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@gasphynx
@gasphynx 6 күн бұрын
Is this AI generated? The music is a bit annoying.
@user-my1wb2wz8s
@user-my1wb2wz8s 14 күн бұрын
it is insanely good essay, wish you'll make more of them!
@lazedreamor2318
@lazedreamor2318 Ай бұрын
I think your mathematical approach to structure undermines the subject, and the way you dismiss the two-part theory makes this clear. Percentage doesn't really matter. Content does.
@dr.buttholebigstacks3916
@dr.buttholebigstacks3916 Ай бұрын
The whole time I was like “yeah right… it’s just a freaking Vietnam movie who cares?” Then you said the “it’s not about this warface, it’s about THIS warface.” And I literally got shivers all down my spine
@eduardfonsek9406
@eduardfonsek9406 Ай бұрын
More Kubrick please
@sarp4919
@sarp4919 2 ай бұрын
Agamemnon survived in reality and menelaus takes back Helen, Paris dies in war.. This movie is totally different😂
@equipmentforliving7253
@equipmentforliving7253 Ай бұрын
A lot of strange choices all around
@Leon-zu1wp
@Leon-zu1wp 3 ай бұрын
Cake is flour, eggs, milk, and a pinch of salt. You can absolutely tell a story just by watching and listening to them. This book bologna is only to make money at the expense of making movies similar and similar.
@equipmentforliving7253
@equipmentforliving7253 Ай бұрын
Thanks for your opinion! Have a great day!
@Leon-zu1wp
@Leon-zu1wp Ай бұрын
@@equipmentforliving7253 You're a phoney, sir!
@casualblickfan
@casualblickfan 3 ай бұрын
This deserves more views. Well done
@MannyBernabe
@MannyBernabe 3 ай бұрын
excellent. Thank you.
@plasticweapon
@plasticweapon 3 ай бұрын
it's structure isn't "confusing", it's just atypical.
@equipmentforliving7253
@equipmentforliving7253 Ай бұрын
KZfaq looks at me funny when I choose titles that aren't grabby - I agree with you completely. In fact I'd say it's more classical in structure than anything.
@corrupt1238
@corrupt1238 3 ай бұрын
Excellent viedo, have liked & subbed
@equipmentforliving7253
@equipmentforliving7253 Ай бұрын
Thanks, I appreciate it!
@MF_YOUTUBE
@MF_YOUTUBE 5 ай бұрын
Incredible analysis, really. Thank you for the video.
@equipmentforliving7253
@equipmentforliving7253 Ай бұрын
Thanks mate, I'm glad you enjoyed it!
@ashnyx_spiritpeace
@ashnyx_spiritpeace 5 ай бұрын
Thanks a lot for the tips Your videos really disserve more views
@equipmentforliving7253
@equipmentforliving7253 5 ай бұрын
Thank you, it's much appreciated :)
@bozimmerman
@bozimmerman 6 ай бұрын
I too love plot, but I kinda prefer Aristotle's analysis better than this one, as it seems to explain great stories that lack conflict, calls to adventure, etc, while this one does not. It also doesn't require (but does allow for) character arcs. Since I yawn at character arcs, this better matches my preferences.
@equipmentforliving7253
@equipmentforliving7253 Ай бұрын
I like Aristotle's point about how you have to be careful not to make your story too long and not to jam in too many turning points.
@user-lm8jd2fr5p
@user-lm8jd2fr5p 6 ай бұрын
this is amazing, such a great video. you actually made the amazing spider-man 2 sound like a good movie
@equipmentforliving7253
@equipmentforliving7253 Ай бұрын
Haha well it's not awful...
@beyondthegravecemeterycult1475
@beyondthegravecemeterycult1475 7 ай бұрын
Thank you for this. I'm going to watch it again and take notes.
@equipmentforliving7253
@equipmentforliving7253 Ай бұрын
Thanks mate! I'm glad it helped :)
@hyperbitcoinizationpod
@hyperbitcoinizationpod 7 ай бұрын
Act 2 starts when they leave the Hidden Fortress.
@SchleppFilms
@SchleppFilms 8 ай бұрын
Quality work! Thanks
@equipmentforliving7253
@equipmentforliving7253 8 ай бұрын
Much appreciated!
@xanvic_sanc
@xanvic_sanc 8 ай бұрын
It´s true!! kzfaq.info/get/bejne/fZ91hpRyqqu2cac.html
@generaldzaster2022
@generaldzaster2022 9 ай бұрын
Good analysis a few things,The "prostitute" was not one that was the whole point she would not do it, she was a refugee caught up in the war. Im shocked you had any criticism for this masterpiece of cinema.
@equipmentforliving7253
@equipmentforliving7253 8 ай бұрын
Thanks for the heads up! Haha I'd say it truly is a classic, although there's always room for minor improvement here and there :)
@TheMMAwelder
@TheMMAwelder 9 ай бұрын
Well done! Just got done reading the Iliad so the timing is perfect!
@equipmentforliving7253
@equipmentforliving7253 9 ай бұрын
Nice! Definitely worth watching Troy if you haven't yet
@TheMMAwelder
@TheMMAwelder 9 ай бұрын
@@equipmentforliving7253 oh I’ve watched it a million times already, wanted to read the Iliad to get a comparison & I found this video around the same time!
@equipmentforliving7253
@equipmentforliving7253 8 ай бұрын
@@TheMMAwelder nice, I hope you enjoyed comparing them as much as I did!
@riffbaama
@riffbaama 9 ай бұрын
What if I put all the ingredients on a table and come back 200 millions years later, would I find cake?
@equipmentforliving7253
@equipmentforliving7253 9 ай бұрын
Haha good question... I can't rule it out!!
@LouveniaMusic
@LouveniaMusic 9 ай бұрын
This was great!
@petertard
@petertard 9 ай бұрын
If there is a structure, it's First Act, up to the death of Pyle; Second Act, Joker in Vietnam; Third Act begins with entrance of Animal Mother, ends with killing the sniper, the mercy killing, then the song.
@equipmentforliving7253
@equipmentforliving7253 9 ай бұрын
Those are all very important beats for sure, but I don't think that tracks all the shifts in tone
@petertard
@petertard 9 ай бұрын
Is it possible Kubrick just likes his "non-submersible units" and is not concerned with overall structure ?
@equipmentforliving7253
@equipmentforliving7253 9 ай бұрын
Kubrick's films are strongly structured in fifths, and he had an analytical mind, so I'd be very surprised if he was not concerned with overall structure!
@Freddy-Da-Freeloadah
@Freddy-Da-Freeloadah 10 ай бұрын
It always amuses me that critics call Hidden Fortress "Light Entertainment" It's a pretty deep story, and a cinematic masterpiece! One thing you missed is a Japanese song sung in three styles: 1 the fire festival, 2 the Generals attack 3 the princess sings the song from memory... Its a great introduction to Japanese music, which is pretty alien to most of us... IMHO
@equipmentforliving7253
@equipmentforliving7253 10 ай бұрын
There's a lot to enjoy for sure! Awesome, thanks for letting us know. I found the fire festival music really entrancing. One of the film's many charms!
@Canadian-Asian-dude
@Canadian-Asian-dude 11 ай бұрын
Great analysis man!
@rne1223
@rne1223 11 ай бұрын
One of the best videos about structure that I seen. Thank you for providing so many examples. I appreciate it.
@equipmentforliving7253
@equipmentforliving7253 11 ай бұрын
Thanks for the feedback - you're welcome, I'm glad you enjoyed it :)
@joncarroll2040
@joncarroll2040 11 ай бұрын
Outside of the first ten minutes, Star Wars feels less like the Hidden Fortress than most western films of similar vintage inspired by Kurosawa.
@MiguelCruz-oz7km
@MiguelCruz-oz7km 10 ай бұрын
It's more prevalent in the early drafts which were about a general trying to escort a princess to a safe location following the invasion of her planet. That basic idea is dropped from the first film but revived for the sequel which is about a hero (who will later become a general) escorting a princess to a safe location following the invasion of her planet.
@equipmentforliving7253
@equipmentforliving7253 Ай бұрын
Bingo
@EmEsjay1
@EmEsjay1 Жыл бұрын
Dude, this is crazy helpful. You deserve way more love!
@equipmentforliving7253
@equipmentforliving7253 11 ай бұрын
Thank you man, it means a lot :)
@jaykellin3639
@jaykellin3639 Жыл бұрын
This is a really good video. Hidden gold.
@horrorworld8623
@horrorworld8623 Жыл бұрын
What it the background Music?
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
I made it myself for this channel - should I put the music up here as well?
@horrorworld8623
@horrorworld8623 Жыл бұрын
@@equipmentforliving7253 Yeah pls upload the music bro! :)
@charlesjacques1960
@charlesjacques1960 Жыл бұрын
I might actually be the only person who actually loves jurassic world but i got to say that you’re version is really cool too. The fake ending moment is really original
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Haha thank you! I wish I could have liked the movie more, but I'm happy that you did. Cheers again!
@charlesjacques1960
@charlesjacques1960 Жыл бұрын
omg im' so happy!! i found your channel you are awesome and deserve to be seen by the world. Can't wait for the next content
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Thanks mate, much appreciated :) I'm afraid the channel is currently on hiatus, but there are ~20 past videos here for you to browse through, each breaking down a different movie. I hope you enjoy!
@chrismeiklejohn
@chrismeiklejohn Жыл бұрын
Great video, also a nice touch that the midpoint discussion aligns with the midpoint of the video itself.
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Haha thanks mate, good catch! I wish I could say it was intentional. Sometimes things just work out...
@chrismeiklejohn
@chrismeiklejohn Жыл бұрын
@@equipmentforliving7253 Perhaps your video is an instance of good story structure. How meta.
@chrismeiklejohn
@chrismeiklejohn Жыл бұрын
This is really excellent work.
@apc9079
@apc9079 Жыл бұрын
The scene with the gold is oddly reminiscent of The Treasure of the Sierra Madre
@ofirgal733
@ofirgal733 Жыл бұрын
Great analysis but wdym he fumbled his gun didn't the gun gumed?
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
He definitely seems to hesitate, and have difficulty firing the gun - could be psychological, could be a jam :)
@nitrateglow2087
@nitrateglow2087 Жыл бұрын
Another thing-- you mention that what made Star Wars so unique in the 1970s was how it broke from the gritty, pessimistic tone that dominated most American films of that period. It's funny because now I find a lot of Disney Star Wars tries to aim for grittiness (Rogue One, Andor) when that's just going against what made the series so unique in the past. Even if the good versus evil theme does still become more nuanced in Empire and ROTJ, the films were never necessarily "gritty" or bleak, aesthetically or tonally.
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
I know, right? The Last Jedi is an interesting counterpoint here too. Its core message is antithetical to that of the OT, and turns the SW universe into another "shades of grey" showcase. It arguably downshifts the classicism of the series into mere nihilism - which as I tried to argue is exactly what SW was trying to break free from in the first place, and which audiences clearly craved...
@nitrateglow2087
@nitrateglow2087 Жыл бұрын
Great breakdown on a film that most might think is over-analyzed. I too find it fascinating how this movie delays showing us the protagonist. However, it works well-- we get to set up the universe AND we get to see just what Luke is up against (the Empire, Vader, etc.).
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
For sure. When I think of my favourite things about Star Wars, and what I want more of from the franchise today, it's the sense of simultaneous confusion and absorption you get during the first reel or two of this film. You don't necessarily understand what's happening, but you quickly gain a rapid understanding of the worldbuilding. Andor also does a very good job of this, it's just in service of paranoid 70s espionage rather than whimsical adventure.
@nitrateglow2087
@nitrateglow2087 Жыл бұрын
Great analysis of a wonderful movie! The message feels very spiritual, very Buddhist. I also loved your point about Kurosawa's shot compositions and editing compared to modern movies. I've seen people claim older movies are "stagey" because they just let scenes play out that way, but I find these claims ridiculous. The lack of constant whiz-bang editing is why i tend to gravitate more towards classic cinema and Kurosawa's masterful command of his craft is a great lesson in how absorbing such cinema could be.
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Absolutely, it's a great message! I completely agree, so many older films are astonishingly cinematic. And there are plenty of "stagey" modern films, with flat lighting and front-on framing. Movies like Hidden Fortress though - they call them classics for a reason.
@davidww7829
@davidww7829 Жыл бұрын
Great job man!
@koyanishi
@koyanishi Жыл бұрын
I really enjoyed your interpretation of the meaning of this film. But I think you could have pointed out how the two peasant protagonist Tahei and Matashichi showed the Toshiro Mifune character Rokurōta a plausible escape route. Rokurōta showed great pleasure in the irony that these illiterate peasants figured out an escape route that he, a great general, had not considered. This reinforces your thesis that humanity is equally valuable regardless of rank or life station.
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Absolutely, great point!
@magpie1869
@magpie1869 Жыл бұрын
My favorite movie. A good mix of comedy. action and adventure. I've watched it more than 100 times. A couple things - 1) Although the general tells the two peasants his name and the peasants recognize the name as that of a famous general, the peasants do not believe him and do not find out he really is who he said until the courtyard scene at the end of the movie when all is revealed. Until then they believe him to be just a bully. 2) The peasant girl bought from the slave trader is not a prostitute. Wikipedia also falsely labels her as a prostitute. Quite the opposite. She refuses to take John's. That's why the slave trader is eager to sell her. She was recently captured from the princesses land. That's why they bought her. To free one of their own. She is billed as a farmers daughter. Thanks for reviewing. I like hearing other people's take on this movie.
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Oh awesome, it's a great movie! Thanks for letting me know - I often feel like I'm missing things like this in translation so it helps knowing what's going on for real. Cheers!
@JihadiFemboy
@JihadiFemboy Жыл бұрын
The plot is easy to understand, taxes are implemented on trade routes, the Trade Federation doesn't like that, Sidious manipulates Gunray by promising him riches, Gunray blockades Naboo, the blockade causes debates in the Senate and Valorum sends two Jedi to negotiate. That's the set up but now you think about why this happens. The debates will delay any response, and if it takes long to actually deal with the blockade, Naboo will suffer heavily. By telling them to invade, Palpatine will cause even more debate. First they were debating the legality of the blockade then they'll be debating on whether or not the invasion is real and if it's legal then once the treaty is signed, they'll debate on whether or not the treaty is legal. When the debates end, Palpatine makes Valorum out to be an incompetent buffoon for being unable to control the Senate and will point to the devastation of his home planet to show the cost of keeping Valorum around. Would it not be effective propaganda to ask "how could such a nonsensical treaty be allowed to exist?" Palpatine calls for a vote of no confidence and becomes Supreme Chancellor. Pretty obvious how he deals with the Trade Federation's blockade from there. There's also the possibility of having Maul kill a captured Padme and make it look like the Trade Federation did it, that would drive up sympathy for Naboo even higher. Gunray doesn't know about being a pawn and believe that his lobbyists (we see one of his lobbyists in the Senate meeting scene later on) will push for the Senate to try and repeal the taxes once the debates end. Padme escaping and arriving on Coruscant wasn't what Palpatine expected and he turns the situation around by manipulating her into being the one to question Valorum's rule. This makes it even better for him because his original plan draws a lot of attention to himself but now he's just a humble guy who just so happens to replace Valorum as the Republic's new leader. You completely misunderstood Padme's character in TPM. You're meant to see the Queen as a persona, Padme and her handmaiden doubles wear her like a mask. They use the persona to command respect and authority, you can see pieces of Padme in scenes like the Senate meeting where she calls for a vote of no confidence but you get a clearly look at her character when she's in her handmaiden disguise and in her third act because she's able to be herself without the fear of not living up to the powerful persona of the Queen. Obi-Wan does things like disregard Jar Jar and Anakin as pathetic life forms and the movie never said he was impulsive, it's just that he clung to the Jedi Code too hard. Qui-Gon does things like take Jar Jar and Anakin simply because his instincts tell him to and because the Force exists in this world, it's implied that he's allowing the Force to guide him through his fate. Also Qui-Gon trying to train Anakin is a very rebellious move and even though he ends up listening to the Jedi, he still brings Anakin to Naboo as a way of getting around being told no. If he can't directly train him, he can just take Anakin with him instead so Anakin learns by picking up on Qui-Gon's behaviours. We are told that Leia is a Princess but we never see her do any ruling, this argument is very bad lol. Padme's issue is that she can't do much ruling with this blockade causing issues for her. If loads of countries in real life need imports, loads of planets in Star Wars need imports. He literally rebuilt C3PO and his podracer, sure we didn't see every step but why is that an issue? We see Anakin do some final adjustments to his podracer and he even tests it, joyfully exclaiming "it's working!" Seriously? Maul literally tries to run over Anakin on Tatooine for literally no reason and then tries to take down Qui-Gon. Also he's working for Palpatine and looks like Satan, how is this hard to understand lol? Why would we need an extra scene of Maul doing evil things when we know he's the big bad's apprentice? Jar Jar guides the Jedi to the Gungans and there's two payoffs here, the immediate one which is getting a faster way to get to Theed and the later one which is knowledge of the Gungan Grand Army. Jar Jar speaking with Padme also shows her that the Gungans aren't people to avoid, they think and feel just like her people. Comparing TPM with ANH and saying we can see these things without being told makes your points against the characters of TPM even worse because both movies are doing the same thing lol. We can feel Qui-Gon's wisdom, we can feel Obi-Wan's annoyance with Qui-Gon's attitude, we can feel Padme's strong will to help her people, we see Anakin fix things (he does it more than Luke, we can feel Sebulba's arrogance and even see his aggressive behaviours. "All that visual storytelling is gone in favour of overt expository dialogue with no subtext". Oh my God lmfao seriously? There's no way you unironically said that and picking that line about Anakin saying he's a pilot is such a cheap move, I can do that with so many random lines from the originals, "Owen he can't stay here forever, most of his friends have gone. It means so much to him". We already know it means so much to him, this is overt expository dialogue. This isn't a knock against the originals, I'm just showing that Lucas created a certain style and used it since the very beginning. Here's some sourced quotes from two Star Wars OGs. “I told him: ‘You can’t say that stuff. You can only type it.’ But I was wrong. It worked.” - Harrison Ford in Time Magazine May 30 1977 "Some of my lines cost us take after take. 'You'll never get this bucket of bolts past that blockade.' 'I have placed information vital to the survival of the Rebellion into the memory systems of this R2 unit.' "Stilted is a kindness. We used to go to him (Lucas) and say, 'You can type this, but you cannot say it.' But he made up a language - stilted was actually what he was looking for." - Carrie Fisher in Star Wars Insider issue 59 These quotes aren't hard to find at all and they give a lot of insight as to why Star Wars dialogue is the way it is. The originals relied more on the body and facial acting than the dialogue and it's the same for the prequels. You can get the emotional context without the words and the words are there to fill in story context. Take Qui-Gon's death without the dialogue as an example, it's framed as a young man holding his dying father in his arms as he listens to his father's final request. Qui-Gon even touches Obi-Wan's face like a father and Obi-Wan hugs him like a son once he finally passes. The visual storytelling is all there if you pay attention. The dialogue in this scene brings story context so we know what Qui-Gon's final request is. It's the same as the originals if you treat them both fairly. (1/6)
@JihadiFemboy
@JihadiFemboy Жыл бұрын
I don't see how the blocking is bad at all here, especially with how Lucas stylised Star Wars. He wants the camera to record as if it's observing real events, he makes sure that most scenes don't feel like they're framed for the camera. Kinda like a documentary. Jar Jar's sole purpose isn't comedy, he's also there to show that even an outcast like him is worthy of a seat at the table. He may be a fool but he's also the one who helped stop racial tensions on Naboo. Also the humour is subjective, if you like the jokes, you like the jokes, if you don't like the jokes, you don't like the jokes. "Unga bunga primitive savages", what the hell lol. He doesn't think of them as lesser, the whole point of repeating this idea of primitive people being able to beat technological superpowers is to show what happens when you think of these peoples as lesser. It's been repeated throughout history irl over and over again so why can't it happen here? Also the Gungans lose in the movie until Anakin destroys the command ship. The clip of Lucas you used clearly explains it, the Gungans and TPM Anakin retain their humanity and are able ultimately able to beat the dehumanised hivemind. Think about what's happening, Anakin's HUMAN ERROR saves the day. There's no such thing as human error in a world devoid of humanity and that world is where the battle droids live. This is why Lucas chose to intertwine 4 battles, each battle affects the other both literally and spiritually. Gungans losing, Padme being surrounded, Anakin gets stuck in the control ship, Qui-Gon being killed, there’s a consistent flow of things going to shit for out heroes. Then we see Padme successfully trick Gunray, which eases the tension but then we go back to the Jedi and everything seems fine until Obi-Wan is hanging on for his life, there’s a flow of relief and tension. Now that the tension is back up again, we go back to Anakin and he’s still stuck, Lucas is using the tension from before nicely until he can give more relief by having Anakin destroy the control ship and successfully escape, this leads to the Gungans being freed and more relief. This gives us hope that Obi-Wan will find a way out too. (I watched in chronological order the first time I watched the films) And Lucas is able to use the music to build up to that final bit of relief with an explosive leap and slice from Obi-Wan. George is right to complain because his main demographic is 12 year olds, sure the films are for everyone but what he wanted to make isn't supposed to pander to aging fanboys who think the original trilogy was super dark and mature. Lucas has said that all 6 fils are fairly lighthearted, that means that they don't take themselves too seriously but they also still have something to say which means that you can't turn your brain off either. The issue isn't Lucas, the issue people having misconceptions on what Star Wars is. The Jedi don't dress like bums, they dress humbly in the attire of farmers. Why is it bad for space monks to wear simple clothing like irl monks? It's not literally the planet's core it's just a name to that route of travel, it's like how there's a Hell's Kitchen in New York. That's not literally a part of hell, wow God made a huge plot hole dude! R2 is there because Lucas wanted him to be the observer of many key events in the saga, in Lucas's mind, the tale is from the journal of the Whills and the writer of said book learned the story from R2 100 years after ROTJ. Why do you assume that Qui-Gon can't understand R2? He's literally one of the most common type of droids in the galaxy and the Jedi have to go around the galaxy solving problems like the one in this movie. Also R2 has the exact schematics of the ship stored in him which is something Qui-Gon needs. He takes Jar Jar with him because he'd rather have Jar Jar under his eye than have him cause issues in the ship. The reason why he didn't want to take a handmaiden with him is because now he has to look after her too instead of just looking after Jar Jar and R2. The internal resistance is already there and it's obvious because she didn't go out with them, she came out after they already left. It's kinda obvious that she had to push herself to go into Mos Espa. Calling Lucas a bad storyteller when you're sticking to a very basic plot guide is really ironic, sure a lot of stories fit into this 3 act structure but they don't all fit into it in the exact same way lol. (2/6)
@JihadiFemboy
@JihadiFemboy Жыл бұрын
Yeah it's a bit convenient that they arrive at Watto's shop first but one that's the nature of the Force and two it would slow things down too much if they go through a few other shops before arriving at Watto's one. Thank you for looking at Padme and Anakin's meeting fairly. It's not convoluted lol, Watto has the parts they need and these parts are pretty rare so it's not worth the time to see if Watto's telling the truth about being the only guy here with them. It's not convoluted at all, the original bet is Watto gets all the prize money and Qui-Gon gets the parts he needs if Anakin wins. Then on the day of the race, Qui-Gon makes a second bet, if Sebulba isn't 1st place, Anakin and Shmi go free. But Watto says one person only and they choose who by rolling a dice so now there's two bets. One, Anakin will win and two, Anakin will beat Sebulba, even if Anakin doesn't make first place, he can still beat Sebulba. If someone else wins and Anakin still finishes before Sebulba, that makes Anakin faster than Sebulba and suddenly the value of his podracer will increase heavily so they can sell it and buy the parts or just trade the podracer for the parts. The problem is solved as long as he beats Sebulba, being first was just an extra bonus because he's able to give the money from selling his podracer to his mother before he leaves. Thank you for acknowledging how great the podrace is and how Lucas had to constantly push forwards despite what Hollywood else told him to make his vision into a reality. The issue with trying to free Shmi is that he's gonna have to do it by force and all that's gonna do is make it worse for other slaves, there'd be more security put in place to stop people from freeing slaves and the few liberties we've seen the two Skywalkers enjoy would be taken away from the remaining slaves. There's also the possibility of creating conflict with the Hutts because that's clearly something the Republic isn't too keen on dealing with. It's selfish for him to try and get Shmi too when he was lucky in getting Anakin free. It's not kidnapping, they ask for consent from the parents/guardians before taking a kid and Anakin has already been told by Qui-Gon that it's hard being a Jedi. Shmi let Anakin go with Qui-Gon because she felt that a life in the Republic is much better than a life in the Outer Rim. Anakin wants to go because he's heard about Jedi saving lives and now he's met one who's saved him. If Qui-Gon is telling Anakin that he wants to train the boy, then he's gonna want to go and get trained up because he feels like he can save others like what Qui-Gon did for him. It's similar to how Luke went with Obi-Wan but the difference there is that he's 10 years older and his guardians are dead so there's no fear in moving forward. Anakin knows he has to move forward but is internally struggling with the idea of doing so, we even see Anakin seeking that motherly comfort from Padme when they're in the ship while Luke is able to accept change when he sees his home up in flames and his family dead. Why would Anakin think about staying on Tatooine to do more races? He can't stand the place and Qui-Gon has opened the idea of there being a greater destiny for him. Also he had a certain level of safety thanks to legally being property and now that safety is gone right after he's caused a lot of people grief by ruining their all or nothing "Sebulba will win" bets. Think about what happens if these gamblers pull up with blasters for revenge. They wouldn't do anything to Shmi because she's legally property and messing with her means messing with Jabba, he wouldn't like the idea of people other than the master killing a slave because if they mess with Watto's property like that, they're showing that they could do the same for his property. All this and the fact that Qui-Gon feels so strongly about Anakin possibly being the chosen one means that leaving Shmi behind is the only option. (3/6)
@JihadiFemboy
@JihadiFemboy Жыл бұрын
"No one was around to tell George no this time", seriously? Lucas has always had full creative control from the beginning and he's always listened to other suggestions, if someone has an idea he likes, he implements it, if someone has an idea he doesn't like, he leaves but also tells them that there's other opportunities to contribute. There were no yes-men during the prequels, Carrie Fisher did a script polish on TPM and she got what was going on. She just improved some dialogue here and there and gave it back to Lucas. For AOTC, Lucas had Jonathan Hales on as a co-writer and this isn't 100% confirmed but from what I know, Fisher did another script polish here. For ROTS, Lucas got some input from Steven Spielberg. I'll go back to the originals now, Lucas wrote ANH and look at how much everybody loves that. For ESB, Lucas hired Leigh Brackett but she passed away after finishing her first draft and Lucas didn't like the draft so he rewrote it himself and hired Lawrence Kasdan after doing multiple drafts. Kasdan's main contribution to ESB was working with Lucas to create Yoda's dialect and some dialogue changes here and there. "Over the three Star Wars films, he saw a trajectory. The Empire Strikes Back was the second act, and traditionally, the second act is when things start to go bad. George had made his (most important) decision when he hired Irvin Kershner to direct, even though Kershner and I were acting as his tools." - Lawrence Kasdan. For ROTJ, Lucas again wrote the script and Kasdan did some dialogue changes here and there. People like to overstate Kasdan's involvement just to spite Lucas but all they're doing is harming Kasdan because when people push back on hate from aging fanboys, they end up pushing back a bit too hard and make it look like Kasdan was just sitting there doing nothing. Midichlorians don't demystify the Force at all, they use science to enhance the spirituality of it. Let's recap the basics of midichlorians, everybody has them inside their cells, they are a middleman in communicating with the Force (they're not the Force itself) and with enough training, one can focus to communicate with the midichlorians in order to use the Force. Also people are superorganisms, organisms made up of many smaller ones. We host billions of microscopic life that we have symbiotic relationships with, they help our bodies perform necessary tasks in exchange for a place to stay (our bodies). There are two types of Force, the Living Force, which is your own energy you make by simply being alive and the Cosmic Force, the energy of the universe. Everything that has ever lived feeds into the Cosmic Force, binding everything and communicating to us through the midichlorians. This implies that it has a will of its own and it can influence life. But there are these beings called the Whills (obvious word play on will) that feed off of the Force and they are the ones sending signals when they feel something is out of balance. Lucas has stated that we are kind of like cars for these beings, they push us in different directions for their own needs. Their need is for the Force to be in balance so that they can thrive. But this raises questions about free will, are the characters really in control of their own action? And no, the characters do have free will. Things like Qui-Gon feeling that the Force wants him to take Anakin isn't the Whills mind controlling him to do so, they're just nudging him to follow that path and ultimately he decides whether or not to follow through. We exist in a symbiont circle and without one half, the other cannot exist. These different circle motifs appearing through out the films represent different rings/levels of life, things as large as the universe and as small as microorganisms form circles. It's a thing that unites us all despite all of these different things having their own methods of interpreting reality, we understand reality in a different way to dogs and we believe that we are the highest because of our ability to speak. There's circles within circles within circles, planets within galaxies within universes, cells within organs within humans, etc. Qui-Gon's words to Jar Jar at the beginning of the film, "the ability to speak does not make you intelligent", holds true. We like to believe that we are the smartest but "there's always a bigger fish", something greater out there that we can't fully comprehend. There's many types of consciousness, the Whills don't think like us, animals don't think like us, plants don't think like us, etc. The reason why childish fans are upset at midichlorians isn't because they can't understand them (it's not hard if you bother to think about them) but it's because the concept asks you to humble yourself and take pleasure in knowing that you're part of something greater, we are all individuals working together in a community, this is also why the 4 battles all happening together is a genius move, it highlights this idea. Some people think the world revolves around them but they don't realise they can't exist without everything else that is there, everything is connected together to form this world. I'm not smart for understanding midichlorians, I just took the time to think about why Lucas created the concept and anyone can do this, not just me. This use of science to enhance the mysticism of the Force doesn't ruin it at all, it stops being an imitation of Taoism and expands on the ideas to become its own thing. He is taking an idea and pushing it further and the only way to understand why is to ask yourself why Lucas did this. (4/6)
@JihadiFemboy
@JihadiFemboy Жыл бұрын
Yes, by the time Padme meets with the Gungans, she is able to wear the mask of the Queen while also allowing herself to be more human. Good explanation of the link between Padme/The Queen and Palpatine/Sidious. The third act isn't overblown, it's not hard to follow at all and Qui-Gon and Maul are far from being the only interesting characters in the prequels. The character substance here is seeing how different characters react to their battles. Qui-Gon and Obi-Wan take Maul really seriously, it's been a thousand years since the Jedi have last seen the Sith and now they're back. Padme shows that she's not as naive as most think when she successfully tricks Gunray, Anakin sees it all as a game like the kid he is and he starts out by causing unintentional death in his ignorance by killing the crew of the command ship and in the next film, he's gonna intentionally cause death by giving into his rage and in the third, he's gonna intentionally cause death in cold blood. Each film raises the level of evil of Anakin's kills until he becomes the inhuman Vader. Jar Jar of course is being a fool as usual and his simple nature does come in handy at the end. By surrendering, he ends up saving the Gungans from being completely wiped out. If they continued to be fight, there'd be no Gungans left. The dark mirror aspect is still there in TPM but it hides it under a layer of childish innocence because that's how Anakin is, he has all this darkness hidden beneath this layer of innocence. We even see a hint of it when he's angered by Padme calling him a slave and when he's clearly struggling to hide his anger when the Jedi Council reject him. TPM's Coruscant seems so much more upbeat than the Coruscant of the later films because we're seeing it from Anakin's view, he's seeing all these huge skyscrapers and thinks this place is some paradise, but if you notice the homages to Metropolis, you know that there's a lower class in the depths of this world. Then in AOTC, we're introduced to the lower levels of Coruscant with homages to Blade Runner with a more jaded and moody teenage Anakin. I already explained Anakin seeking motherly comfort in Padme in the ship but he does it again when they land on Coruscant, he goes with her and we get a repeat of Anakin standing between Qui-Gon and motherly love. The first time this happened, Shmi was the motherly love and he leaves her to go with Qui-Gon and now Padme's taken her place and he ends up going with her. Another moment of pure visual storytelling that people seem to miss. (5/6)
@JihadiFemboy
@JihadiFemboy Жыл бұрын
Also ANH is Leia's plight with Luke stepping into this greater world without much context beyond "the people I'm fighting with are good and the people I'm fighting against are bad", it's the same with TPM, it's Padme's plight with Anakin stepping into this greater world without much context beyond "the people I'm fighting with are good and the people I'm fighting against are bad". The issue is that in ESB, Luke grows up and learns to think in a more mature way and it able to realise that the most dangerous evil is the evil within but Anakin doesn't learn this. The cave scene in ESB mirrors the scene of Anakin entering the Tusken camp. Luke enters the cave, Anakin cuts open a hole and enters the tent, Luke finds a vision of his father and Anakin finds his mother, both Skywalkers give into their hatred and behead their enemies. Luke sees a version of the yin-yang symbol with Vader's blown up mask containing his face. He learns that there's evil within good when he finds out Vader is his father because he's promised to become like this man. He realises that his ambition could destroy him and leave a husk like Vader. But he also learns there's good within evil because can feel that his father genuinely cares for him and he's even proven right when Anakin saves him. Lucas made TPM the way he did for a reason, we see the awful state the Republic is in and we know that Palpatine doesn't come into power until the end so the issue isn't that Valorum is just a bad leader, the issue is that the whole system itself is broken and in need of change. Not having this will neuter the commentary on America. The reason why we don't have a dark side moment like what you suggested in your changes is because we're meant to see that Anakin's fate isn't set in stone yet and that it's unfair and hypocritical of the Jedi to assume the worst of him by using their fears of his immense potential in their decision to reject him. Qui-Gon focuses on the present and right now, Anakin has done no wrong. To selflessly risk dying for a bunch of strangers in a podrace with no thought of reward was a very Jedi-like move of him but these guys weren't there to see it. Instead they focus on the future and are worried about the possibility of Anakin becoming evil when the only evidence they have is his attachment to his mother, they unintentionally vilify him for it despite the fact some of them had similar attachments they had to get rid of too. Lucas wrote all 6 films, he funded 5 of them and again, he never surrounded himself with yes-men. That's just a lie that RLM made up. Audience didn't hate TPM, the response was more mixed, some loved it, some thought it was nice some thought it was just ok, some didn't like it and some hated it. Aging fanboys were really loud in their hatred and that's why the prequels have such a bad reputation. Lucas had full control from the beginning, the only limit he had was technology, not other people and by the time he got to work on the prequels, technology caught up. The reason why John Williams' score is so good is because he has something good to work with, compare his work on the prequels with his work on the sequels and you'll see what I mean. Williams has to believe in the story to create music this good, another case of a symbiotic relationship. Lucas makes a good story and Williams makes a good score, then Williams' score might cause Lucas to change certain scenes a bit to sync the visuals with the music. Pretty sad to cry about one fart joke that isn't as simple as it looks, Jar Jar is so low that even the animals who are on the bottom of the pecking order will fart on him and laugh. Someone that low is still worth something, that's what Lucas is saying. (6/6)
@donsan6404
@donsan6404 Жыл бұрын
Can you do the LOTR or the Matrix
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Solid suggestions - LOTR is especially high on my list! If I ever revisit this channel I'll probably start there. Meanwhile here's a pro tip - the theatrical version of Fellowship has both 3- and 5-act structure, but the acts don't start until after the prologue (ends when Frodo appears). A New Hope does a similar thing, with a 16-minute prologue before Act I starts (I did a video on that a few months back). Thanks for watching!
@Benception
@Benception Жыл бұрын
One sentence really summed up these prequels well: 'extended toy commercials and shallow politics' 😂 A bizarre blend indeed My feelings on the prequels have evolved wildly over the years. As a kid, I unrelentingly loved them. I grew up watching them with my brothers and they were my childhood movies. Then my exposure to the internet at around 10-12 years old lead to the discovery of "the prequel hatred". Some of which was well-worded, but most was intense and "fanboyish" to say the least. I was conflicted as a kid, feeling too embarrassed to admit that I liked them. So I forced myself to hate them for a good few years. Now, it's an even more bizarre time. There's a resurgence of prequel love and the internet hatred has moved over to the sequel trilogy (I actually quite like them, but that's a whole other tangled web). The prequel trilogy is a fascinating and frustrating landmark in cinema. A trilogy that has had director's free reign control, merchandising, toxic fanbases and nostalgia constantly changing the quality and perception of it over the years. As for my current verdict, I'm choosing to view them as just a flawed series of films that was crucial to the bonding experience I had with my brothers. We loved them. We had a blast. And we still quote them to this day. Even if they are flawed. Great breakdown as always. It was an interesting note at the end about how this trilogy's theme could be viewed as 'losing freedom' then the original trilogy is about 'attaining freedom'. Hope you take a well earned break! 👍
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Thanks so much. That's a really interesting perspective. I understand completely that you loved these as a kid. I loved Episodes 1 and 2 on their release, but by 3 I was a little too old to get as much of the same enjoyment out of them. It's a shame, but like you, these will always be an important part of my childhood/youth. They were important enough for me to want to break them down anyway! Like you I am also fairly okay with the sequel trilogy. I had hoped to get through those breakdowns too, but maybe if I ever come back to this channel I'll start with them. Thanks for watching over the months, I really appreciate it :)
@TheStaggaz32
@TheStaggaz32 Жыл бұрын
Great video, mate!
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Thank you, and thanks for watching dude :)
@namedjohnsmith6780
@namedjohnsmith6780 Жыл бұрын
Great video! Thank you :)
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Thanks for watching! :)
@michaelkazich6436
@michaelkazich6436 Жыл бұрын
Loving these prequel videos. Listening to this will make the commute to work so much better tomorrow
@equipmentforliving7253
@equipmentforliving7253 Жыл бұрын
Awesome, so glad you're enjoying them :)