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Richard Atkinson analyzes the magnificent counterpoint in the opening movement of Mozart's Prague Symphony, no. 38 in D major, K. 504, culminating in the development section, during which many of the previously introduced themes are combined at once in invertible counterpoint. This is a fair use educational commentary that uses excerpts from the following recordings/performances:
Mozart: Symphony, no. 38 in D major, K. 504, “Prague”
• Mozart - Symphony No. ...
Mozart: Overtures to The Magic Flute and Don Giovanni
Sir Neville Marriner, Academy of St. Martin in the Fields
Haydn: Symphony No. 80 in D minor
Orpheus Chamber Orchestra
Haydn Symphony No. 81
Australian Chamber Orchestra, Sir Charles Mackerras
Beethoven: Sonata for Pianoforte, Op. 31 No. 2 in D minor, “Tempest”
Evgeny Kissin, Pianoforte
Mozart: Serenade in D major, K. 320, "Posthorn"
Sir Charles Mackerras, Prague Chamber Orchestra
Mozart: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" Duet from The Magic Flute • Mozart - Magic Flute (...
Mozart: Canon, “O du eselhafter Martin!” KV 560
Nicol Matt, Chamber Choir of Europe
00:00 - Exposition section
15:04 - Development section
22:31 - Recapitulation section