Not this one

We add a passive resonance created by the downward air pressure of the record assembly cover that evens out the effects of violent cavitation, so this is another invisible but important attribute of the Kirmuss machine.

@@kirmussaudio7578 Your machine is AMAZING. I endorse it without hesitation as worth the extra money.

*I have yet to see any ultrasonic device clean a dirty record.*

@@hulkhatepunybanner I suggest that you try the Kirmuss system. It definitely works in my own experience.

We process 4 records simultaneously between 19 and 20 minutes on average. 3 lp's at a time. Once processed, te record no longer has to undergo this process. As records are handled and where fresh fingerprints and skin oils will eventually end up once more on the record, a simple 2 minute cycle is needed in the future as deemed necessary by the user. Proof of restoration, per the Tribelectric table of charges, pvc should repell water. That is why we need no air or vacuum drying of the record as te pvc has been exposed. Just a few remaining water droplets to remove using the opticians microfiber cloth supplied with the system.

*I don't think it works. At least, not with dirty records.*

You need to use the dishwasher first and then the kirmus yes alot of work but man does it work.

The other machines cannot restore as I term it as per the Tribelectric table of charges, pvc repells water. Our spray applied to the record charges the charge of the record to be opposite to that of water thus we attract the effects of cavitation removing first films left over from prior cleaning processes, then the release agent, ten pulling out dust etc from deep into the grooves. We warranty a 1 3 dB gain over floor on new records, upwards of 3 to 4 on records of provenance unknown. Record surface cleaning and shining is not record groove restoration. Our goal, to see the needle touch the detail as pressed by the stamper, less interference of the record's release agent. Pressing Oil discovered and termed by the Shure Brothers in circa 1977.

There's always going to be some very slow learners....

@@sharpdressedvan Kirmuss himself has changed the routine himself. Also, no one knows the effect it has on records. I’ve asked people way more educated than most on here.

We process 4 records simultaneously in 18 to 20 minutes. We offer 1.3 dB to 3 to 4 dB gain over floor depending on the provenance of the record.

Now discovered 8 to 28 plus % in increase in frequency response. Check out the Kirmuss Audio KZfaq channel

It really does.

Look at these videos! 1. Restoration of a Frank Sinatra Record. Mexico City Nov 2023 KirmussAudio event. Before restoration: Lots of noise. Crackles abound. Sound Muddled. The record was processed before in a 120 KHz ultrasonic. Processed 5 times. Before in a vacuum based cleaning system, so I was told. Video Before Kirmuss Processing: kzfaq.info/love/q6s2TT2s7SgZu_7F1D37SQ Video After Kirmuss Restoration: Increase in signal and frequency response, pops gone. kzfaq.info/get/bejne/lbiKaJN-rrbYhnU.html 2. From our record restoration event in Mexico City in front of Billboard Magazine and with an invitation only meeting of Discos two weeks ago held at the Margules factory, very nice of him, a record that was brought in that was processed prior with a vacuum cleaning system saw these results: Before Kirmuss; kzfaq.info-L2gIqQ3nok After Kirmuss: kzfaq.info_6_fhGWMBjM @@jerryandlisa27

Isonic is a distributor. The Kirmuss system takes the machine from overseas and adds a 70khz resonance to ev

70 khz resonance to even out resonance. If you review the Kirmuss presentation at the NJ Audio Society 's Zoom Feb 2022 you will see where the iSonic distributed in the US by a dental cleaning equipment manufacturer sees the skewered aluminum foil test records inserted in this machine not see any even and gentle cavitation throughout the entire surface of the record. In fact the inner records see little cavitation. A cavitation meter also proves where record spacing and what we call loading of an ultrasonic affects the results of cavitation. The Upscake 3 LP, one 45 carriage allows for ecen cavitation. To your remark, records and water with or without a soap added to the water repel each other. Irrespective of resonance added, both Kirmuss and isonic or any ultrasonic for that matter cannot clean effectively let alone remove the release agent that surfaces at the time of pressing where factory created pops reside. Only can one by applying an ionizing spray to the surface of the record see the effects of cavitation be attracted to the record. That is what the Upscale unit offers end users see the processing of 3 LP's and one 45 at a time. Law of 3 to 27 loading factor. Putting a record in any sonic machine does little without ionization. . As to truth in advertised as discussed in Stereophile Analog Corner in the August 2022 issue , truth in advertising was reviewed. In fact as a result, tests using a cavitation meter and using aluminum foil test records sees no cavitation generated as advertised by one German 40 KHz machine, one Baltic States 120 KHz machine, and a 40 KHz Hong Kong sold machine. To validation of restoration, The ionizing spray supplied with the Upscale restoration machine indeed needs to be applied over several cycles as the induced charge on the record washes off as the record spins in the machine. First cycles removing films left over from prior processes used, then finally the release agent or pressing oil that the Shure Brothers discovered in the 70's, long forgotten. An advantage in doing this cycling also allows the user to see when the record has been restored as a white material is seen coming out between applications and finally disappears. This represents what the sonic softened in the prior cycle. A restored record comes out virtually dry as both the pvc of the record and water repell each other. Sorry to be wordy, I wanted to comment on how the Upscale machine processes records and where one benefits from between 1.3 and 4 dB gain over floor depending on the provenance of the record. I have not noted any other supplier provide any measurements to their processes effectiveness in bringing pressed music to life.