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Reamping. It may be a basic part of your recording process already, or it might be something that you’re just starting to dip your toes into. Even if you’re deep into the reamping game, it’s always good to get a debrief and reminder on why processes help elevate your workflow in the studio.
So get ready, because we’re going to go over the basics, process, and benefits of reamping, and why it could be the very thing that elevates your creative process.
3 Big Reasons Why We Reamp
1. 🎸 We reamp so we can focus on our playing first. Think about it-- to get that “perfect” part, we want to focus on things like feel, tone, and quality performance before anything else. Once we have those, we can have a ton of fun hearing ourselves play it back and fiddling with amps and pedals while we sip a cup of our favorite tea (or another drink of choice).
2. ⌚️ We reamp when we’re in a time crunch. When you’re a producer working with an artist, we should remember that it’s always best practice to split the musician’s signal with a DI to capture a clean recording, especially when they have limited time or budget with you. But when you know you can reamp after, setting them up with a basic amp, effect or modeling plug-in allows them to be in the zone and focus on the quality of parts while recording. That alleviates the stress and pressure of getting the “perfect” sound, which can be accomplished by reamping their direct signal… after they’re done.
3. 💻 We reamp to leave more control for the producer. As multi-instrumentalists and remote studio musicians, we might not know what sound our producer is looking for. Nailing our performance through a DI allows us the mental and emotional freedom to work with their input, and finding those sounds via different amps and pedals, rather than playing it over 20 different times. Additionally, if you don’t have the proper set-up for that producer, they can reamp your direct performance that you worked hard on.
Reamping leaves you a ton of options to try out sounds and have fun with the parts you recorded once you get it nailed down. It’s great for flow, and for when you’re working by yourself on parts.
With reamping, you can go into a song trying to sound like The Meters, and end up leaving sounding like Rage Against the Machine. The key is knowing that what you’re reamping is already your heartfelt performance and that the reamping process is a sonic icing on the cake of a day well spent recording.
❤️My Favorite Plugins:
➡️Waves MV2: waves.7eer.net/c/1205870/2868...
➡️Waves RBass: waves.7eer.net/c/1205870/2868...
➡️Renaissance Vox: waves.7eer.net/c/1205870/2868...
➡️Renaissance Compressor: waves.7eer.net/c/1205870/2868...
➡️Warren Huart IR Pack lancasteraudio.com/shop/ir-pa...
➡️Warren Huart Kemper Pack lancasteraudio.com/shop/kempe...
❤️GEAR:
➡️Stealth Sonics: stealthsonics.com/?aff=3
➡️UK Sound 1173: vintageking.com/uk-sound-1173...
➡️Apollo x16: u.audio/apollox16-plap
➡️Apollo Twin: u.audio/apollotwin-plap
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