LEICA M10-P with 90MP SUPER RESOLUTION (works with ANY CAMERA)

  Рет қаралды 22,203

mathphotographer

mathphotographer

3 жыл бұрын

Sharing my Super Resolution Experiment with the Leica M10-P.
See also my comparable experiment with the iPhone 12 Pro Max:
• iPhone 12 Pro Max Supe...
Links to related tutorials:
petapixel.com:
petapixel.com/2015/02/21/a-pr...
fstoppers.com:
fstoppers.com/education/do-yo...
dpreview.com:
www.dpreview.com/articles/072...
Comparison Leica M10-P vs M10-R:
• NEW LEICA M10-R vs M10...
Leica SL2-S Resolution and Multishot Feature:
• NEW LEICA SL2-S | 24MP...
Video clips used in the "housekeeping intro": storyblocks.com
Watch in 4K to avoid video compression artefacts.

Пікірлер: 51
@peterlund4501
@peterlund4501 3 жыл бұрын
I once had a projection project in Geneva. (Schweizer filmpreis 2013). One of the light engineers said to me while we where talking about the resolution. If the content reaches the audience the resolution is not important. It left me thinking for a while. On the other hand, I honestly enjoy every experiment that I can follow along. And your experiments are very interesting. And it’s a lot of work to. So thank you 🙏
@BPLeroyLotusEvora
@BPLeroyLotusEvora 3 жыл бұрын
Again, a crystal clear, magnificent video. I’m going to try with my Q2. Thank you!
@olegpetroff5412
@olegpetroff5412 3 жыл бұрын
You don't need to select all the layers before flattening. Flatten Image works the same regardless of layer selected.
@stevetqp9152
@stevetqp9152 3 жыл бұрын
Very interesting! As a landscape and product photographer, using a Nikon Z7, I do focus stacking for product photography, which involves using the camera on a tripod, ISO 64 and lens at around f/8, shutter speed is the flash sync speed (1/250), and then taking several dozen images of the still subject, each with the focus point at different areas of the subject. I then do a focus merge in Affinity Photo, which I believe computes the blending automatically, and final edits in Photoshop. The resulting image varies in size (depending on the quantity of information in the subject), but could be around 140 to 180MB, with the difference being that my image is equally pin-sharp throughout, since there is not just one, but many, actual points of focus! (As your readers know, a photograph is absolute sharpest at its point of focus.) I look forward to trying your technique on a landscape! Thank you.
@jeromearnould9940
@jeromearnould9940 3 жыл бұрын
wow This is cool ... can't wait to try it with my M10P Thanks for sharing
@danpatterson8009
@danpatterson8009 3 жыл бұрын
Not clear to me that it's an improvement in resolution so much as a reduction in noise that otherwise masks resolution that you already have. Should work just as well for a stationary camera.
@erickpro
@erickpro 3 жыл бұрын
I’ve looking for a method to do this for so long. Thanks!
@mcmasterphoto
@mcmasterphoto 3 жыл бұрын
Great informative video! Thank you for sharing your information!
@antoniolabayen8288
@antoniolabayen8288 3 жыл бұрын
Amazing! Thank you!
@donjagoe
@donjagoe Ай бұрын
Outstanding!
@marcusoutdoors4999
@marcusoutdoors4999 3 жыл бұрын
Amazing, extremely interesting.
@9Biloela99
@9Biloela99 3 жыл бұрын
Magnificent
@kiwonlee148
@kiwonlee148 3 жыл бұрын
Lovely video!! Can I have a qustion of exposure simulation? When I take a photo in the middle of night at the beach, there were no light, My M10M live view could not show me anything...just dark. Of course, I turned on exposure simulation... Is M10M different with M10R?
@MB-or8js
@MB-or8js 3 жыл бұрын
Great method with any kind of digital camera able to do high speed bursts if there are none or barely any moving elements in the composition. Main culprit in this example is less clearly defined could structure pattern which is more like in a long exposure shot, too. This might or might not be desirable.
@percanta1
@percanta1 3 жыл бұрын
Thanks a lot for sharing.
@NikCan66
@NikCan66 3 жыл бұрын
Your the leica Oracle and also brilliant content as usual.
@imtiazindia
@imtiazindia 3 жыл бұрын
Very well explained. One question though... does this mean my prints can be 4 times larger and still be as sharp?
@bassamhassan1119
@bassamhassan1119 3 жыл бұрын
Could you do this with the phase one ?
@filibertkraxner305
@filibertkraxner305 3 жыл бұрын
Interesting workaround if you absolutely need much more resolution for a specific image. Perhaps best used for product photography, ideally using controlled (flash) lighting. F.i., if you know you need to produce a huge print but don't have the best camera to do that. Still, I'd rather use a high resolution camera from the start. But: your workaround does work: good video.
@xe1zlgg
@xe1zlgg 3 жыл бұрын
Aka dithering.... always used in astrophotography.... can be used for diminish noise, to improve color acurracy or to improve linear resolution and dynamic range....these can be done by changing the image stacking settings...... means...how you apply intelligence to the process.
@nicedaygraphics
@nicedaygraphics 3 жыл бұрын
I do exactly the same but with simple panorama handhold.
@Paul-jb6rk
@Paul-jb6rk 3 жыл бұрын
Can this be done without photoshop? I won’t install anything by Adobe.
@stevetqp9152
@stevetqp9152 3 жыл бұрын
Hi Paul. If you have a Mac, you can use Affinity Photo for the merging and other operations, which works fine on an iMac.
@dermp7103
@dermp7103 3 жыл бұрын
just a thought... what if we just set the opacity of each layer to 5% equally? would it make a more balance contribution of all the pictures taken?
@davegrenier1160
@davegrenier1160 3 жыл бұрын
If two layers are at 100%, when flattened only the top layer contributes to the final image. When two layers are at, say, 50%, and they're flattened, you're adding two washed-out images, and end up with one washed-out image! Try it and see. The effect isn't additive (in "normal" blend mode). If you merge a 100% layer with a 100% layer, you get one 100% layer, not a 200% layer (that is, a darker image). Same when you add two layers of anything less than 100%. The final image can't have more opacity (that is, full tonal and color saturation) unless one layer in the stack is at 100%. That layer must be the bottom layer, because no layers below the 100% layer will contribute to the final image (again, assuming the use of "normal" blend modes).
@GeorgiosKalaydjian
@GeorgiosKalaydjian 3 жыл бұрын
Thank you for this great idea and explanation 👍🏻, I have a question please, what about if we make a 20 copy of a photo and stack them with the same method?
@mathphotographer
@mathphotographer 3 жыл бұрын
Good question, I did not figure out yet the full math of #frames vs resolution. Common rule of thumb if looking into sensor shift, e.g. on the Fuji GFX 100, is that 16 frames should give 4x the resolution.
@MrAndronom
@MrAndronom 3 жыл бұрын
20 copys of the same photo would give you no benefit at all. The method works because of differences in each taken photo, caused by your movement and the changing noise pattern of the sensor.
@peterlund4501
@peterlund4501 3 жыл бұрын
In theory you can do super resolution with any camera even with a film camera and a little time on your hands. 😀 But it’s nice to see you getting the best out of the camera. I sometimes do the other thing around. I take the shittiest camera I can get (phone from 2001 or mavica from 1997 and I try to get low tec good images. On the other hand on can presume to have made the best super resolution image out of a mavica. 😅 it takes floppy disc as storage. 😊
@bertdong1023
@bertdong1023 3 жыл бұрын
In this concept, if you don’t expand the resolution, and adding many more frames, how to make it behaves like the PhaseOne in body long exposure smooth simulation? Which replaces ND filter with cleaner result
@bertdong1023
@bertdong1023 3 жыл бұрын
Maybe set the blend mode to lighten?
@graalbitcoin6311
@graalbitcoin6311 3 жыл бұрын
👍
@stargator4945
@stargator4945 3 жыл бұрын
Interesting would be the comparison to software algorithms like Topaz Gigapixel or Adobe superresolution in the Camera Raw module that uses AI. Would the resolution better with the multishot method or with the AI methods. The other method would be to use a longer focal length and stitch 4 pictures together that have the same coverage as the original lens. However, that is more difficult on the M Series than on the S series. But if you start with a 24mm lens and then stitch the 50mm lens pictures even that should work.
@mathphotographer
@mathphotographer 3 жыл бұрын
Great point, you are "stealing" my future ideas :) I actually own the Topaz Gigapixel software and will test it in the next weeks by comparing a Sony A7SIII 12MP up-scaled (Gigapixel) image with a native 61MP image from the Sony A7RIV.
@astrostl
@astrostl 3 жыл бұрын
Worth comparing with Topaz Labs Gigapixel AI IMO.
@RS-Amsterdam
@RS-Amsterdam 3 жыл бұрын
1. This is useful for absolutely NOT moving object otherwise useless. Look at the small boat at the bottom (1st one) with the yellow grey dek , in the multishot it looks terrible and since it is so big, light coloured, it is more noticeable than the sharpness in the back (houses etc.) 2. IMO the noise on the single shot is quite heavy for an ISO 800 shot with a Summicron. But I guess the 1/250 was needed for the multishot cause at 1/125 th at 400 ISO the multishot would even worse. Nice technique for still objects and rather GOOD light to use high shutter speeds.
@ronwilsontringue6574
@ronwilsontringue6574 3 жыл бұрын
The Argus lens works with this camera
@primarySequence
@primarySequence 3 жыл бұрын
why 20 shots? why not 10? or 50?
@andrewbradnan
@andrewbradnan 3 жыл бұрын
If the lens is up to it...
@reidmcclure1438
@reidmcclure1438 3 жыл бұрын
Concerning ghosting, would the use of AF-Phase Detection rather than AF-Contrast detection reduce the chance of ghosting in the final blended image. I’m not sure Leica has AF -phase detection capability. Great video by the way!
@filibertkraxner305
@filibertkraxner305 3 жыл бұрын
This process has nothing to do with the way the camera focuses. After all, the Leica M used is manual focus only ;-)
@reidmcclure1438
@reidmcclure1438 3 жыл бұрын
@@filibertkraxner305 Ah! I see. I should have known that before asking the question! Thank you! I really enjoy your videos!
@richardcannon7327
@richardcannon7327 3 жыл бұрын
Why stagger the opacity?
@davegrenier1160
@davegrenier1160 3 жыл бұрын
That's a good question. I had to ask myself the same. The layer opacities are staggered so that each layer contributes to the final image. If you don't stagger the opacity, the flattened image will be just the top layer's image (if it was at 100%). It's important then, that when you stagger the opacity, the 100% layer is on the bottom of the stack!
@nelsonclub7722
@nelsonclub7722 3 жыл бұрын
LR and others do this.
@williaminbody205
@williaminbody205 3 жыл бұрын
From a scientific critical thinker, no multi shot can produce an image with more resolution then the original capability. It is what it is no mater how many times you take the shot.
@Paul-jb6rk
@Paul-jb6rk 3 жыл бұрын
Did you not watch the video? You are wrong and don’t understand statistics at all. Increasing sample size reduces error.
@williaminbody205
@williaminbody205 3 жыл бұрын
@@Paul-jb6rk No, you can leave the shutter open longer gathering more data (light) (hence bigger files) but the resolution remains constant, a product of the number of sensels or pixels gathering. Laying pictures over one another and combining the data is closer to leaving the shutter open longer but the finial resolution is unchanged.
@Paul-jb6rk
@Paul-jb6rk 3 жыл бұрын
@@williaminbody205 Good to know thanks. Kind of makes me think something like this could in theory be done in camera with IBIS then.
@shlawchablaas
@shlawchablaas 3 жыл бұрын
Well, unless you are using a monochromatic sensor, the Bayer (or X-Trans) pattern means that each pixel is interpreting color information from the pixels around it. At least in terms of color fidelity, the extra layers with different alignment are re-averaging each pixel from a larger sample set, which means the stacked image does indeed have more color resolution than the original image. Like shooting at a lower ISO, there is more signal, leading to less appearance of noise.
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