That depends on what you mean by muddy. Recording require a lot of practice and experimentation. A good place to start is to make sure you got a good tone in the room. Place the mic about 2 inches from the grille cloth on the amp and point it about where the speaker cone is glued to the speaker. Not dead centre but 2-3 off to the side. Move the mic closer to the middle or further away for more or less brigtness. Make sure you set the right pre amp volume on your sound card and DAW.

Thank you! I would place this after the gain effects - your fuzz and muff - using it as an EQ for those pedals. See the video and my settings when I'm using it with the Motherload. That should give you a start.

As a mono effect I would place the RT20 after the gain effects and before delays and reverb.

The Dover is, as the name implies, based on Eric Johnson's Tube Driver tones, with his Marshall amps and usually with the bass and treble controls on the pedal rolled back to bring out the mid range. The Dover sound closer to a Tube Driver with more gain.

Thanks! And good luck with your project!

I don't have a Binson at hand so I haven't been able to do an A/B test. The Preamp on the Deluxe is pushing the input stage and adds a bit of saturation and compression. It makes the repeats sound a bit fatter and you can also turn everything down and just use the preamp to push the front end of your amp. It's not overly hot though so it's not a substitute for a booster pedal.

Well, I don't agree with that. About Face was a product of the record company wanting to groom David as a modern guitar hero, with strong control over the production and promotion. He had an unknown name in 1984 and made some bad decisions. I love that album and era though. Rattle That Lock is a confused attaempt at making a huge sounding Floyd style album and reclaim name you associate with Floyd. I think David was more concerned about what Roger did at the time, rather than making a good album. I went to the tour, saw him several times and thought both he and the band sounded amazing though. To me, his 78 solo album and On an Island are the only two solo albums where David sound relaxed and true to himself. Say what you will about the performance, production etc but he is not a flashy rock star. He has always been more comfortable with keeping things close and intimate. I love those tow albums mainly because they sound like David Gilmour. No one else. That's why I'm now beginning to have hopes for this new album. Based on the two singles, I can hear strong similarities with the 78 solo album and On an Island. A David Gilmour that is true to himself.

Thank you!

Thanks!

Well, they’re “SOLD OUT” … so not overpriced, apparently …

The Boonar has all the features and the tone but the Deluxe definitely sounds more authentic. Depends on how picky you are I guess.

The Pulse was used only on the first solo on the main jam track set up for a fast rotary.

@@gilmourishofficial. OK, that’s what I thought … thanks for clarifying, Bjørn! 🙂🙏🏼

Cheers!

Yes. It’s the law.

The Boonar has all the features and the tone but the Deluxe definitely sounds more authentic. Depends on how picky you are I guess.

There's other ones that have been out for awhile that are cheaper.

Well, it’s SOLD OUT … so, there you go …

@@kierenmoore3236 So what.

@@edreynolds8721 The point being, he wasn’t that “insane” when he priced it (I was actually responding to the OP). If anything, he could have priced it higher.

@@kierenmoore3236 Supreme charged 30 dollars for a brick and they all sold out within minutes, not to mention all of their other horrendously overpriced junk that is gone instantly. Just because something sells out, that doesn't mean it isn't overpriced. I also didn't even call it overpiced, just said it had an insane pricetag, which at 1200 dollars for an Echorec sim pedal, it absolutely does.

Cheers!

Thanks for the tip! Yes, the Flashback pedals are well worth checking into.

Thanks for the tip. I have the X5 so will be checking this ttoneprint out.

Thank you!

Cheers!