Slaps? Oliver, you are a TOTAL clown.

baketbasl

@@jarofpickles3456 you're a total clown too

@@baseket2ball12 Ok Boomer

@@baseket2ball12 You're a moron.

where does this happen btw?

@@alexanderbayramov2626 following

YES that is beautiful words for that piece! A child who looks on the new world of sound, light and fragrancies!

Me too!

Holy shit I forgot that movement existed. Haven’t listened to it in years. After that first major cadence when that theme starts again but this time with that crazy ass trill I fucking lost it!

Me, too! I love this piece, specially Rondeau and Capriccio!

Same here.

Prelude is beautiful too, I didn't expect the turn at the second half

glad I'm not the only one

It's not a bathrobe, it's a dressing gown XD

Same thinking here ;) Scene from "Art of Piano" movie with G.G.

I just came from there !

Not only do I totally agree with you, but that's also the only way I can figure out "which C minor piece?!?" this is!!! I also feel very Gouldish practicing in my bathrobe, but using a short chair did not help 🤣

I think it's Bach's 'signature', he often does the same thing everywhere in his faster pieces, and that's one of the reasons why I love his music

@@alexanderbayramov2626 can you name some examples that are similar to this particular excerpt? or could you clarify what element you mean to be his "signature"?

@@anotherdepressedmusician the first thing that comes to mind for me is bwv 530 (1st movement) In general, that figuration sounds like it's based on circle of fifths (slightly simplified chords for this capriccio Fm -> Bb -> Eb -> Ab -> D dim -> G -> Cm), and here it's also paired with that fun bass line F Eb D Bb - Eb D C Ab - D C B G, this exact line (but in E minor) appears in bwv 530 too, it's quite possible Bach used this idea somewhere else 'Signature' is an exaggeration probably, because Vivaldi used circle of fifths much much more often in his music for example, it's certainly a cliche from baroque, but the way Bach creates beautiful complex melodies on top of that progression is a big vibe by itself for me :D One more example is fugue from Overture bwv 1067, there is that beautiful moment when flute plays cool melody, and it's on top of the same chord progression

@@alexanderbayramov2626 ahh thank you for the examples! for some reason when i read your first comment i thought you were referring to the "buildup" before the circle of fifths passage. which i was so excited to find more examples that use long ascending and overlapping lines of 16th notes like that TT. ah well, thank you anyways!!

​@@anotherdepressedmusicianI know a remarkable example of Bach's such build up. Brandenburg concerto No 5. The whole thing is one big built up to harpsicord solo 6:40 mark kzfaq.info/get/bejne/kLFmYNtq2MqpiaM.html

Interesting movie

I said that

I'm glad I'm not the only one here from the movie haha

comme toujours dans Bach.....

je pense pareil !

@@MrPhil480 💖😊

@@MrPhil480 pouvez vous traduire cette commentaire, s'il vous plaît? Je peux pas comprendre le Russe.

@@rosadovelascojosuedavid1894 et vous comrprenez mon français ? il faut cliquer droit sur la souris et cliquer sur traduire. il a dit : " La musique de Bach est comme un baume pour moi. J'admire le fait qu'il y a des miracles dans le monde. Et c'est un miracle - un homme! "

Haha you are right. If you look at the beginning of the Sarabande (or at 1:22), you will see that the first notes are the same as the notes of the theme of the Pathetique sonata thrid movement. Even if the whole piece is fundamentally different. (Plus both pieces are in c minor. Coincidence ? I don't think so :D)

Beethoven might have really liked this partita. In addition to some parts of pathetique bearing resemblance, he's also written a "rondo a cappricio", and this partita has both a rondo and a cappricio in it, coincidence? I think not!

@@kino4653 haha you just said exactly what 200 other people said in this comments section, and on the internet in general. Coincidence, just making assumptions? I think so :D

The notes from the allemande theme are almost the same than the theme of the revolutionary etude , Chopin

@@alanleoneldavid1787 i doubt they’re related historically. they both just descend from VI

I tend to dislike Bach on modern piano too. Harpsichord makes it way more interesting, and all these nuances the piano brings are very anachronic

Massa demais.

Is it fugue?

@@thomaswenas-bobbiefet5805 yes.

@@thomaswenas-bobbiefet5805 it's very concerto-y, and also only in two parts, but yes, it's a fugue.

@doge fm the channel that upload s this videos

Because he's our master hehe

@Cheuk Hin Lo Gerubach is greater than Kassia in my opinion. Gerubach provides the score and an interactive listening experience.

@Cheuk Hin Lo agreeing with beethoven here, kassia is just one of the many great youtube pianists. gerubach provides us with a catalogue of hundreds of bach’s works with great interpretations with scrolling sheet music.

Ειμαι μόλις 15 ετών και πρέπει να ομολογήσω πως ο Μπαχ είναι αχώριστο κομμάτι της καθημερινής ζωής μου. Χωρίς να ακούσω Μπαχ για εμένα δεν έχει ξεκινήσει η μέρα μου

Ernest Davis Done! Partita No.3 coming soon!

so relatable

it definitely has some kind of charm and deep beauty, love that dark and 'serious' mood too

Did you watch the film The House that Jack Built, perchance?

I believe that he changes the pitch of the recordings.

It's a few years late, but it seems that the copyright holders have claimed the video and tolerate it as long as they can run ads on it.

@@aimiliosspiliopoulos1091 He changes it to equal temperament, but on spotify you can find these same recordings but in Baroque temperament which makes it sound in b minor, as well as every other bach work he visualises with these videos and their respective works

lute stop

It's a lute-harpsichord (also known as a 'Lautenwerck'). From Wikipedia: The instrument was favored by J. S. Bach, who owned two of the instruments at the time of his death, but no specimens from the 18th century have survived to the present day

@@acrid8952 I might be wrong, but it seems odd that the performer would switch instruments just for one movement. I think it's likelier that they're using a buff-stop on the harpsichord (I forget the specifics of it, but it's a setting that dampens the ringing out and sounds a lot like a lute-harpsichord).

@@acrid8952 no way it's a lautenwerk. BWVs meant for lute or lautenwerk are from 995 to 1000 plus 1006a. I don't know enough about harpsichords but I'm pretty sure there's no way he would have switched instruments. Probably he put something like a mute. Also the lautenwerk and harpsichord timbres are very different, one is more round, the other one is really sharp

It's called a lute stop, basically a dampener that is activated on the strings

I mean the video

With just about any piece of music with a range pitch.

Lot of Bach pieces are very good to train thé ear to recognize keys. I listened yesterday to its transcriptions for harpsichord of Vivaldi’s concertos and recognized thé keys of some of them accurately because of the « mood » i felt with other famous works of the Master.

Some harpsichords have a stop called "Lute" (because it sounds like this) that presses a small piece of leather against the string, creating a "pizzicato" effect.

Elías Reyna Thank you!! : )

@@eliasreyna9461 Just so I'm sure - is this the same as the buff-stop?

Don't know if you need a explanation still, but it's a mechanism on the harpsichord called (I believe) the lute switch.

Thanks!

lute stop

Denny Hamrick It functions like a mute, on my harpsichord small felt dampers can be slid across to gently dampen the vibration of the string and soften the tone

Bronk Tug You own a harpsichord? Have you bought it, or is it of your family? And if you bought it, how much did it cost? I would love to own a harpsichord, but they aren't the cheapest things(the good ones)

no, this is a recorded performance. See performance info at the end of the video.

***** On the contrary I find the harpsichord version really really pretty and mystical. I also like the piano but much the same as the harpsichord.

Olmo Heredia, Countertenor Sir Thomas Beechem had a strong dislike for the harpsichord, and famously referred to its sound as "two skeletons copulating on a tin roof." It should be remembered that he was referring to Wanda Landowsk'a instrument

+Ekvitarius Bach on Gould ever

Why?