Variety of Sounds entire plug in suite is a must have for me.

I always look forward to your new vids now. Thanks! I would love to see a deep dive about Molotok. Its in my tool box but I havent used it much

50 milliseconds is a fast attack? Or did you mis-speak ?

My go-to saturator for vocals is usually Saturn 2, although I envy avid users because pheonix 2 and reel tape saturation sound amazing

Thanks. Best/Mathias

Name of Song

A frequency masking 'tip' that just swaps one problem for another isn't a tip at all. I like your channel but this 'short' offers nothing useful.

Now I understand why the old Pultec EQs had the odd ability to dial in a notch and a boost simultaneously in the upper range! Cool. Maybe this question is better for Patreon, but is there something about the harmonics of a Pultec emulation plugin that makes it particularly good to reach for when utilizing this technique? In other words, when using the high shelf boost/ narrow bell cut you demonstrate here, will using a Pultec generally get a better result than other EQs?

Amazing Tip! Thank you very much 👍

Thanks!!!

Loving this series of vids! Apart from eq'ing I didn't realize saturation played such a big part in separating freq masking! So much to learn.. Thank you AM!!! 🙏🕊️

Such a great channel. Thank you

Thanks. Best/Mathias

Wonderful. Thank you...

Said it before and I'll say it again - best audio mixing channel on KZfaq. Thanks again.

I can’t tell if your Marc Daniel Nelson or not

Sometimes I'll get stuff in my home studio recorded well enough that mixing is pretty straight forward. Other times you'll get the drums done, then add the bass with them and have them good together...but then you might add the acoustic guitar and now the bass sounds swamped out or the kick sounds too tubby. Remove the acoustic guitar and you have nice clear drum and bass again. It's funny what the addition of one instrument can have. And even trying to remove frequency content from the acoustic guitar where you think it should be interfering with the bass or the kick just doesn't seem to work too good. I tell you what there's a lot to be said for arranging and then tracking as smart and as good as possible. Saves you headaches mixing.

Great video, great plugin!! And thank you for demonstrating with some really good music. Sometimes I just can't watch videos like this when terrible music is used (I know, it's subjective.....!!)

I loved it :-) Thank you for making this video. I am going to practice with it. Question: when the instruments are not freed from masking and you add the vocal. Let's say you use the Izotope unmask feature to unmask the vocal from all the instruments - if I understand your video correctly the vocal can still fight the music because the music itself is competing as well. Would that mean such a feature is not really helping and one should learn to first how to get the music instruments not competing before adding the vocal or does such a feature as Izotope unmask do work? Of course when you use an instrumental track there are other methods needed I guess to make it sound as 1. I compose orchestra and add the vocal, that means a lot of instruments are playing - should all the instruments go through the example you show in the video or would you do that from a bus where a group of the same instruments come together like 1th violins, 2nd, celli, violas, basses ect...Thanks in advance

This came at the perfect time. I'm learning orchestral mixing and frequency masking has been a huge issue with so many competing ranges and timbers. Thank you very much

Would using dynamic eq be any more beneficial?

Good job, try free vst the masker

The more I watch your videos the more I learn...I think🤣🤣🤣🤣😆😆😆😆😆 My drowning incident as a child has had a major impact on how I learn and retain information, but I refuse to give up because I love music. Thank you for your simple yet efficient teachings.

Never seen/heard it explained so clearly as this.. will definitely take some practice! Knowing and hearing the lower frequencies affect the higher like that with these two instruments is a great example! Learning to cut rather than boosting is also another habit I have to get into.. Thanks AM! 🙏🕊️

Thanks, best/Mathias

As usual, your tutorials are first class, and here's a small sign of my appreciation.

Thank you! I have recently noticed when using MIDI orchestral instruments in stereo, that they go in and out of phase. Now Im wondering if that is whats making the whole orchestration sound thin.

👍

I tried it. This vocal chain is MINT! Thank you soooo much. I’d love to see what you do for bass and drums.

Here go... got my Coffee and ready to learn.

too good, that must be illegal

Great stuff! Cheers👍

Very cool! Great to hear how subtle wide EQ moves can work so well at such a small db difference.. and the cuts before a.rsised shelf 👍 Thank you! 🙏🕊️

Awesome 🙂

Great video.

Thank you for this video

Great tips. Thanks👍

Have not been on here for a while due to work, but coming back and finding another great video is really cool. Thanks

How would you approach this using hardware compression through the DAW, specifically the phase issues?

I cherish your every video

Cool ❤

Why does this sound like an ai voice?

This should be in sll plugins now, auto gain

Excellent in every way!! In hardly 20 minutes you manage to explain everything that is essential in the matter, and you do it so well! All other videos fade against yours. I think it's just a matter of time until your reputation spreads. Of course you have a new subscriber. Thank you very much and all the best to you!!

I always wondered why that 32 or 64.bit float was there.. 👍

It’s so funny to me when sound guys have terrible mics

Great video, thank you. I’m new to music production and one thing that confuses me is, should I be doing any gain staging during the production phase at all? Or should I not worry about gain staging until I have my bounced audio files and I’m ready to begin the mixing phase?

One last question at the end of the video when you taje the sides of the drums , organs and guitars. My question the tracks labeled mid and side for each. Are they duplicate waves called side and mids or are they example drum buss sending to another buss called side and another called mids for each. My question is did you duplicate waves and called it side and mids for the drums , organ , guitar. Do I need to do a stereo mix down wave for each and apply the trick or its get applied to a bus called mid adn another called side for each before it goes the last buss called sides. I got lost heir. Highly appreciate it.

...all the years wondering...thanx for explaining this ;-)