Tbh I'd credit Oppenheimer, we wouldn't even have a 70mm release of Dune 2 or re-release of Tenet without that (Denis said as much himself)

Dune is an absolute must see in IMAX!! I’ve been fortunate enough to have the opportunity to do some work with IMAX & the 1.90:1 format that all but of a handful of cinemas use is not the true / classic IMAX format. IMAX fan tech break down….. The aspect ratio of true IMAX is 1.43:1, nearly square in format, which is unique and differs from standard cinema formats. This shape and size enable directors to use the space creatively and in a way that cannot be replicated in a regular theatre or home viewing context. It also allows films shot in the IMAX format to be displayed with significantly higher resolution than standard projection systems. True IMAX theatres have a distinctive screen that extends to the edges of your peripheral vision, creating an immersive experience unlike any other. The seating arrangement is steep to ensure that all viewers have an unobstructed view of the screen. These screens can reach a size of up to 72 feet high and 98 feet wide, which is almost like watching a film on the side of a seven-story building. The classic or ‘True IMAX’ also uses a 70mm film format, the largest in practical use. With IMAX format, each frame is 15 perforations wide, and the area of the frame is about 52mm high by 70mm wide - almost 9 times larger than the conventional 35mm frame used in traditional movie theaters. This full frame IMAX format produces images up to 18k resolution, far superior to the images seen in most digital cinemas. On the other hand, Digital IMAX, or what some have taken to calling ‘Fake IMAX,’ was introduced as a more cost-effective alternative to the traditional 70mm projection system. These theatres use two 2K resolution digital projectors with proprietary IMAX post-production techniques to enhance the image quality. The screens are smaller, typically 28 feet high and 58 feet wide, which is much smaller than a True IMAX screen but still larger than a standard theatre screen. The aspect ratio of Digital IMAX is 1.90:1, which, while it offers more height than standard theatres, does not quite match up to the traditional IMAX ratio. Digital IMAX systems also utilize a different sound system and can offer a great auditory experience but fall short of True IMAX’s patented sound technology which delivers laser-aligned digital sound. Digital IMAX theatres were introduced primarily due to the lower installation and operation costs compared to True IMAX. They can fit into traditional multiplex theatres without major structural modifications, making them an attractive option for many theatre owners. While they don’t deliver the same level of immersion as True IMAX, they still provide a superior viewing experience compared to regular screens, making it a ‘better than standard’ option for many viewers. Here in the UK we have only three ‘True IMAX’ screens with the correct 1.43:1 format; those being The National Media Museum in Bradford (interestingly the first IMAX location in the UK when it opened in the 1980s), The Printworks in Manchester & finally The Science Museum in London. Even the British Film Institute doesn’t run the true IMAX format screen!! I totally agree that IMAX is massively underused. But if we were to see it more broadly adopted by the film industry, cinemas must be clear about whether they are IMAX or Lie-MAX.

@@kelownatechkid thought it was filmed in digital??as opposed to Oppenheimer

I saw it this afternoon in IMAX and I honestly came out of the cinema feeling like I’d been pummelled into the desert sand by sound and vision.

A normal viewing is quiet, small and not as vivid. I saw in IMAX yesterday and then again in a regular screening. There was so much to take in, I was overwhelmed with the first viewing but the second was much more chill and I appreciated the story much more cos I wasn’t as immersed and just enjoying the next awesome part

Dune is an absolute must see in IMAX!! I’ve been fortunate enough to have the opportunity to do some work with IMAX & the 1.90:1 format is not the true / classic IMAX format. The aspect ratio of true IMAX is 1.43:1, nearly square in format, which is unique and differs from standard cinema formats. This shape and size enable directors to use the space creatively and in a way that cannot be replicated in a regular theatre or home viewing context. It also allows films shot in the IMAX format to be displayed with significantly higher resolution than standard projection systems. True IMAX theatres have a distinctive screen that extends to the edges of your peripheral vision, creating an immersive experience unlike any other. The seating arrangement is steep to ensure that all viewers have an unobstructed view of the screen. These screens can reach a size of up to 72 feet high and 98 feet wide, which is almost like watching a film on the side of a seven-story building. The classic or ‘True IMAX’ also uses a 70mm film format, the largest in practical use. With IMAX format, each frame is 15 perforations wide, and the area of the frame is about 52mm high by 70mm wide - almost 9 times larger than the conventional 35mm frame used in traditional movie theaters. This full frame IMAX format produces images up to 18k resolution, far superior to the images seen in most digital cinemas. On the other hand, Digital IMAX, or what some have taken to calling ‘Fake IMAX,’ was introduced as a more cost-effective alternative to the traditional 70mm projection system. These theatres use two 2K resolution digital projectors with proprietary IMAX post-production techniques to enhance the image quality. The screens are smaller, typically 28 feet high and 58 feet wide, which is much smaller than a True IMAX screen but still larger than a standard theatre screen. The aspect ratio of Digital IMAX is 1.90:1, which, while it offers more height than standard theatres, does not quite match up to the traditional IMAX ratio. Digital IMAX systems also utilize a different sound system and can offer a great auditory experience but fall short of True IMAX’s patented sound technology which delivers laser-aligned digital sound. Digital IMAX theatres were introduced primarily due to the lower installation and operation costs compared to True IMAX. They can fit into traditional multiplex theatres without major structural modifications, making them an attractive option for many theatre owners. While they don’t deliver the same level of immersion as True IMAX, they still provide a superior viewing experience compared to regular screens, making it a ‘better than standard’ option for many viewers. Here in the UK we have only three ‘True IMAX’ screens with the correct 1.43:1 format; those being The National Media Museum in Bradford (interestingly the first IMAX location in the UK when it opened in the 1980s), The Printworks in Manchester & finally The Science Museum in London. Even the British Film Institute doesn’t run the true IMAX format screen!!

I watched in IMAX. Went and told my parents to watch it in IMAX. My mom was against it because she tried IMAX for the first time with Aquaman and the movie was awful apparently so she didn't want to waste any more money. In the end I told her, get dressed, and I'm paying for your IMAX. So yeah, the worm riding scene melted my mind a second time and my parents loved it. "It was worth it."

I was exhausted by the end of it

It'll be my first film in IMAX 😮

Dune is an absolute must see in IMAX!! I’ve been fortunate enough to have the opportunity to do some work with IMAX & the 1.90:1 format is not the true / classic IMAX format. The aspect ratio of true IMAX is 1.43:1, nearly square in format, which is unique and differs from standard cinema formats. This shape and size enable directors to use the space creatively and in a way that cannot be replicated in a regular theatre or home viewing context. It also allows films shot in the IMAX format to be displayed with significantly higher resolution than standard projection systems. True IMAX theatres have a distinctive screen that extends to the edges of your peripheral vision, creating an immersive experience unlike any other. The seating arrangement is steep to ensure that all viewers have an unobstructed view of the screen. These screens can reach a size of up to 72 feet high and 98 feet wide, which is almost like watching a film on the side of a seven-story building. The classic or ‘True IMAX’ also uses a 70mm film format, the largest in practical use. With IMAX format, each frame is 15 perforations wide, and the area of the frame is about 52mm high by 70mm wide - almost 9 times larger than the conventional 35mm frame used in traditional movie theaters. This full frame IMAX format produces images up to 18k resolution, far superior to the images seen in most digital cinemas. On the other hand, Digital IMAX, or what some have taken to calling ‘Fake IMAX,’ was introduced as a more cost-effective alternative to the traditional 70mm projection system. These theatres use two 2K resolution digital projectors with proprietary IMAX post-production techniques to enhance the image quality. The screens are smaller, typically 28 feet high and 58 feet wide, which is much smaller than a True IMAX screen but still larger than a standard theatre screen. The aspect ratio of Digital IMAX is 1.90:1, which, while it offers more height than standard theatres, does not quite match up to the traditional IMAX ratio. Digital IMAX systems also utilize a different sound system and can offer a great auditory experience but fall short of True IMAX’s patented sound technology which delivers laser-aligned digital sound. Digital IMAX theatres were introduced primarily due to the lower installation and operation costs compared to True IMAX. They can fit into traditional multiplex theatres without major structural modifications, making them an attractive option for many theatre owners. While they don’t deliver the same level of immersion as True IMAX, they still provide a superior viewing experience compared to regular screens, making it a ‘better than standard’ option for many viewers. Here in the UK we have only three ‘True IMAX’ screens with the correct 1.43:1 format; those being The National Media Museum in Bradford (interestingly the first IMAX location in the UK when it opened in the 1980s), The Printworks in Manchester & finally The Science Museum in London. Even the British Film Institute doesn’t run the true IMAX format screen!!

@@davidanderson1639interesting - how come they show 70mm at the BFI Southbank IMAX?

@@aliofly To fill a 1.43:1 screen with a full-frame digital image a dual laser-based projector is needed, and the BFI’s 2K Xenon lamp-based digital projector is only capable of showing them in 1.90:1, robbing them of their full impact. Having seen films with IMAX 1.43:1 scenes I can vouch for the impact they have, and as laser projectors have been around for several years, the inability of the BFI to project digital 1.43:1 was a real blot on its claims to be the UK’s premier film location. With Odeon in charge of the ticketing at the BFI for the last few years, it seemed unlikely that this would change but since the BFI has taken back control, (to coin a phrase), rumors were about that the BFI IMAX would finally get its laser projector - and in late September 2022 it was finally announced that this would be the case - and alongside this would be an all-new screen, and a 12-channel IMAX sound system - an upgrade from the six-channel. However, there was good news, and bad. The good is that the 15/70mm film projector would be retained, but the bad news is that rather than a dual-laser system, the BFI confirmed on Instagram that it would be a commercial laser (CoLa) - which means that even after all these years of waiting - visitors would not be able to see IMAX 1.43:1 films digitally. There is another hope for Londoners and those in the vicinity, This is the London Science Museum, which does indeed have both dual-laser and 15/70mm projectors in its booth. The problem here is that, the Science Museum only shows IMAX documentaries; some of the older ones are on 15/70mm film.

Do it. I rarely remember what I watched in the trailer (late last year) and man, it is so good to just follow the story without your brain registering that it had seen certain scenes from the trailer. It’s better going in completely blind.

Dune is an absolute must see in IMAX!! I’ve been fortunate enough to have the opportunity to do some work with IMAX & the 1.90:1 format is not the true / classic IMAX format. The aspect ratio of true IMAX is 1.43:1, nearly square in format, which is unique and differs from standard cinema formats. This shape and size enable directors to use the space creatively and in a way that cannot be replicated in a regular theatre or home viewing context. It also allows films shot in the IMAX format to be displayed with significantly higher resolution than standard projection systems. True IMAX theatres have a distinctive screen that extends to the edges of your peripheral vision, creating an immersive experience unlike any other. The seating arrangement is steep to ensure that all viewers have an unobstructed view of the screen. These screens can reach a size of up to 72 feet high and 98 feet wide, which is almost like watching a film on the side of a seven-story building. The classic or ‘True IMAX’ also uses a 70mm film format, the largest in practical use. With IMAX format, each frame is 15 perforations wide, and the area of the frame is about 52mm high by 70mm wide - almost 9 times larger than the conventional 35mm frame used in traditional movie theaters. This full frame IMAX format produces images up to 18k resolution, far superior to the images seen in most digital cinemas. On the other hand, Digital IMAX, or what some have taken to calling ‘Fake IMAX,’ was introduced as a more cost-effective alternative to the traditional 70mm projection system. These theatres use two 2K resolution digital projectors with proprietary IMAX post-production techniques to enhance the image quality. The screens are smaller, typically 28 feet high and 58 feet wide, which is much smaller than a True IMAX screen but still larger than a standard theatre screen. The aspect ratio of Digital IMAX is 1.90:1, which, while it offers more height than standard theatres, does not quite match up to the traditional IMAX ratio. Digital IMAX systems also utilize a different sound system and can offer a great auditory experience but fall short of True IMAX’s patented sound technology which delivers laser-aligned digital sound. Digital IMAX theatres were introduced primarily due to the lower installation and operation costs compared to True IMAX. They can fit into traditional multiplex theatres without major structural modifications, making them an attractive option for many theatre owners. While they don’t deliver the same level of immersion as True IMAX, they still provide a superior viewing experience compared to regular screens, making it a ‘better than standard’ option for many viewers. Here in the UK we have only three ‘True IMAX’ screens with the correct 1.43:1 format; those being The National Media Museum in Bradford (interestingly the first IMAX location in the UK when it opened in the 1980s), The Printworks in Manchester & finally The Science Museum in London. Even the British Film Institute doesn’t run the true IMAX format screen!!

Dune is an absolute must see in IMAX!! I’ve been fortunate enough to have the opportunity to do some work with IMAX & the 1.90:1 format is not the true / classic IMAX format. The aspect ratio of true IMAX is 1.43:1, nearly square in format, which is unique and differs from standard cinema formats. This shape and size enable directors to use the space creatively and in a way that cannot be replicated in a regular theatre or home viewing context. It also allows films shot in the IMAX format to be displayed with significantly higher resolution than standard projection systems. True IMAX theatres have a distinctive screen that extends to the edges of your peripheral vision, creating an immersive experience unlike any other. The seating arrangement is steep to ensure that all viewers have an unobstructed view of the screen. These screens can reach a size of up to 72 feet high and 98 feet wide, which is almost like watching a film on the side of a seven-story building. The classic or ‘True IMAX’ also uses a 70mm film format, the largest in practical use. With IMAX format, each frame is 15 perforations wide, and the area of the frame is about 52mm high by 70mm wide - almost 9 times larger than the conventional 35mm frame used in traditional movie theaters. This full frame IMAX format produces images up to 18k resolution, far superior to the images seen in most digital cinemas. On the other hand, Digital IMAX, or what some have taken to calling ‘Fake IMAX,’ was introduced as a more cost-effective alternative to the traditional 70mm projection system. These theatres use two 2K resolution digital projectors with proprietary IMAX post-production techniques to enhance the image quality. The screens are smaller, typically 28 feet high and 58 feet wide, which is much smaller than a True IMAX screen but still larger than a standard theatre screen. The aspect ratio of Digital IMAX is 1.90:1, which, while it offers more height than standard theatres, does not quite match up to the traditional IMAX ratio. Digital IMAX systems also utilize a different sound system and can offer a great auditory experience but fall short of True IMAX’s patented sound technology which delivers laser-aligned digital sound. Digital IMAX theatres were introduced primarily due to the lower installation and operation costs compared to True IMAX. They can fit into traditional multiplex theatres without major structural modifications, making them an attractive option for many theatre owners. While they don’t deliver the same level of immersion as True IMAX, they still provide a superior viewing experience compared to regular screens, making it a ‘better than standard’ option for many viewers. Here in the UK we have only three ‘True IMAX’ screens with the correct 1.43:1 format; those being The National Media Museum in Bradford (interestingly the first IMAX location in the UK when it opened in the 1980s), The Printworks in Manchester & finally The Science Museum in London. Even the British Film Institute doesn’t run the true IMAX format screen!!

Dune is an absolute must see in IMAX!! I’ve been fortunate enough to have the opportunity to do some work with IMAX & the 1.90:1 format is not the true / classic IMAX format. The aspect ratio of true IMAX is 1.43:1, nearly square in format, which is unique and differs from standard cinema formats. This shape and size enable directors to use the space creatively and in a way that cannot be replicated in a regular theatre or home viewing context. It also allows films shot in the IMAX format to be displayed with significantly higher resolution than standard projection systems. True IMAX theatres have a distinctive screen that extends to the edges of your peripheral vision, creating an immersive experience unlike any other. The seating arrangement is steep to ensure that all viewers have an unobstructed view of the screen. These screens can reach a size of up to 72 feet high and 98 feet wide, which is almost like watching a film on the side of a seven-story building. The classic or ‘True IMAX’ also uses a 70mm film format, the largest in practical use. With IMAX format, each frame is 15 perforations wide, and the area of the frame is about 52mm high by 70mm wide - almost 9 times larger than the conventional 35mm frame used in traditional movie theaters. This full frame IMAX format produces images up to 18k resolution, far superior to the images seen in most digital cinemas. On the other hand, Digital IMAX, or what some have taken to calling ‘Fake IMAX,’ was introduced as a more cost-effective alternative to the traditional 70mm projection system. These theatres use two 2K resolution digital projectors with proprietary IMAX post-production techniques to enhance the image quality. The screens are smaller, typically 28 feet high and 58 feet wide, which is much smaller than a True IMAX screen but still larger than a standard theatre screen. The aspect ratio of Digital IMAX is 1.90:1, which, while it offers more height than standard theatres, does not quite match up to the traditional IMAX ratio. Digital IMAX systems also utilize a different sound system and can offer a great auditory experience but fall short of True IMAX’s patented sound technology which delivers laser-aligned digital sound. Digital IMAX theatres were introduced primarily due to the lower installation and operation costs compared to True IMAX. They can fit into traditional multiplex theatres without major structural modifications, making them an attractive option for many theatre owners. While they don’t deliver the same level of immersion as True IMAX, they still provide a superior viewing experience compared to regular screens, making it a ‘better than standard’ option for many viewers. Here in the UK we have only three ‘True IMAX’ screens with the correct 1.43:1 format; those being The National Media Museum in Bradford (interestingly the first IMAX location in the UK when it opened in the 1980s), The Printworks in Manchester & finally The Science Museum in London. Even the British Film Institute doesn’t run the true IMAX format screen!!

@@davidanderson1639 Interesting but confusing. I was under the impression that the BFI had the largest IMAX screen in Europe and that Dune 2, which I will see there next week, is being presented in 15/70 print. How is this not true IMAX? Also, I hear the Printworks no longer has a 70mm projector anyway.

@@mikezappa At 20 meters across, by 20 meters high, the BFI often boasts that the screen is the largest in all of Europe. Its height means it can show 1.43:1 “full frame” content projected from one of the few IMAX 15/70mm film projectors still in operation, making it the location of choice for many moviegoers across the country. However, to fill a 1.43:1 screen with a full-frame digital image a dual laser-based projector is needed, and the BFI’s 2K Xenon lamp-based digital projector is only capable of showing them in 1.90:1, robbing them of their full impact. The inability of the BFI to project digital 1.43:1 was a real blot on its claims to be the UK’s premier film location. With Odeon in charge of the ticketing at the BFI for the last few years, it seemed unlikely that this would change but since the BFI has taken back control, (to coin a phrase), rumors were about that the BFI IMAX would finally get its laser projector - and in late September 2022 it was finally announced that this would be the case - and alongside this would be an all-new screen, and a 12-channel IMAX sound system - an upgrade from the six-channel. However, there was good news, and bad. The good is that the 15/70mm film projector would be retained, but the bad news is that rather than a dual-laser system, the BFI confirmed on Instagram that it would be a commercial laser (CoLa) - which means that even after all these years of waiting - visitors would not be able to see IMAX 1.43:1 films digitally. There is another hope for Londoners and those in the vicinity, This is the London Science Museum, which does indeed have both dual-laser and 15/70mm projectors in its booth. The problem here is that, the Science Museum no longer shows commercial films.

Here's an analogy: A new cinema format appears, let's call it MegaMax. MegaMax shows some films in color but, thanks to MegaMax's business deals with the film studios, every other cinema has to show them in black & white. Would you praise MegaMax, proclaiming, "This is the best way to see the movie! The color is so immersive, etc."? Or, would you say that this is an appalling anti-artistic business model? For me, the latter is the correct answer. And yet everyone's effectively doing the former with IMAX. On the plus side, at least Dune 2 eschews that silly IMAX gimmick of Variable Aspect Ratio.

I thought exactly the same after seeing it. It screams for a double bill feature!

Dune is an absolute must see in IMAX!! I’ve been fortunate enough to have the opportunity to do some work with IMAX & the 1.90:1 format is not the true / classic IMAX format. The aspect ratio of true IMAX is 1.43:1, nearly square in format, which is unique and differs from standard cinema formats. This shape and size enable directors to use the space creatively and in a way that cannot be replicated in a regular theatre or home viewing context. It also allows films shot in the IMAX format to be displayed with significantly higher resolution than standard projection systems. True IMAX theatres have a distinctive screen that extends to the edges of your peripheral vision, creating an immersive experience unlike any other. The seating arrangement is steep to ensure that all viewers have an unobstructed view of the screen. These screens can reach a size of up to 72 feet high and 98 feet wide, which is almost like watching a film on the side of a seven-story building. The classic or ‘True IMAX’ also uses a 70mm film format, the largest in practical use. With IMAX format, each frame is 15 perforations wide, and the area of the frame is about 52mm high by 70mm wide - almost 9 times larger than the conventional 35mm frame used in traditional movie theaters. This full frame IMAX format produces images up to 18k resolution, far superior to the images seen in most digital cinemas. On the other hand, Digital IMAX, or what some have taken to calling ‘Fake IMAX,’ was introduced as a more cost-effective alternative to the traditional 70mm projection system. These theatres use two 2K resolution digital projectors with proprietary IMAX post-production techniques to enhance the image quality. The screens are smaller, typically 28 feet high and 58 feet wide, which is much smaller than a True IMAX screen but still larger than a standard theatre screen. The aspect ratio of Digital IMAX is 1.90:1, which, while it offers more height than standard theatres, does not quite match up to the traditional IMAX ratio. Digital IMAX systems also utilize a different sound system and can offer a great auditory experience but fall short of True IMAX’s patented sound technology which delivers laser-aligned digital sound. Digital IMAX theatres were introduced primarily due to the lower installation and operation costs compared to True IMAX. They can fit into traditional multiplex theatres without major structural modifications, making them an attractive option for many theatre owners. While they don’t deliver the same level of immersion as True IMAX, they still provide a superior viewing experience compared to regular screens, making it a ‘better than standard’ option for many viewers. Here in the UK we have only three ‘True IMAX’ screens with the correct 1.43:1 format; those being The National Media Museum in Bradford (interestingly the first IMAX location in the UK when it opened in the 1980s), The Printworks in Manchester & finally The Science Museum in London. Even the British Film Institute doesn’t run the true IMAX format screen!!

yeh dude its crazy I had to actually look up which theaters have a bigger screen - im uploading a video about my struggles of trying to book a 70mm screen ticket @@davidanderson1639

dude you wrote way too much

Yes! I saw the last Mission Impossible film at the Cheltenham IMAX and, exactly as you say, the screen looked like a piece of parchment paper. Incredibly distracting, especially on light-coloured expansive views like the sky. I wrote to them, and IMAX to complain, but got no response. The Odeon cinema in Bath has the same problem with some of its screens. I won't go to either venue again..!

Not the same sadly but superscreen do have Dolby Atmos sound. You’ll get letterboxed if in superscreen.

Superscreen is just a standard cinema screen that’s bigger than normal. The aspect ratio of Dune Part Two will be 2.39:1. The IMAX aspect ratio is 1.90:1 with some scenes in 1.43:1.

Well like I say my Cineworld doesn't have IMAX. Just standard, Superscreen, 4DX and Screen X(whatever the hell that is)

Dune is an absolute must see in IMAX!! I’ve been fortunate enough to have the opportunity to do some work with IMAX & the 1.90:1 format is not the true / classic IMAX format. The aspect ratio of true IMAX is 1.43:1, nearly square in format, which is unique and differs from standard cinema formats. This shape and size enable directors to use the space creatively and in a way that cannot be replicated in a regular theatre or home viewing context. It also allows films shot in the IMAX format to be displayed with significantly higher resolution than standard projection systems. True IMAX theatres have a distinctive screen that extends to the edges of your peripheral vision, creating an immersive experience unlike any other. The seating arrangement is steep to ensure that all viewers have an unobstructed view of the screen. These screens can reach a size of up to 72 feet high and 98 feet wide, which is almost like watching a film on the side of a seven-story building. The classic or ‘True IMAX’ also uses a 70mm film format, the largest in practical use. With IMAX format, each frame is 15 perforations wide, and the area of the frame is about 52mm high by 70mm wide - almost 9 times larger than the conventional 35mm frame used in traditional movie theaters. This full frame IMAX format produces images up to 18k resolution, far superior to the images seen in most digital cinemas. On the other hand, Digital IMAX, or what some have taken to calling ‘Fake IMAX,’ was introduced as a more cost-effective alternative to the traditional 70mm projection system. These theatres use two 2K resolution digital projectors with proprietary IMAX post-production techniques to enhance the image quality. The screens are smaller, typically 28 feet high and 58 feet wide, which is much smaller than a True IMAX screen but still larger than a standard theatre screen. The aspect ratio of Digital IMAX is 1.90:1, which, while it offers more height than standard theatres, does not quite match up to the traditional IMAX ratio. Digital IMAX systems also utilize a different sound system and can offer a great auditory experience but fall short of True IMAX’s patented sound technology which delivers laser-aligned digital sound. Digital IMAX theatres were introduced primarily due to the lower installation and operation costs compared to True IMAX. They can fit into traditional multiplex theatres without major structural modifications, making them an attractive option for many theatre owners. While they don’t deliver the same level of immersion as True IMAX, they still provide a superior viewing experience compared to regular screens, making it a ‘better than standard’ option for many viewers. Here in the UK we have only three ‘True IMAX’ screens with the correct 1.43:1 format; those being The National Media Museum in Bradford (interestingly the first IMAX location in the UK when it opened in the 1980s), The Printworks in Manchester & finally The Science Museum in London. Even the British Film Institute doesn’t run the true IMAX format screen!!

Yet here you are, on a video where he's talking, when you could have just scrolled past.