Actually, a really good adaption is one that stays true to the very heart of the books but then puts a fresh spin and take on it. Someone said that an adaptation with Fitz as a woman would actually enhance the books. HEAR ME OUT. At first I was like NOOOOOO but...then I thought about it and realised how much advantage a young girl would have in Fitz's position as an assassin. I also think a girl is going to talk about her feelings more and probably makes things worse for herself (for instance she'll fight back against Burrich more and they'd have a more strained relationship but it would still be one of the deep love however much they fight) in opposition to Fitz who just refuses to communicate and then when he does its too late to.

@@juliall255 Write a different story then, not like there haven't been a million spy/assassin books or stories with some type of telepathy. I would much rather see a continuation of what has already been established. If you want a woman protagonist that would be incredible to follow, let me introduce you to Bee Farseer or Nettle Farseer...or a completely new one.

@@ericrose2409 Same goes for your dream on an adaption that is exactly like the book....? Just read the book? You should only adapt if the adaption has a fresh angle on it

what do you mean "no woke bullshit"? Fitz is literally brown from book 1

I’d love to see that.

Me too! I'm listing to the Audio book for Fool's Assassin and and the narrator saying CHade is killing me.

I've listened to all the books on audible and it irks me that the narrators keep changing, even in the same trilogy. They all pronounce things differently. And I swear in the last trilogy every time the narrator says vindeliar they had to stick in a re-cording of her pronouncing it vindel-EER because it always sounds out of sync/tone with the rest of the sentance. And l swear they accidentally left in a section where she called him Vinde-LIAR.

I find neither of them annoying. Love the books as they are.