as needed and reclose the folder. The downside I can imagine is if I want to see all my tracks and buses at the same time; then the buses would be intermingled with the tracks instead of all to the right. Anyway, your method is perfectly fine, but maybe give bus folders a try and see what you think.

@@jhughsPresonusStudioOneTips that makes sense, you can control visibility at the source while adjusting the individual track and then close it from the same spot. I use groups, on the left side, and uncheck everything except visibility, so buses always stay up next to main (buses holding most of the processing), and show/hide groups to show hide all the mixer channels and tracks simultaneously, I still have to keep going to the left to change group visibility but I don't have to scroll through all the tracks. bus folders are cool but I'd get mad confused with buses all scattered through the whole track list

@@shatteredsquare Cool, I'll give that a try. Thanks.

Hi Dan - You have a clip selected and have the Inspector window (F4) open? At 0:55 I show how to pull up the transpose option. I expect it's on all versions of Studio One, but maybe not. I'll check on that.

That's okay. Making messes is part of the learning process. Hang in there.

I'm fairly certain that in all the amp simulator packages, the amps and stomp boxes are hard coded. That said, experiment with the available cabinets, they change the tone more than I expected. I used to think the cabinet didn't much matter, but now appreciate how much the cabinet and speaker choice makes (in the physical world) and that carries over the virtual world.

Glad it helped. Quick note: When I made the video I didn't yet realize that you can just click the "Sidechain" button at the top of the ProEQ window to select a channel to sidechain; MUCH easier.

Thank you. Yeah, something about compressors is intimidating, or seems harder than it is. Part of it is poor explanations, which initially resulted in me thinking attack and release where how long it took the compressor to turn full on or full off after passing a threshold; whereas, really it's a more of a slope between full on and full off. And you're right, the classic "Use your ears" doesn't help when you're not sure what you're hearing or supposed to be listening for. First you have to understand WHAT you're hearing THEN you can use your ears. Thanks again.

Thanks. Yes, check if you are running Studio One V6, which has both Dynamic EQ and SideChained Dynamic EQ in ProEQ3. Gregor describes it beautifully in this video: kzfaq.info/get/bejne/eLOgg5BqrJatg6c.html Happy mixing!

@@jhughsPresonusStudioOneTips thanks so much. This was the last feature I needed to become a S1 user :)

Good point. That splits on the selected track at the Locator. For me, I'm usually cutting a bit earlier than where I am in playback, but just found myself using Alt-X the other day. It's a helpful tip. Thanks.

Thanks for the tip. I'll look for a way to add a note to that effect in the existing video.

Thanks. I'm really glad it helped

You're right, your ears should always be the final judge. The purpose of this video is to help beginners get beyond the mystery and intimidation of compressors. Even though many beginners may understand what threshold, attack & release are, the challenge is in understanding what a 10ms attack vs. a 20ms setting do in relation to, for example, a snare hit. My hope is that this video encourages new users to play with their DAW in general, and in particular play with a compressor and use their eyes to help them understand what they are hearing as they experiment with different settings. Then, when mixing using their ears only, they'll have a better sense of what to listen for when adjusting a compressor.

Hi Starck - Thanks for watching my video and asking a question. After opening a plugin, click on the "pin" icon in the top right corner of the plug-in window and it will turn blue. In this video, you can see examples of that at 0:44. After doing that, that plug-in window will stay open until you close it. I hope that helps. Happy mixing.

@@jhughsPresonusStudioOneTips thanks master, is there possible to size the display of the pluggins? Fatchannel so big that oversize my screen then I can't tune the bottom button? thks

@@starckwest6358 That sounds frustrating. I wonder if you need to change your overall graphics resolution setting. Aside from that, some plugins support resizing and others don't. For FatChannel, it doesn't appear to support resizing but you can click on the icon that looks like a single column table just to the right of the words FatChannel XT. That will display just one module at a time so you can click on the Limiter knob to access the Limiter knob. I hope that helps.

@@jhughsPresonusStudioOneTips thks very helpfull

Thanks Alexey. Excellent points about masking.

Thanks. I'll take a look at that for differences. This focus of this video was to show how to quickly put your music on your iPhone without using iTunes in order to do the quick "car test".

Wow! A "favourite"! Thanks! (Seriously, I appreciate it.)

Thanks! That means a lot to me that you enjoyed the pink noise demos. I think it's important to not only know what to do or not do, but WHY. You definitely got it; doubling a track is more than just plug & play, and every case is different. It may never be "perfect" in mono, but it should be listenable. Thanks again.