Thank you! Great to hear. Hope you find them useful!

Haha! Thank you... Only someone who lives and works in a country that enjoys playing cricket would appreciate that comment. Howzat! 😉

Thanks for commenting! Glad it was helpful.

Awesome, thank you!

Great to hear! Thanks for commenting. 🙏🏻

Wonderful. Great to hear. Thanks for commenting ☺️

Thanks for commenting and subscribing. Welcome aboard!

Will do! In practice though you should render your timelines at the same frame rate you edit at. Thanks for commenting 👍🏻

@@Chris.Roberts sweet, so no secrets on it! I`m starting this journey in ma life, video editor.

@@GuitarraErudita no secrets at all. That’s why it important to shoot right and get your project’s timelines right.

Thank you. And thanks for commenting!

Great to hear! Thanks for commenting 🙏🏻

Thank you! To answer your question: *if* your footage was shot 4K and you need to deliver 4K, then I would edit in a 4K timeline... Although some people use 1080p timelines, I would use Proxy media if you don't have realtime playback. This way you can deliver a 4K final file, or lower resolution, using the Deliver page. HTH!

@@Chris.Roberts a really BIG thanks. regards from Italy

Thanks for the suggestion! 23.98 and 24 is *practically* the same frame rate of course... It all depends on several things: what is your delivery requirement and can your cameras record the desired frame rate? If your delivery requires 23.98fps, then the Sony's are set right, but the action cam and iPhone can't be set to the same, you *might* be able to get away with it... If the delivery needs to be 24fps, then the Sony's need to be set to 24 and the action cam and iPhone are both ok. It's far better to shoot at the right frame rate before hitting record than to try and "fix it in post" later. Thanks for commenting and HTH.

Good question. I didn't mention this scenario in the video, but if the custom timeline isn't using the same frame rate as the project then you won't be able to be switched to use the Project Settings - the option will not be available. Cheers and HTH!

Haha! Yes it is confusing when so many numbers are casually thrown about. Nice tip about setting the project frame rate 👍🏻

Hi there... Happy to try and help! OK... Essentially, you are right. If your clip is 50fps and you add it to a 25fps timeline, then Resolve will play the clip back at the timeline frame rate... So, instead of playing 50fps, that instance of the clip will play at 25fps... in other words only *every other* frame of the source clip will play... The other frames are effectively skipped. If you slow the clip to 50% of it's originally speed the skipped frames will be played... Slowing a the clip even further will mean frames have to be repeated or otherwise interpolated (which is a whole other subject) Where I think your confusion stems from is what the Speed Change controls in the Inspector? These controls displays the *frame rate of the timeline*, whereas I think they should display the frame rate of the clip instead... Either way, when you slow a 50fps clip in a 25fps timeline, the Speed Change control will display the Frames per second as 12.5. So, it's important to not reply on this value... You need to understand what the source frame rate of the clip is. Hope this helps! FYI, I have another video which might help kzfaq.info/get/bejne/aKuAmc-LldzLdKM.html

Yes, you can. Resolve is pretty good at dealing with this. I would always advise double-checking your edits though, particularly for complex stuff.

Thank you! I'm glad you find it useful. Drop-frame timecode is simply a fudge that was required for colour NTSC video systems. If you need to work drop frame you'll know it - e.g. for broadcast NTSC systems. Wikipedia has a nice article detailing the reasons for this: en.wikipedia.org/wiki/SMPTE_timecode HTH!

​@@Chris.Roberts great info, thx for the great content

30 fps in a 50 fps Timeline means that 40 percent of the images have to be generated by Resolve. My guess is that 30 fps would look better in a 25 fps timeline.

If your smart phone app doesn't support 25fps or 50fps then get another smart phone app such as the Black Magic Design app. I would not recommend mixing 30fps footage with your 50fps timeline if you can avoid it.

Ah... Greetings from another PAL-Lander and welcome to the world of compromise that is video editing.... The thing with this situation is that you have to choose one frame rate or another... Working at 50fps, the 30fps footage will need to playback at 50fps by repeating various frames... At 30fps, the 50fps footage will drop frames. Because these frame rates are "off-speed" it depends of the type of footage... Clips with fast movement will suffer more than clips with slow movements. Either way, as you're choosing a specific frame rate, then ideally your wife's smartphone should be set to record 50fps. You'll probably need a camera app for this - as @TheRealBarkinMadd mentioned, the Blackmagic Camera App is good for this on iOS and a version for Android is coming soon. Of course, if you're happy with the results Resolve is giving you then don't worry about it 😉 HTH!

Had to be done... 😉

@@Chris.Roberts “Alright, Cleese, you’re very proud of being the first person to ever say ‘sh**’ on television. If this service is really for me, just for starters, I want you to be the first person ever at a British memorial service to say ‘f***’!” 🤪