Hmmm... The e-book is out of stock? Is there a new link? Thank you.

what about the key?? does the key change? if im playing g major scale and use c lydian, what key am i in? still G or now C??

Hi I’m really horrible at this because I try to really analyse and build off of that but at 7:00 you show a major scale but the A is missing in the scale but you have B there in place of it ? Typo ? Because it’s things like that that really make it a struggle to truly embrace the knowledge . Also I wish you didn’t deviate from the formula of playing the scales slowly and with individual notes like you did in the beginning. Your English is superb but at times I could not hear clearly and yet again got stuck in a whirlpool of confusion . Hope you can clarify is that was a typo Ty

Me Too thanks very much

At last something I understand thanks a million

Is cheese and rice

Likewise my brother!

Exactly! Same here

Agreed,between this video and also Zombie guitar "Brian Kelly" has a very simplified explanation as well, For "my" brain, Brian explains things a little slower but between the 2 guys, you can learn everything you need to know about the fretboard and its applications.

Sorry, he explains it all wrong in the first 5 minutes. Thereafter this is pretty much useless.

What is wrong? Please let me know. I do not want to be led astray. He seems pretty knowledgeable.

I feel very sorry for you ❗️🙄

Pandemic. Pandemic...... Must of missed that ......

@@stephenclarke3990I feel sorry for you. Watching a music lesson on KZfaq then slagging someone off for learning from the music lesson. Get a life pal 👍

Thank you so much for the compliment François! :)

Yes, indeed!

Same! Best I've watched. Thanks!

wdym by patterns

Thanks Bobby!

its easy to understand. its also easy for a teacher to utterly confuse and hinder a stundent when tryng to teach modes.

Yes please!

Obviously, you'd build chords off of the modes the same way you would for any other scale.

i still have some questions. If there's a backing track that plays D major scale chord : D - Bm - A - G. Simple progression. Which modes can i use? Thank you so much.

@@diabetespotato5388 .

Nope. It’s wrong in his basic definition.

Thanks for you nice comment Yusif!

Stated exactly correct

Thanks Eva-Maria!

Thank you Oughchim!

Nope, he starts off way off. I don’t care if he gets to the real point later, his first statement of what modes are is way off.

Thanks!

Thanks Dr. Greg!

Thanks man for you're nice comment. Glad to see this video helps you out :) And thanks for sharing.

i still have some questions. If there's a backing track that plays D major scale chord : D - Bm - A - G. Simple progression. Which modes can i use? Thank you so much.

@@diabetespotato5388 The mode is driven by the chords in the track and what the tonic / home chord is. In your jam track, given the tonic / home chord is the D and the other chords in this track belong diatonically (i.e. in strict music theory) to the key of D-major (chords being D, Em, F#m, G, A, Bm, C#dim), your mode would be D-major (also called Ionian). But say the same chords in your jam track were re-arranged in the order of Bm-D-A-G, the song would be different and have a different flavour (given the minor start/end). The mode of this track would now be B minor (Aeolian) given the home chord / tonic is the Bm chord, despite all the chords still coming from the parent D-major key. Again, if the same chords in the jam track were rearranged to be A-G-Bm-D, the sound would be different again. A song starting on the 5th note of the scale (A) using the D major scale would make the mode A-Mixoldydian with its own sound / flavour. It again uses the exact same chords as those in D-major, but having the A chord as home / tonic and its own flavour (mixolydian is used often by AC/DC and rock songs). Summary: each of these re-arranged progressions in the jam track use the same chords, but mixed u create a different music style / flavour. When soloing, you can use those exact same notes from the parent key, but the tonic is the focus. You are soloing in the key of D in any of the modes taken from the D major parent scale (e.g. B minor, A mixolydian, G lydian, E dorian, F# phrygian, etc). Once you get this, then you can then explore how to mix modes together, and how music is sometimes constructed using different modes of the same parent key, and sometimes to parallel keys, or that breaking the laws of music can be used to create new music (blues does this playing the minor scale over its parallel major). Or that you could jam over a drone note usings several modes to create different flavours. For example drone note of say C played continuously, with no other chord changes, and you start to play a C mixolydian progression, then move to Ionian, but then change to a minor flavour mid-song e.g. c dorian and then aeolian). Lots of movie scores mix modes even across bar changes. Look for David Bennett Piano channel in Star Wars and how they create feelings: kzfaq.info/get/bejne/iKpmlbxovMC6qJs.html&ab_channel=DavidBennettPiano. A bit complex, but you will get some of it, and why modes can be used to make us feel a certain way. Overall, the chords drive the key, and the home note drives the mode. The less specific the chords, the more you can experiment across modal flavours to create music to suit the musical story.

@@xwinglover sir, thank you so much for explaining things to a random amateur like me. Really. Thank you so much, i get it now!

@@diabetespotato5388 I tried to keep it simple. It took me years for it to click. Videos like this and a simple explanation is all I wished for too 😂. Rewatch the video with the context of my explanation and it will make even more sense. Have a great day.

Thanks!

Thank you very much Magy for your nice comment!👍

Well thank you Steve!! Keeps me motivated :)

Thanks Fred!

Thanks!