Fantastic lesson Gus as always, I certainly am enlightened :)

Thank a lot really. You are our best teacher ever and also our friend. Thanks for your contents .

Awesome as always Gus 🤘

Very useful and easy-to-understand approach.

Buddy, I have watched tons of videos and couldn't figure out what a mode was. With you, it took me just to watch your video and... bang everything came to place. You're not only one of the top-5 greatest guitarists but you are the greatest teacher. Cheers from your native Greece...

great video as always !!!!!!!!!!

Gorgeous guitar

Excellent lesson Gus!! Always very appreciated & thanks for your time 🤘🤘🤘

Nice job Gusss! By the way I’m in love with this guitar man! Thus reverse headstock its awesome!!!

Great video Gus

GusG!!!!!! So enjoyable to follow your music!!! And explaining you give us!!!! Ty! One of My Greatest Fav!! 🎸⚡️🔥🎼🙏

Thank You Gus. We wouldn't lend our ears regarding stuff like this except from our heroes like you. We love you. North East India

I like to choose a lot of Dorian - shreds face off effortlessly. like that!

Τέλειο βίντεο gus!!! It would also be great if you talked about the harmonic minor/Phrygian dominant scales that you use a lot in a future video 🎸 🤘🤘

Hahaha! I do the same thing. It's the only way I could figure out to visualize the intervals. My favorite cat lover. Can't wait for some new Gus G. material, nudge, nudge.

great vid

Awesome video and very useful! thank you so much! Very nice! your new sour cherry🎸

Gus Εισαι αρχηγός !!!

Sweet😊😊😊

Rule of thumb: Rock, Metal, Blues, Country: Use modes to follow the chord progression Jazz: Use modes to construct the chords, but change the scale to the major or minor of the root of the chord (playing "over" the chords) Classical: the melodic line doesn't necessarily follow the chords (playing "across" the chords)

Great stuff Kosta! Maybe you sould do something more bluesy next time, for the blues-rockers out there! Συνεχισε ετσι με τετοιες βιντεαρες..

We are waiting a review with your guitars..!!

Hey Gus I just started soloing basically like started to learn leads Ik the pentatonic scale but I really don’t know where to go after that do you have any tips great video btw

Great stuff! Sounds a lot like Vinnie Moore's approach.

Modes are great, but is that Gary Moore Custom Shop strat behind you😱

i thought it was all modes the 7 same position, and the mode depend on the bass background

e tks gus poso se paei to teaching re si exo dei ergo kai me ti leptomeria pou xrisimopiis ....pou den exo kai odio training alla kati piasan ta aytakia mou otan emena me to filaraki sou in my younger days kisses sti gineka kai share the wisdom man or kane odio GUS,i speak of my heart tania kisses man see u maybe in WET MATCH

Gus, you said you're playing in C major but it sounds like its Bb major to my ear?

I didn't know guitars with blunt headstock were aloud to play metal

Mote smote jote

My approach has always been ignorance

what the modes are...what the Mozart ..

The only way the modes will make sense it seems is if you understand basic chord construction, hopefully to start up through 7th chords, but the 4 triads are a must. The modes aren't super confusing but sadly one video isn't adequate space to give them a proper treatment and puts an undue burden on the supremely talented Gus! Or any teacher for that matter. Basic intervals and chord construction is a revelation for your playing and an achievable one.

OMG Thank you. It has taken me forever to get confirmation that it's the same scale and you are just playing from a different tonal center. This also suggests that you do not really "use" modes. You play in a "tonal center", which is a note in your scale. And so, your mode is dictated by the choice of scale and tonal center. For me, a mode doesn't feel like something you use. It feels like a description of what you happen to be doing. Furthermore, if you are playing melody in the chords of your progression, then there isn't really any choice at all, as you've already made them. So really it seems to boil down to where you want to add melody relative to the root note. That's kind of the same thing. But, it seems the way everybody explains it they make it seem like there are more variables there than there really are. it's the same deal with the major and minor chords of a scale. Pick a note in your scale and, relative to that, you will either have a major or minor third. Done. So all this stuff is just ways of talking about ONE SCALE.