Ecco ridente in cielo "a la Kraus"

Рет қаралды 47,179

17 жыл бұрын

Rossini. Il Barbiere di Siviglia. Ecco ridente in cielo. Madrid Symphony Orchestra. Alfredo Kraus. Cordone.
Para mi tocayo.

Пікірлер: 30

@puccinifan 13 жыл бұрын

I have shivers up and down my spine. No one has sung this aria, or anything for that matter, like this. He understands momentum and transport of tones perfectly, as if speaking directly to our emotional receptors, confessing a well kept secret or hushing a child to sleep.

@josemanuelfarfanmunoz1540 4 жыл бұрын

Perfectly described

@amparobarbacampo8684 5 жыл бұрын

Alfredo Kraus creó belleza y arte en cada una de sus interpretaciones. Que difícil será que alguien llegue a superarle en cualquiera de ellas. Gracias.

@jofenbat 9 жыл бұрын

Bravo Maestro Kraus. We truly miss you, but your voice will resonate for ever! :) Thanks!!!

@dppk68 15 жыл бұрын

Están todas las que son, y son todas las que están. ¡Bravo Maestro!.

@elisapradaorosa5210 6 жыл бұрын

No se puede tener más clase cantando siempre Maestro.

@operadm 16 жыл бұрын

wonderful bel canto

@ManuelTenore 16 жыл бұрын

simply great! thats really sooooo nice

@vivomusique 16 жыл бұрын

NOW THAT'S 'BELCANTO'!!!!!

@albertorodriguez-ln4vp 4 жыл бұрын

Fue el mejor, bravo...

@belatrixlirica 16 жыл бұрын

Es fantastico

@oloferne84 16 жыл бұрын

Alfredo we loves you!!!

@antonellocito 12 жыл бұрын

inarrivabile

@cingaroperu 14 жыл бұрын

superba!!!!!!!!!!!

@tenorhandrio 16 жыл бұрын

Kraus.........how to sing like you sang? Divine.

@PaulAtreydes 13 жыл бұрын

El mas grande.

@Operaphile 16 жыл бұрын

Holy f**k!!! I had no idea this recording existed!!!! God, it brought tears to my eyes. The end of the first section is just sublime!!!! His coloratura impressed me too!!! How old was he when he recorded this? Thank you soooooooooo much for posting this!!!!!

@MrAndredekock 11 жыл бұрын

Bravo! He is the only other tenor to date besides Tito Beltran that I have heard take the top note at the end (although it is not written that way, it is given as an optional note). His agility was wonderful and I think in fact better than Luigi Alva's, but the tempo was too slow for my liking in the opening third. But overall a wonderful performance. Bravo again!

@gianfrancocartella3598 8 жыл бұрын

grandeeeeeeeeeee bravissimo

@tenorhandrio 15 жыл бұрын

Too much? That lostral was probably the best out there with the unbelieavable transition to sweet meza voce..

@jesusmunoz2400 5 жыл бұрын

Era un orfebre del canto. Un estilo de canto por desgracia en extinción. Ahora todos vociferan y se tiran de los pelos para cantar cualquier aria.

@tenorhandrio 16 жыл бұрын

But, I guess, it's also good to be played in Lento..it really soothes when you hear it... maybe it's also because of Kraus' voice of course..=)

@ednatrumbull 5 жыл бұрын

The consummate musician of tenors. Though I had a friend who claimed that in Rossini it was bad form to go up at the end.

@josemanuelfarfanmunoz1540 4 жыл бұрын

The one who does not go up at the end is because he cannot, dear friend and it is better to say that "it is a bad way to go to the end". Regards

@josemanuelfarfanmunoz1540 4 жыл бұрын

Esta es la misma pero en español: "Quien no sube al final es porque no puede, querido amigo, y es mejor decir que "es una mala manera de llegar al final". Saludos"

@ednatrumbull 4 жыл бұрын

@@josemanuelfarfanmunoz1540 This was a well regarded musical scholar and teacher. Who sang with Joan Sutherland. I'm pretty sure he wasn't pulling this idea out of his ego or ass. Don't get me wrong. I love Franco Corelli and Kraus. One would never mistake one for the other. Kraus was by far the more consummate musician but Corelli sound was the shizz.

@josemanuelfarfanmunoz1540 4 жыл бұрын

@@ednatrumbull Hello: I do not know who that musical scholar of whom he speaks to me can be, and I am certainly a simple fan without even musical training, but I insist on my previous statement because I understand from the little sense and musical ear that I have, that either Rossini or San Sirolín, if the note that goes up does not clash with the rest of the score and is also well done, I do not think that neither one nor the other (Rossini or San Sirolín) put the slightest glue to its execution. With all my respect and maximum cordiality, I receive my warmest regards from Spain. Thanks for your attention Y ahora en español: Hola: Yo desconozco quien pueda ser ese erudito musical del que me habla, y yo desde luego soy un simple aficionado sin tan siquiera formación musical, pero insisto en mi aseveración anterior porque entiendo desde el poco sentido y oído musical que poseo, que ya sea Rossini o San Sirolín, si la nota que sube no desentona con el resto de la partitura y ademas esta bien realizada, no creo que ni uno ni otro, (San Sirolín o Rossini) pusiera la mas mínima pega a su ejecución. Con todos mis respetos y la máxima cordialidad reciba mi mas afectuoso saludo desde España. Gracias por su atención

@jesusmunoz2400 4 жыл бұрын

No se si habrá escuchado a Blake, Florez etc. Que terminan en agudo también. Los compositores belcantista admitían agudos al final de un aria o cabaletta según sus condiciones vocales. La Donna e mobile por ejemplo o Di Quella pira. No busquemos defectos donde no los hay.

@mariogalileo 16 жыл бұрын

This song is supposed to be LARGO not LENTO, not to knock Kraus, but the conductor. Way too slow.

@fenixaragon Жыл бұрын

De las peores versiones que he oido, hasta la orquesta suena mal, no se que hacia cantando esta aria cuando nunca fue un cantante Rossiano y las Agilidades nunca fueron su fuerte 🙄🙄 al que le guste que lo disfrute...