One thing that confuses me is that they seemed to ‘befriend’ Childe who’s still a member of the fatui, yet upon meeting Lyney & Lynette become almost dismissive of what explanation they wish to provide seeing as they learn of the faction they’re secretly apart of. Yeah how dare you guys be a part of that group meanwhile I’ve adventured with the 11th member?

I remember that Ayaka thing now, that was really dumb...

@@FMLN92 here's something that dumbfounded me, in the Tanit World Quest series, The Aranara World Series (Optional), and some hidden world quest where you hunt down members of a former sword play school in Inazuma, Traveler ended up committing murder despite not needing to. Traveler also did some terrible things, like the Saimon hidden quest where they constantly threaten some NPC to get some treasure they don't deserve. It's baffling how Traveler can act so immoral, but apparently just being a Fatui, even if you do nothing bad, is still a great sin to them.

⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠​⁠@@FMLN92I think there are many logical answers to this. Firstly, when the traveler meets Childe, they immediately don’t like him because he’s Fatui and even make a fighting stance to prepare to fight him. Childe makes it clear that he doesn’t wish any ill on them and I think it’s then the traveler starts to realize that there are morally grey people in Teyvat. (I’m sure they already knew that about people but, just stating it from where we started with them in the game.) A chill guy in a pretty Notorious organization? Let’s feel this out. Then, they have their battle in the Golden House and of course, the Traveler is not a fan of him at the moment. At the end of the archon quest, we meet with Zhongli and end up seeing Childe and Signora, two people in the fatui that we do not like. But, Zhongli is there, and they now know he is the Geo Archon and they see him relinquishing his Gnosis to harbingers. They probably trust Zhongli a fair amount because they got to know each other throughout the whole AQ. So, they withstand being in the same room as two people they do not trust or like, and allow them to leave unharmed. Then, the traveler meets Childe again during his story quest and they get to see another side of him. That side is as an older brother. And even though they don’t like him, they take on helping him with Teucer. It’s then, the traveler, is again, shown that people are more than just black or white, bad or good. Seeing that new side of Childe, as an older brother, perhaps puts some things into perspective for them. They can probably assume that there are some lines he won’t cross because he has things and people he cares about. They especially know that specific role, since they have a sibling as well. After that, they’ve known him for a while now and continue seeing him throughout events, quests, etc. Even in one of the last Inazuma events, we warn Yoimiya about Childe because he’s not completely trustworthy. So, yes we’re cool with him now, but we still know what he is capable of. With Lyney and Lynette, we meet them, and we’re pretty cool with them right off the bat. They help us out when meeting Furina and it’s pretty smooth sailing so far. Then, they are suspected of being involved in the murder and disappearance of two people. The traveler immediately puts themselves up to defend them, even after not knowing them that long. But, when you are in court, especially under such serious charges, the other side is going to bring up everything about you, especially if it helps to fit you in the box of being guilty. So, the way the traveler found out they were Fatui was not in a good way. And even more than that, Lyney and Lynette hid it from them as well because they knew it might make the traveler see the twins differently. But the traveler is sticking their necks out for them to keep them from being framed and they didn’t think it would be crucial to share such an important detail? Because even though there are “morally grey” people in the Fatui, it’s still an organization that has done and does many bad things all around Teyvat. So, it makes sense the traveler would not be happy with Fatui members, in general. Especially those who try to hide it. Even with Wanderer, they were never set on being friends to begin with. Wanderer and Childe were honest about who they were, from the start. And they ended up becoming on good-ish terms with the traveler through many circumstances. So essentially, it’s just time, communication and circumstance. Also, the traveler ends up forgiving the twins, which I was happy about, but it makes sense that they were initially upset with them. The traveler even still defended them during the trial, while not fully trusting them.

It’s interesting seeing this analysis. I think the real purpose of the traveler’s journey is to actually experience the true nature of this world. All of its people, in all of the regions, all of its secrets and of course, the truth of what happened to them and their sibling. So, while they were set on only speaking with the Archon to find their sibling in Inazuma, that would not have been possible anyway, because Ei was not actively acting as the Archon. And once Ayaka told the traveler to see the effects losing visions had on people, they sympathized and decided to help out. That also got them closer to the archon, the same one they had questions for. Sounds like pretty solid writing to me. It’s inconsistent that a character changes their mind? Sounds exactly what like real people do, everyday. As for the acting holier than thou, I don’t think the traveler believes they are above anyone else. They are pretty cool with Childe and Wanderer, and now have met Arlecchino, [and Lyney, Lynette and Freminet]. All people from a notorious organization that causes chaos all around Teyvat. They know there’s a grey area with certain people. But, the traveler does not intentionally try to hurt people. We have seen more than enough times that they are the hero in many people’s stories. They may not be perfect but, there’s a limit to the things they would do. And there are measures to things. Even if I steal candy from the store, it is not equivalent to you stealing a car. We both stole, but I will still point out that your crime most likely has much of a greater impact and sentimentality behind it. I don’t think I’m better than you, but I’m definitely not as bad. And that’s a fair assessment to make. I respect your reasonings, but I don’t agree and I’ve never stopped caring about the traveler or their goals. Even as the game progresses, they make the traveler speak more, do more thinking analyses that don’t involve Paimon and even quests without her. Just because they are silent doesn’t mean they’re uninteresting.

Don't worry, I remember for all of you and give him all the love that you should give him but don't ❤

Same. If it wasn’t for the fact I don’t have Zhongli, I wouldn’t use aether at all.

Same!

Maybe for many people but not for me. Maybe it's because I don't talk much either but I aleays have a big train of thoughts that almost nobody ever sees and I'm in 99% fine with that. So Aether is like my comfort character. I feel so warm just from looking at him ❤ no matter how bad the writing is, he will be always my #1 ❤❤❤ I wish I had a bf like him, I really do 😭 not because I want a guy who doesn't speak, but because of the aura that surrounds him... If I had a guy like him, I would speak with him 24/7 and ask all the questions I can and hug him and pet him all the time 😂 He isn't that bad, it's just the writing is bad, not the character

Yeah it's best to do it in small doses now to avoid burnout in the story. Inazuma and Sumeru taught me that lesson real hard. Lore events are some of the stupidest thing Mihoyo has done and is still doing. Like, just make them permanent. Star Rail does it right, don't know why Genshin can't.

@@IrrelevantOaf You are waiting for lore-related events to be permanent. I'm waiting for main characters to be added to the world. We are the same.

@@IrrelevantOafmeh im fine with it, in someway it make the event worth more to do in time tho🗿 also ig they dont want the genshin ‘s storage bigger

@@user-so4ov7re3s I always thought it’d be nice if you could buy recipes and food from Xiangling at Wanmin Restaurant.

@@AnTran-fd1pn Be me. New story event is about to drop for my favorite character, with a new weapon specifically made for them. Excitedly launch the game immediately after updating. Find out my account has been hacked and I can't access it. Message customer service to get account back. Wait. No response. Message them again. They say they're working on it. Wait. Still nothing. Threaten them, saying that they're not gonna receive another dime from me if they don't get my account back before the event ends. They get me my account back... the day after the event ends. I dropped the game then and there.

There are traditional alphabet and language in each nation, but people in Teyvat simply use the universal language across the continent to speak and talk. This is why Liyue's people (China based) can talk and understand Monstadt's people (German based). Paimon teaching the travelers the Teyvat universal language so that's why they can easily understanding when step in to every nation.

Paimon also is implied to have taught the Traveler the universal language, which is also probably why they don’t talk much.

Paimon is the best girl in Genshin and an (un)sung Hero basically there's 1 particular reason why the Traveller themselves don't speak and that reason being They're not that well verse in Teyvet's languages Paimon do the talking and even repeats it cause the Traveller isn't an expert yet the reason why the Traveller talks more compare before is that they're learning to adjust I mean when Traveller first FISHED up Paimon they spent months in the wilderness even though Monstadh is just few Kilometers away because Paimon teaches them the basic Languages and stuff

Perhaps they're language dialect?

@@roweginmendoza9703 Hold on, if Traveler only can understand one language, which is the same one they share with Paimon, then how come Traveler can be fine without her? In the ending of Venti's Story Quest, Traveler tricked Paimon to go away so they can talk solely with Venti. During Sumeru, Traveler had few times where they talked with Nahida without needing Paimon's help. They once spoke with Scaramouche and even managed to understand and speak to Chlothar and Alphonso without Paimon's presence. Traveler was also able to understand Furina in her memories without Paimon either. There were many times that Traveler was able to speak with others without Paimon being there to translate.

Trash Panda For the WIN.

A Fanfiction writer here and recently(well not really, more like almost a year ago) realized that if they actually made an Anime, it would best be something like this: "Traveler's Journey" series, self explanatory. "Archon+Nation" (side) series, like "Barbatos/Venti and Mondstadt", "Morax/Zhongli and Liyue" etc, telling stories of those nations, their Archons and people. Stories that we couldn't see with the Traveler, since even if they did make a lot of friends in their journey, the relationships between different characters still exist and some are also way stronger, while others clearly need to sit down and talk already(like Diluc and Kaeya, Jean and Barbara, Diona and her father etc). And yes, I am currently writing a series about (alternative universe) Venti and Mondstadt, with Identity Reveal included. It also became way, way longer than I initially expected it to be...

@@millie567 thats pretty cool ngl. I realised a while ago its story would just be far better suited for an anime

@@darkmatter9651 Wonder if there is anything new about the Anime, if they are even going to do it. Except for that collaboration video with Ufotable, of course...

Sorry to burst your bubble, but Kiana is just a horrible character overall. She's dumb, puts herself in danger for the sake of it and always needs someone to save her, and she even gets praised for it. And the trailblazer is still a bad self-insert overall. You people act like they actually have choices that matter while they still have to follow the plot You Honkai peeps need to realize just how bad Hoyoverse storytelling is as a whole

​@@OclurI also dislike her for same reason and she is the reason why I stop playing Honkai impact.

@@Oclur Looks like someone has never actually played Chapter 25 and beyond

@@pancakesstudios6351 And for a good reason

@@Oclur Ok I don't want this to turn into a war so let's just leave each other to our own opinions alright?

I think it kind of makes sense since Sumeru is the nation of knowledge and Fontaine is famous for its invention, but yeah we'll see in Natlan

The Technology is locked to their Region's power. Sumeru was locked to the Dendro Archon power and Fontaine was locked to The Osia and Pneuma power. Now in the hands of the Hydro Sovereign

That why inazuma has the worst AQ quest tho, btw it got break by some hoyo writer’s who hate players:/

​​@@AnTran-fd1pn it got break? wdym? no i'm not opposing i'm just confused with your phrasing

Let's just say both Sumeru and specially Fontaine up the story quality by a hundred fold

@@Playay. i mean it supposed to be a good AQ but the writer make it the worst just to trigger the player

I mean genshin have that type of dark lore though and i will say that genshin is far more similar to a mix beetwen bloodborne and dark souls hidden by a anime gacha style

There is a crucial difference between them: the Soulsborne games actually know who to dedicate time to, how to dedicate that time and with what purpose. Genshin just pushes out characters like they're ever gonna spend enough time on them. It feels cheap. The soulsborne games make it feel authentic, and this is coming from a genshin enjoyer AND a soulsborne enjoyer. I just wish genshin's lore could be better because I used to really be invested. Not anymore though.

@@darkmatter9651 for what i think this more than being fault of genshin i will say that the fault is of the gacha part of the game that force genshin to do character because first or later many of them will be left behind and will be forgetted and also i am willing to say that also genshin want to push out some of the character because they will be important(litterally look at kayea) but before to do this they must prepare the field(ending all the nation) for allowing to us to witness the greater scheme another problem is how important are the world quest for having the complete visual not only of the nation but to the plot itself,the narzinkreuss quest was the biggest amount of in game information about the descender, and sometimes also the unlockable lines of the characters are absolute lore drop(basically all of neuvillette)

@@darkmatter9651 for reassuming i think genshin have the highest potential thanks to the lore of many characters and of the game itself but for using that potential we must wait probably end of snezahya and trust me this make me insane

@@darkmatter9651 Gotta to add to that; Genshin's plot is way too ambitious, and they have often throw in things stuff way too late. For example you have the elemental dragons, and the other Descenders being shoved into the lore around version 2.4 and not before, and even then they weren't introduced in the main story, they were in some obscure notes that you have to read in some side quest that you have to go out of your way to do. And then they're shoved into the main story, and you have to accept them as facts no matter how much they contradict already existing lore.

They can't. Trailblazer hasn't gone far away from traveler.

If you're gonna talk about HI3 characters, you might as well mention morality. You can see easily notice that characters like Kiana, Theresa and Mei have a high sense of morality, and even when they pursue their own goals, they still know what's right and what's wrong, which makes the player likely to cheer on. While in Traveler's case, morality is so random.. Sometimes Traveler is so self-centered, hypocrital and acts holier-than-thou, which causes the opposite effect.

@@user-so4ov7re3s oh yeah, definitely! tbh the only reason why i didn't is because I'm not the best at explaining/wording things and also didn't want to just... word dump lol

@@user-so4ov7re3s My god yes like the biggest offender is Furina SQ. The Traveler just sucks

If u talk abt genshin lore Welp genshin lore has big different from HI3 when most of genshin lore come from world quest (chain) which is abt history of places ( AQ and story quest also gib some information but it mostly talk abt the main story and character) and i like genshin work on places lore becuz its so gud ngl The character lore is also perfect like how furina was work on (beside the traveller is meh i hope they care more abt my man) but the most interesting part abt genshin lore is still history of places in ma opinions

@@AnTran-fd1pn I believe the issue refered to is how the protagonists of HI3 are day and night different compared to Traveler. They are sticking to their goals, but they keep their morality in check. The characters know what's right and wrong, and while their personalities slowly change across the story, it's not as sudden and abrupt like the Traveler does. Moreover, the HI3 stay mostly consistent, while in Genshin Impact the Traveler can be way too inconsistent, switching from kind hearted to absolutely immoral between quests and updates. The biggest issue is how unlike HI3 characters, The Traveler is inconsistent about finding their Twin, and their morality is just as inconsistent, which makes them hard to relate to. Doesn't help that most of Traveler's character is denied by Paimon taking a far bigger role in the story than the Traveler themselves.

I get that the Traveler wouldn't do a 180 like they did with Ei. But just a cold demeanor with an underlayer of sympathy for him that they would only show in specific moments would have been enough. This was so unbelievably mean of them, I really had a hard time when I read that line. It is justified because of all the horrible things he's done, but it's not consistent with the Traveler's attitude. Next, of course, Lyney and Lynette. Granted, there is an explanation for it, but it did surprise a lot of us how the Traveler now easily talks with Childe their first day in Fontaine after not seeing him for maybe a few years (if we don't count that one event that some players have missed) after Liyue's Archon Quest, and are totally ok and friendly with him. And then, when they realized two strangers they just met actually did not tell them absolutely each and every details of their lives in the bare 48 hours of knowing each other, their world crumbles ! I'm exaggerating, of course. As I said, there's an explanation for this one, it is both justified and consistent (kind of, if you don't count Childe) : The Traveler just went through how horrible the Fatui were even with members of their own organization with Dottore and Scaramouche. Even if they are friends with a few of them, their mind is not very clear and pretty biased at this point. Finding out Lyney had purposefully withstanded his identity as a Fatuus to them broke their trust, not because he is a Fatuus, but because he hid it from them. It's the very action of lying, hiding and manipulating, just like Dottore did to Scaramouche, that led them to be so mad at him and Lynette. And even then, they did try to be gradually softer with them both across Fontaine's story, it was nice to see. But the point is, it still surprised many players. And then, the greatest joke ever : Furina. The Traveler can be a very understanding person when they *want to.* In Navia's Story Quest, they shushed Paimon down when she clumsily asked Navia about her mother, they showed care for her throughout her quest, which is perfectly understandable and consistent with how their relationship with Navia always has been since Act 1 of Fontaine. They've been showing worry and care for other characters, telling them not to force themselves when they were hurt and tried to walk though I don't remember the exact quests, but you get the idea. So we're not going to force other people, and we're going to actually respect other people's trauma and difficult experiences. But not for YOU, Furina (and not for Scaramouche either, at least she ain't alone I guess.) But if it was at the very least justified with Scaramouche, with Furina, it is neither justified nor consistent. Just what has she done so wrong for them to treat her like this ? That one time when she challenged them into a duel and immediately panicked when they pulled out their sword ? Big threat. How she actually seemed thrilled to be against them in a trial, during which they were not the accused, but just the lawyer because they chose to be ? Wow. Because she chose to continue to suffer by devotion to her country instead of giving herself a tiny bit of rest, and during which, when they saw what she actually thought in her mind, they looked sad for her and had empathy ? Soooo uncool. Silliness aside, the Traveler really did show empathy for her in her inner world, the way they looked at her during that final scene and when she did her final dance before them was just sad and heartbreaking. And then next thing we know : so we know you're traumatized and all by acting, but could you do this one role ? "No thanks." "Cmooooon! The director has financial problems, and he'll be so sad, and it'll be all your fault, and your house looks so cheap btw lmfao you don't even know how to cook." "I literally just said no" "The director is going to be soooooo disappointed" "I said no !" "Alright alright, geez, it's not like we're bullying you or guilt tripping you or anything, calm down 🙄💅" That's how I saw their dialogue, basically. They were being so manipulative towards her, it was disgusting. Then of course, all the hurtful little comments during the quest towards her, that even led her to highlight she actually was making some efforts here, and that they should try and do the same. Or during the recent event with the Furina award for films. In which Chiori had the "fantastic" idea to manipulate Furina into working in the film industry again with them, by saying things like "we should buy her a gift" (guilt if she refuses), "give her lots of compliments" (manipulation). It was neither cute or funny to me, and I hated how the scene unfolded later on with how the Traveler completely agrees to do as she says. That's my problem with them. TLDR : Traveler is sometimes shown as an inconsistent character, that can go from empathetic, understanding and very likable, to downright manipulative, intentionally hurtful, and completely disrespectful and oblivious to other characters' feelings.

(The comment was too long, so divided it in 2 haha)

@@kiyomi_kamimoto here's a joke. Navia was given multiple scenes where she cries and be upset, to which Traveler and Paimon properly treated her and acted in such a caring manner. While in Furina, Paimon was being extremely insensitive, and Traveler goes "That's Paimon's way of showing she cares.", which is ironic because Paimon never acted that way with Navia. In the end, Furina's trauma gets removed in a very forced manner. But then Navia gets a brand new reason to cry out of nowhere (this time it's her mother that she knew nothing about), and guess what.. She gets treated better than Furina yet again. And in the very same update, all Furina gets is "Paimon guesses she's still traumatized.." It's painful that some people (reddit) try to make up reasons to justify how Furina was mistreated, while ignoring how Navia was treated better on multiple occasions, to the point that people say.. That Furina needs some "tough love" or something, and that showing her some care will make things worse. Which is a complete hypocrisy when you look at Navia.

@@user-so4ov7re3s Exactly. Though, with time and a beginning of analysis on her character, I do find a little logic in Furina's acting trauma "removal". It is not as forced as I or many people thought it was at first sight, at least with the few reasonings I made. But I definitely cannot approve the treatment Furina gets compared to other characters, and just in general the way the Traveler is being handled by the writers. They are so inconsistent from a quest or character to another, and though I can understand we can behave differenty with different people around us, doing a 180 on the same character is just not realistic nor consistent. (If you want to read a brief resume of my take on Furina's trauma's "disappearance" or "inconsistency") Basically, what I interpreted was : Foçalorina always saw the human world/life as a performance in an opera, "In my eyes, to be human is to be part of the greatest opera ever known.", and always yearned to be part of it, to find her own role into the grand theater of life. But when she got transformed into a human by Egeria, she got casted the responsibilities of the Hydro Archon's successor, hence her life as a human was doomed. She was forced an identity, a role by someone else who couldn't let her define who she really was. (Maybe there's a reason why we never knew her name back then.) But as this was the only thing that could make her feel as "someone", have a sort of identity and role to her own even if that's not what she wanted, she couldn't refuse and fully devoted herself to that role. "But one can only deal with what one is dealt. I did not choose this, any more than I chose to be one of Egeria's Oceanid familiars." When Furina and Foçalor became separated, Foçalor erased on purpose any memory aside from the prophecy in her body and spirit's mind so that she could be a blank slate, and in turn, also be forced to endoce a role "What's going on ? I can't seem to remember anything clearly. The only thing I know for sure is this prophecy." Both of them saw the human world as a stage to play on, and thought that being part of it could help them find themselves. But neither of them could, as they were both trapped in the role of an Archon. This was forced upon both of them, Furina had to play the girl who played the Archon, and Foçalor the divinity who was devoted to her people. In her final moments, Foçalor dances as if it was a way for her to try and be human for once in her life, to try and find, be herself. (She notices she's afraid of death, and reflects on whether this is something she may have in common with a human. She then tells Neuvillette she hoped he enjoyed the part he played in her scheme, his role, a role she never got to have, of trying to understand one's self by observing humans and living with them. She then breaks into a dance, a performance - performance in an opera being what she thinks is equivalent to a human's life, to try and pretend she's got to be herself at least once, before shedding tears during her bow as she knows this isn't real and will never get to be someone, ever. In a sense, Furina is the one who was "born" yet never got to "live", and Foçalor was the one who was never even granted the chance to be "born".) At her death, Furina is freed of this role, and is asked to live the life of a human they've always yearned for. Since to them both, being human is like performing on stage, Furina has and always had a passion for acting, by extension, an admiration for human life. In her story quest, she starts off as this empty shell of herself who is completely lost, not knowing what she can do or who she can be. After all, her previous identity as the girl who played the part of the Archon of the prophecy is gone, it's dead. She knows she wants to be herself and nobody else from now on, but she didn't know for a long time who that self of hers was. "Perhaps she was once a girl who did not much enjoy laughter. Perhaps she had once been the sort to give up on herself at the first sign of difficulty, but such emotions had already slipped away, bit by bit." Through the quest, by finally playing the role of her own life as a human, she discovers stories that were hidden to her before, and thanks to them, starts to understand herself a little more. In the end, she does play a role for a relatively short amount of time compared to her centuries of torture, and is actually given credit for it. (First announced as Amelie, before being revealed as Furina + having a gift that we can guess is from Neuvillette under the form of a vision, that belonged not to her previous role or as the character she just played as it was no prop, but to her. "But during the actual performance, a real Vision appeared, and it belonged to Furina.") She's playing a character as herself, she's not a conditioned identity playing a role anymore, she's just herself : "The reason I can now stand before the crowd's watchful gaze is perhaps because I have finally started to act as myself." So it's a difference, she definitely wouldn't let anyone else define who she is today, the trauma isn't "gone". She's just realizing another perspective of it. It's kind of a rebirth, if you will, a new identity, a new being has emerged in her, her own self. (Can be linked to Jesus and all for the one who got resurrected and can walk on water.) It was also unclear in her story quest, but even if Furina managed to see the world and herself in another light to play this one role for a short instant, she seems to now prefer to be in the industry without being on stage, like the recent event of her working as a film-director. "Performing had, in the past, brought her much pain, to the point where she had turned her back on the stage, but she indubitably understood the glory and brilliance of the stage best of all, and could give those who chase their dreams on the stage her matchless guidance and support. As to the question of what to do next, which had plagued her for so long, she now had a clear answer: To see this world from the perspective of the audience, and create the greatest performances without stepping onstage. No longer would her attention be focused only on musicals - as long as it's related to performance, Furina is interested in taking part from behind the curtain." At least that's what I can gather from her voicelines and what we could hear and see in game.

I liked it!

@@greenlineessays Thanks. How are you?

Pretty good!😁@@Oxxxyminog624

hm u alr know abt the reason why traveler didnt need to find thier sibling as soon as possible like before, arent you:/ (dont get me wrong i just like to ask question)

That's exactly how I feel! I actually only like the game whenever the main story progresses and whenever it's a Traveler's story and not about characters on the banners. Yes, so e of them are great, but I'm an Aether simp from start till the end. He is my husbando, my boy and it hurts that Hoyo doesn't care about him that much. But actually I am already happy that they gave him more lines recently and let him speak sometimes... Although the writing is still poor 😢 I still have a hope that once we will reach Khaenriah it will be all about MC and their sibling, at least for the most part. But it's a pity that their potentially amazing story was turned into .. what we have ... 😢

Pretty poor. These two are two of the richest characters in Genshin Impact. Diluc's extremely rich as he pretty much the head of the wine business of all of Mondstadt. Ningguang is even richer as she was able to afford to build a floating palace twice.

Judging by the fact that people usually give us bags of mora to spend for them in quests and the fact that Paimon and the Traveller are constantly penny-pinching when it comes to anything that isn't food, I'd say the Traveller is supposed to be relatively poor if not just getting by with Travelling funds

@@user-so4ov7re3s but that dose not make sense, bcz the MC dose a lot of high paying Quwst + he all ways gest lot of treasure for all over tevat...& even in game logic it is the traveler who is spending all the mora to level up all crecters....& I'm not sure but i heard that mora laylin is real im lore...wich the mc also use...so fell like they should be far more rich u know

@@prattaydey2603 Yes, but even the millions of Mora the Traveler has doesn't hold a candle to either of those. Diluc is a tycoon who is the top of the Wine Industry in all of Mondstadt, so much so that the wine he makes is popular in many nations. It is mostly available to the high class due to how expensive a singular bottle is. (Implied by the manga at least.) If a bottle is considered very expensive, try to imagine the profits brought by being able to brew barrels upon barrels of said wine. Being able to produce Teyvat famous, very expensive barrels of wine, and being able to sell it to the Nation of WINE and Song, and import it to other nations, At the very least, Diluc should be a Billionaire. Ningguang on the other hand is even richer than Diluc, her official description is "The Tianquan of the Liyue Qixing. Her wealth is unsurpassed in all of Teyvat.". This is evident by how she was able to afford to build the Jade Palace, a highly expensive FLOATING MANSION, twice. Traveler's millions of Mora is chump change compared to Diluc, and it's nothing compared to Ningguang.

I think according to what they told Amber and the intro dialogue with Paimon, the two were actually traveling together or something. At the very least they were camping in the wild together.